Hundreds of other items
at special discounts
of other items.
BIN
Tnuva Frozen Poultry
“Off Tov" Chicken Tidbits 1 kg.
8-6+60 is 53.30
Chicken Size 3
S27AT0kg. 1S 23.90 kg
”Yehiam{ “Rio 800 “ wurst
is40625 is 78.50
“Milosan™ beef rissoles, 1 kg.
\s76-75~ is 65.60
“Tirat Zvi" skinless
Sausages, 500 g.
iS-4¢30 is 44,50
Cleaning materials
“Moitat™ toilet tissue; 24 rolls -,
‘Baar is 89.90
“Helen Curtis” ‘Egg shampoo, .
‘600 g.: ee -
1S-4800 is 36.60᾽
Fruit scented soap
5.5.9 5. is 7.55 .
“Shenon™ toothpaste .
ston is 7.50
“Ama” dish washing paste
3.6 kg.
9686 1s 82.40 -
It's Great!!
7,7. OT
Do your shopping at a Tnuva Hyper-Shuk — for the very best in fruits,
vegetables, dairy foods, meat, fish, poultry, canned goods and thousands f
All Hyper-Shuk products come to you directly from the
manufacturers and growers, superbly fresh and at the cheapest prices.
Today there are ten large Tnuva Hyper-Shuks located i in shopping centres
= Vegetables at Thuva
7 spine and low rin price .
nan thuva all
Far more thana hypermarket -an EVENT!!
i
tilk
Niclaleri aad
Tera
Do it yourself
and Leisure - time products
Selected, frozen
“St. Peter's Fish”, on tray
ΙΒ. ἡ ΤῸ kg. 1s 63.20 κυ.
HODU ADOM AND
“SHWARMA"
1S-66-60°%9. Is 47.50 kg,
Turkey gizzara , 500 g.
\s-2470 1821.70 is
Turkey cutlets
1S77— kg. 1S 63.75 kg.
Small “Emka” toaster-grill
Ι5.945:Ξ. is 690 .---
“Tiger” Raincoat against the
rain and wind, with zipp
6360 Is 279 Is
Emergency car booster cables
\s.a2e= Is 179.—
“Hamutzon", pickles server
Ι547:. 1s 35,—
A great variety of cheap
Young bakala
IS-47-60 kg. 1S 43.60 kg.
Coated “St. Peter's Fish" steaks
IS-+HOT0kg. Is 99.00 kg.
Canned i ΠΟ ΠῚ
“PRI TNUVA", 22%
TOMATO PUREE; A/2
IS+330 is 11.65
“Yakhin" peas and carrots,
Ap
8+270 1810.05 .
Large “Manzolino” Olives, 43 oz.
ΙΒ 24.90 onlyl
“Naor! Tuna salad, 180 6.
Is-+350 Is 16.50
blankets, stoves, torches,
knitting wool, etc.
Groceries
“Qsem" filled cookies, 1 kg.
is-beTo 1s 41.10
“Mata” chicken soup and beef
soup, 1 kg.
\s.6680° is 39.60
“Elite” chocolate drink
“Shokolit” 500 g.
Is 2600" is 33.30.
"Elite" lemon and choco
“wafers, 500 g.
iS.2220° Is 28.50
“Froumine” puff pastry, 400 g.
(S1460~ 1s 10.90
“Shahaf" burekas, cheese,
spinach, potato, liver, 400 g.
8.25 πε΄ is 24.45
“Shamir” salads, various, 600 g.
And a selection of items by
’ Pri Tnuva, Osem, Milosan,
Elite, Yakhin, NoonYona,
Molett, Shemen and Off
Tov, at a discount of
25%.
Products subject to price
control or subsidy are
liable to orice changes.
All fruits and
Hypershuk are tops in”
Tnuva's countrywide chain of Hype Γ markets:
Rishon Lezion (Ramat Eliahu): Petah Tikva (Near the
Central Bus Station); Haifa {Tirat Carmel):
Jerusalem (Wholesale Mar et, Givat Shaul); Ashkelon
(Near Shikur Darom); (At Acre’ Safed ?
in ection): Afula (Tnuva Branch, Koresh St.,
havia Βα); Beit Shean (Tnuva Branch};
Rehovot (Brener incu strial Zone, near Bilu Intersection}:
Netanya (Tnuva Branch)
Hyperma rket Haifa (Vulkan Jur
Π1ΠΠΊΠινα ΜΝ ΩΝ
tion}
offers for winter — electric
Ϊ «ΠΕΣ ΣΣΞΆΞΣΞΕΙ
BOCA τρις de TAPED
eta ΕΞ ΤΠ ee ὍΣΣ ΤΊ τατς τιν τ acct anti atehcaecher ae aR ret retrentt eRe TE Ee Στ τ
eee?
f | eH ΕΑ α LIBRE
᾿ ἢ Ὁ
as os T°
MAGAZINE
Friday January 15, 1982
τὰ, ee της των κὰν τος...
ΓΕ ae ΡΝ
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τα ὡς βασι re: ie ,
rtemational = ᾿ - ω 7 ot WA ΠΡ
NY 2953 NIN
|
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Only a big concern like the Reaven Carpets
ΜΝ
Chain could give you a carpet today. and let
you finish paying i September 1982
er Sal
aMietadeuty 0 <Glty: Tc sae SNe
EQVEN CARPET Ch
4 Lo Tce 1} ΞΖ
ihe ATRL eT ame o 7
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eo ΝΥΝ Ε x a oe .
Oper saturday evening €.00-16.00e.0n%,
Iie ts parking Wt τὰ, Αὐν! Be
noe . « "Our Bank puts
os set ae | the world’s
—_ i rs
Yosef Goell-examines the Likud's rela- Marsha Pomerantz hears Elizabeth The Weekend Dry Bones. po τ᾿ ᾿ ' stock excha es
tions with the press. Kibler-Rass talk about death. 12 In the Poster Pullout: (D) With Prejudice, Ὲ ᾿
᾿
i
¢ 6
; ᾿ by Alex Berlyne; (F) Hatm Shapiro's Mat- :
Fried learns about the - ters οἵ Taste; (G) Theatre, by Mendel I up)
Pe iee nae Tables 8 The Art Pages with Meir Ronnen, Gil Kohansky; (H) Dance, by Dora Sowden; (ἢ Σ a our e
} i Goldfine and Ephraim Harris, 13 Telereview, hy Philip Gillon; (J) TV-Radio '. : --
: - 7 i
Schedules; (1.) Helga Dudman comments on .
Ephraim Kishon's return ta print; (M) Esther Verdiger, Manager:Foreign Securities Advisory Service.
Cinema, by Dan Fainaru; (N) Bridge; (0) * :
: - Rock etc., by mod Mesias Bie; ie bead ᾿
; ᾿ ῇ : . (0) Music an usicians, by Yohanan -
ὧν he one: Γ Lief ech Wim Van Leer spends a night on the beat Martha Meisels markets with young con- Buchm: (R) Between Acts, by dean τι
Tyeacl Talby, (See page 9} with the Zurich police. 1. sumers, 18 Borsten.
Carol Cook and Israel ‘Talby meet (ml
Lichtenfeld, ἢ 7t-year-oki expert on
the martial arts,
‘The Book Pages. 15
amashbir Lazarchan
_ End-of-season sale |
Tokyo
The foreign department In Bank Leum| can now tell
you what's happening In the world’s stocks and shares
markets at the time that it's happening.
The screen of our computer terminal (which is linked
to the world’s important stock exchanges) enables you
to monitoy events as they happen and -.
also to take part in what Is happeririg. ©
" Bank Leumt's foreign department .
“buys and sells shares, bonds, gold and.
silver for you. Whilst doing’so, trends |
are checked and prices inthe ὁ
.. world’s different markets are
- comparéd,..This way,you get the.
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The stocks and sharas
department in your Bank
Leumt branch or the main
. ‘foreign department of Bank
i Leumi (105. ‘Ban Yehuda St., ..
"“TaleAviv) will be happy to provide
: you with any advice that you may -
ἢ require on the subject of forélgn
cocks, arid shares, : τῆς
pn - πππδᾶιννπση :΄ απο απο παν
THERE CAN be little doubt that
Prime Minister Menachem Begin
and many of his Likud
cohorts have come to regard the
media as “the enemy". Television
news-is the arch-enemy; but rudio
‘and print journalism arc encmies
too. There is a certain irony in this
hostility, for Begin himself before
becoming prime minister, was
proud of being aregular contributor
to the press, having had a weekly
column in Ma‘ariv ior years.
Moreover, the founder of the
Revisionist movement, Ze'ev
Jabotinsky, who has been Begin’s
idol since his youth, was renowned
in the Jewish world as a golden-
penned journalit. Many of the
founders, editors and writers of
Israel's (wo large-circulation pop-
ular tabloids, Afa‘arly and Yediot
Aharonat, were Jabotinsky devotees
and, in their early years, graduates
of the Revisionist movement.
And yet all the Likud and press
people interviewed in order to ob-
tain a picture of the relations
between these two institutions
spoke automatically of a deep πιρ-
ture between the men who have
been ruling Israel for the past four
and a half years and those who have
heen reporting on their stewardship,
All prefaced their remarks with the
observation that in recent decudes,
nearly all democratic governments
have viewed the press as an adver-
sury, if not as an outright enemy.
“In Israel this has been true of all
governments, beginning with Ben
Gurion and going through Golda
Meir,” said one. “But the Likd
government has obviously shown
PRINT AND PREJUDIGE
The distrust and resentment expressed this week by
the Prime Minister is but one sympton of the “deep
rupture” that has developed between the Likud and the
press. Is it simply that the government has
written off the country’s newspapers?
OELL looks for an answer.
ST 1
ee ΒΒΒΒΗΝΝ
- ne
τ | Cairo sees no progreca trom visit
Haig: no deadline fo
VOI TAA
oa, [REP - ΠΡ
radio stations that would compete
with the monopolistic Broadcasting
Authority outlets, concerning which
the Likud had given up despite its
backing of the Authority's manage-
ment board,
The idea of-a Likud daily has
been given up for the time being.
Those in the Likud who pointed to
the financial difficulties which led
to the closing of the Herut and
Liberal papers Herut and Haboker in
the 1960s, and the subsequent
failure of Gahal's Hayom, seem to
have carried the day. Finance
Minister Yorum Aridor is on record
as bcing opposed to such an expen-
sive fling, as are Gideon Gadot and
other Likud leaders who have more
than an inkling of what is entailed in
such an adventure. As is usual with
such things, however, a compromise
has been struck. The Likud will put
out a glossy weekly, which if all goes
as planned is scheduled to appear
on the news-stands by the end of
March,
Ronnie Milo, who is slated to be
the editor’in chief of this weekly,
says that it will be called Yoman .
Hashavua (‘Weekly Diary") and
will be patterned on the Time Μα-"
gazine format; about 80 glossy
pages. A professional journalist,
whom Milo refuses to name at this
point, will be in charge of the actual .
editorial operation.
“Tt will not be an outright Likud
paper,” he. insists, “but it will
definitely not be hostile to the
Likud. We know that the public has
turned away from overt party news-
papers, and we don't intend falling
into that (rap, But we think that we
can put out a professional, eye-
regs,
communications minister] is work-
ing on the legislative framework
that will make it possible.”
One gets the feeling that Yoman
Hashavia is very definitely Milo's
personal baby. Other party leaders
approached for an opinion on the
matter begged off committing
themselves, obviously wanting to
steer clear of public opposillon.
Milo’s kinship with Begin (his
brother Is married to the premier's
daughter, Hassia) would seem to
have been a helpful factor, as has
Begin’s obvious bias in favour of do-
ing something .about the printed
press and his old-timer’s obtuseness
regarding the power of television.
Milo raised one interesting point.
The weekly, he said, “wilt also serve
as a training-ground for young jour-
nalists of our own persuasion, who
in time will work thelr way into
other papers after having made
their names with us.”
TS THE LIKUD paranoid about the
press? By all indications the nnswer
must be yes. Is it possible, however,
that this paranoia might be justified,
as in the words of Henry Kis-
singer, “even paranolds often have
real enemies?” Again, the answer is
a partial, but very definite, yes. The
press is by now largely biased
against the Likud government, but
not for the reasons given by Likud
spokesmen.
_ The charge that the bias derives
from the identification of news-
papermen with Labour is too ab-
surd to merit refutation, and is part
of the paranoia. Likud spokesmen
prefer to forget the rough treatment
interviews to foreign newspapers
than to local ones.
Shalom Rosenfeld adds that this
* self-insulating behaviour on the part
of the prime minister has been quite
apparent in the case of his relations,
or rather non-relations, with the
Committee of Daily Newspaper
- Editors.
“Begin has met with the commit-
tee only two or three times since
coming to power more than four
years ago, and one of those times
was purely ceremonial. Previous
prime ministers would meet with
the committee quite frequently.
Relations between the committee
and the prime minister are in effect
non-existent. ;
“Begin at first said that he could
not bring secret matters before a
committee that comprised 20 and
more editors, for fear of damaging
Jenks. Even when we pointed out
that nothing had ever leaked from
the committee, and that on this
point it stood in refreshing contrast
to cabinets, did nothing to change
his mind.
“Lt really is ashame, Begin is the
first prime minister to distance
himself so clearly from the press.
The victims of this self-imposed dis-
engagement have been -his govern-
ment and its policies.
“I tuly believe that had he made
an effort to brief the editors on the
true behind-the-scenes facts in
many situations, some of those
situations would have been reported
quite differently, But instead, he has
chosen to disengage himself and the
efforts of the editors’ presidium to
work out a su/ha were a failure.”
’ Archaeological
Lecture Series
at the Rockafeller Mussum
Sponsored by the W.F. Albright Institute of
Archeeological Research and the Naison Glueck
School of Biblical Archaeology of Hebrew Union College
fortnightly, in English
WILLIAM DEVER
ARCHAEOLOGY AND
ARID LAND SITES
Sunday, January 17, at 3 p,m.
END CF SEASON
REDUCTION
AT VIA VENETO
A SELECTION OF OUR FINE QUALITY LOCAL
AND IMPORTED MERCHANDISE AVAILABLE AT
SUBSTANTIAL SAVINGS.
this hostility more intensely than —
the entire press, and often even the
Labour governments did.”
Labour-dominated Histadrut’s own MANY JOURNALISTS, aware of
daily, Davar, meted out to the last
: the burning: resentment of Likud
Labour governments, ἡ (Top) Shalom Rosenfeld. (Above) jeaders, raise the spectre of Likud-
BLAZERS, CVERCOATS, PANTS, SKIRTS,
DRESSES, DULLOVERS.
“catching, interesting weekly, that
will make a go of it.”
SHALOM ROSENFELD, the ᾿
ΝΗῚ Ἷ ie Milo. (Below) Gideon Οαάοι. η
ἱ ‘ari MILO SAYS that the initial staff ΐ The bias, to the exlent that itex- Ronnie Milo, (Bel formented threats to the freedom of LADIES FASH
feng hie ts ee ἣ νι: -work on tho feasibijity of such a . ists, is a reflection of the general 1 ἐδῶ “ys ow the press, Statements by various f ΑΘ Σ ον ak
alms chairman of U i “apa ‘om ᾿ς weekly has shown ‘that it could ! development of the media in the Likud governmental and ‘party ἢ
_ mittee, shares this opinion andiries . Ἢ ΠῚ : ASS break even and support Iiself if it j democratic West as a permanent "leaders over a period of-time could ; , 1 « C/R SOKCLOW δι
afi lose why. i ἢ ΤΗ͂Ν SAS - reaches a circulation of 20,000. He gadfly and tnstitutionalized' ¢p- ; _ certainly be Interpreted’ in such ἃ ᾿ Ὺ AMAT HASHADON
ide eon ed etic = MSR) Ee re oe πα || 5 Area STYLES IN 3
Pein ῃ “πὰ ὶ - ces wi 5 ‘tablishments, The process reache: : t as so far been ς
# aed ray iy the tong oe ἢ ΕΣ ἡ mes eee nae Y LEER IP. Sahl ta supply ances Hes to} its apogee in the Watergate era in ‘more a matter of berk than of LATEST STYLES IN FASHION EVENINGWEAR
the prow asanallyinfis drivetoat- ἢ Seueeteea | ac ΠΥ ΑΝ ΜΥ͂Σ τι es NONE ἀστοὶ and elaine reaienip at lence’ on journalists. tha tye ine ἀφο τς δαὶ et 1) AND OTHER ESTABLISHED ITEMS ALSO
tain power,. There: can be fitle ΗΓ -eaeere Ey Bea Mo ΤΩΝ, cae BNO Geis a ν᾽ -least that’ large: ° Her ΕΙδ᾽ τς τὶ: ountry. Television is another thing. At- ; pa ἢ Ἢ
‘doubt that the role of the media in’. § . ne | ; paid Nee οὐ τ: ὃ ᾿ Ὁ μ᾽ eG pages will-be- devoted to “all ‘the. ‘ o rial Pane eae ae , i anothe: 8. CN DSP AY
Normal departments and special- = - ὁ
‘interest columns: that any self-
τς “the final:years of Labour rule was'an
tempts have certainly been made to
important factor in Begin’s triumph;
professional distinction that is often bring television news and -public af-:
i lof |. ἐς misunderstood by politicians fairs broadcasts more into line with oat ae
᾿ 171... : ἢ i ees : . ἔ _ © ihe eng ὙΜΘΙΣ news Jourps ἊΣ us it is by the less sophisticaled Likud policies. Today, the situation ands . δ :
“But he was ‘solely disappointed Pes: ae | Bmore /a Pe ; a : “4 “The young Herut MK sidesteps members of the public, It is the dis- there would seem to be somewhat } SUPER mu FPLE :
rai wine cress tarred AAs 8 a Nasri πὶ Ε-.-.. 0 = Sex : Se BS ed (‘the question gs.to who is putting up-. - linction between news and opinion. of a standoff. TV news staff have \ ἠ : |
“aes orf . 14 p 7 ᾿ ' |
Ry τ : ἡ d Journalists argue thal while opinion Ὁ certainly been cowed by political in-
him and, his government, He. i μ5 ἐς ae Me Ὰ » the seed capital; and running the .. ὡς rile ἐδενση ίοη. with the boar of
[4 ποί unde management; but Likud politicians
. (BULL feel that- whatever has been
na ane regard has been far ἃ
_ αΠοπὶ sufficient, although they seam ἢ ἐρῶν : :
Likud .politicians deny .this, 51... Can to have given up in despair. on ¢ We give the right prices
charging that the newspapers dig- Likud people hava'been less adept © “reforming television.” . Ὁ Service ἃ isfaction =. «ss
close their bias in their selection of αἱ disguising their shartcomings .__ If,aserious-threat lo.the freedom:| (-" st qua a by 0.B.PAR -
what to report αὐ news. The rejoinder than were the more practised: ° of @ Work: hi it
* of the pressmeri that "good news.is Labour politicians in-the past,
no news” leaves thom cold and as ΤῊΣ obvious anti-intellectual bigs -
resentful ag ever. But even if they -of the Likud, and the lack of ‘self’.
. Blso deny. the -validity of the con-
HAVING EXHAUST PROBLEMS 7
‘Then come to the people who |
specialise only in exhausts!
i
; a ‘ ) : RAR Os RY 4 risk of losing it.in ¢ business that js ἢ articles may indeed reflect
derstand what had hap τ a Ξ : πὰ SRN Ϊ noted for ἐρεοιβουαν failures. The. . ἰ ι widespread disappointment with the
: . __ last one t6 try was Moshe Dayan .- ἢ >. Likud government, the news “in
ἱ
ἔ
Bis
uae Nay, .
SAA SBE
over five years ago, and his attempt ᾿ Israel's papers is,. by and large,
folded in 4 short tions Miloisready =: - presented objectively.’ εν
to, identify the. publisher: “Ὑ μθ΄".
: am : aro tg OG pag _ : ; ~ τοὺς, Schiff, of a Publications, 4 F
"press," hi “the: Απ' echo“of this ‘throwing up © because we manage even’ with 8 οἵ the country’s leading men‘in the.’
. Fefunct “Lay mh Ἢ ist - one’s hands In despair” attitude can _ hostile press.” : ake field. Hqw much of it is his money,
< be gleaned from the other side of “ - ‘The fact is that in the last.elec- ᾿ and how much ἃ Likud Injection, &
Given.the nature ‘the fence, too. The ‘Past's political - - Another question _ that. ict. me
ace realities 6 ainsw
igtt jobs
adot, talkin;
ἣ - bout the oa confidence it be hea -have - Sead
aad? : eon alking δ᾽ Ἐν verse of the old saw,-they could tended to increase the guif between, ] baling,
* that ty moseineite ‘ eee Sw. week his’ Mifal’ pays | ~ hardly haye expectéd. aucriocs of the Likud government and the ἢ . GHasoleliist: (behind
as clearly miffed. press. ‘The blases::of Menachom , Sypholun) tel. 331008:
silence about what litle colour was - Begin's populist Herut are a far-cry-!, larg udg [ Me PreGnaate dale
1016 Aa " : Injected into Begin’s Jacklustre first’ from‘the-ambience of its Revisionist i industrial zone) tel. 940597
s ὦ ; about calli a μοξοναννο οι say irmal irty'§ intorm ... ‘-. government by the: goings-on. of: precursors, who did attract part of Σ
__Hever,. bother: i when. cof πρό nent, co! 1e: entire “ ) such.ifigures as: Ezep -Weiz, the “Jewish -intelligentsla of pre-' :
whet vr Labour hen ; “Οἱ “reforming: bin ‘Lithink it's a bad. nee, "ὟΝ "World War II Eastern Europe: 1."
“THE: IMPRESSION. that : Prime
any political “stripe to maintain
ἐνὶ Kel: tarael'— Μ
HE ISRAELSINFONIETTA, BEER-SHEVA ||
~ Gondupiot! Mehil Meh sive Pe bh RNa
then the ant|-Likud :
ecremalning papers ,
LEBANON'S right-wing, Christian
Phalangists concurently evoke αν
strong, disparate uniages in tlie
minds of many Western journalists:
effele, brench-spe woostohs ΠῚ
suarel of a lat Swiss bank aecuunt;
und viciwus, michinegun toting
thugs cipable ef tarture wud minis
tuurder.
“The Hhalangists were so inept at
public relations that they used to
perpetrate massacres with *ylee.”
sid David Hirst, veterun Miidle
East correspondent for The Guar-
eHian, “They are just now learning to
contral themselves a bil better Lar
the sake af the inass mee
Ti fact, the Plitinygists, a 22,000.
strong paranulitiry organization
that contrals about 200 per cent ol
Lehanon's bloud-souked
countryside [ron ili de fdede capital ,
Last Beirut, das been hard at work
repairing & badly tarnished image.
Noting Ubat they have nut yet
recovered Crum their missacre ΟἹ
Palestinian: civilians at Tel Zaatar
refuges camp in bast Beirut sane
five years age, an Ameri
educated Muranite professor al
vonmunicntions ata Lebanon une
iversily recently hired by the Chris.
iam inthis as a Medit adviser saul:
‘santy im the kit year that we
ized, as the Palestinians and the
s realized lung ago, thar the
press is ἃ polent weupon, Our
leaders never understood why it wis
had PR far journalists to watch our
soldiers, dressed in the latest
French fashions, drive off to the
(ront in a brand-new Mercedes,
while the PLO, playing on the
humanistic sympathies of the
Western press, exploited the mis-
erible condilions at the refugee
camps."
Although the professor is con-
ducting weekly seminars on press
relations, he has run headlung into
other stumbling-blocks.
First, the foreign press is based in
West Beirut. So ix the PLO, the
dominant εν in the part of the
city that is host to more thin 40 rival
militias, at least six of which ure
strong enough to disarm the
demorilized Lebanese army, That
means that the airport, Hotels, inter-
national telephone and telea lines,
even escort services — all vital to
the working journalist — are, in es-
sence, controlled by the PLO,
A journalist based in West Beirut
who is Sympathetic to the
Phalangists would, wt the very
least, find these services curtailed.
And what's worse, he or she might
be barred from ulking to PLO
leaders — a major source of news
for a Western correspondent,
Secondly, the Phalangist's press
services are very limited. There is
‘only one poorly-equipped hotel in
all of East Beirut, and the PLO
frowns on journalists staying there.
And only two! members of the
Phalangists’ small information staft
speak passuble English. Like their
fathers before them, most of them
have been educhted at one of East’
- Beitut’s several French universilies.
“If you don't speak French,” said a
young woman in the office, “you
aren't really civilized."
Meanwhile, Virtually no young
Christians are willing to study jour-,
-nalism or public relntions, Although
the _ Phalangists, desperately need
personnel trained in these skills,
᾿ Young people know that the wor
won't last forever;-and that in
‘Lebanon there have. never been
" well-paying jobs-in these fields.
- “Most of our: volunteers come
from-rich Fomilies,"" said the
Phuluagisis’ new media udviser.
~ “Their futhers ure industrialists ar
» hive import-export firms; ‘The sons
in ‘PAGE RIGHT |
.Wwadot a piece of the business ufter
une
SEUNG TRS ER ΠΡΟ τρια στι Ἐὰ
Lebanon's Phalangists feel they have an image problem, that their story
doesn’t get a sympathetic hearing in the all-important Western media.
ROBERT FRIEDMAN observes PR efforts in Beirut and Washington.
they get their engineering or
business degrees.”
Often rich and arrogunt,
Phalangist spokesmen burely con-
ceal their racism even when brieling
members of the press. One von-
stantly hears that Arabs are
“donkeys” without a history or
culture, ᾿
ΜΙ sorry to say that we
Lebanese Christians have 6,000
years of culture behind us, while the
Moslems have only the desert," said
M-year-old Phalangist militia chief
Bachir Jemayel.
NEVERTHELESS, the Phalangists
have had a more sympathetic press
since the shellacking they took from
the Syrian “peace-keeping” force
last, spring at Zahle, a still
beleaguered Christian ‘city in
northern Lebanon, The Phalangists
elaim the battle for, Zahle os a
watershed, legitimizing their forces
internationally and with Christians’
at home, Acerbic critics in Beirut,
however, have suggested thal the
conflict at Zahle, which ultimately
led to the SAM missile: crisis
between Syria und Israel’ in the
Beka Valley, was provoked by the
Phalungists as a heudline-grabbing
device. :
The Syrian bombardment did
provoke sharp criticism from U.S.
Secretary of State Alcsander Huig,
thus setting the stage fur Jemayel’s
Secret meuting with him in
. Washington last fall. Jenuyel tried
‘ta canvince Haig-that the time was
ripe for supporting the “moderate.”
anti-Soviet Christian side in the
Lebunese conflict.
“Until recently, we were
described abroad as a bunch of
blood-thirsty killers working for the
partition of Lebanon,” said Bashir
Jemayel, the slightly pudgy, soft-
spoken, wildly charismatic Chris-
tian leader, “The press said we were
the rich Maronite Christians lording
it over the poor Moslems.
“But these clichés started to
dwindle after the Khomeini
business in Tran. {( was then the
American government realized that
militant Islam and Soviet’
imperialism were the real threats to
its interests in the Gulf."
Jemayel said"he offered to work
with the U.S. to contain these twin
evils, as well as to provide intel-
ligence information about the ac-
tivities‘ of the Christians’ chief
nemesis in Lebanon — the PLO.
JEMAYEL’S American visit was
prepored by the Lebanese Informa-
tion and Research Centre in -
Washington, an office staffed by
eight peuple, and supported by un
unspecified number of Lebanese-
-American “social organizations.”
. The centre was opened by
Jemuyel in July 1978, Registered
wilh. the U.S. government as ἃ
forcign agent, it disseminates its
version of the Lebanese crisis to
various governmenial bodies, lobby
groups, churches, unions,
acudemics ind newsmen. ;
: Alfred Mady, -its ‘director,
recently told the Beirut weekly,
THE JERUSALEM POST MAGAZINE
a ES oe
Monday Morning, thut. Bashir
Jemayel's visit to the U.S. did more
than gain the Phalangists additional
understanding from the American
government and media — il
breathed new life into the neurly
two million-strong, Christian
Lebanese-American community.
The same was true of the subse-
quent visit to the U.S, by Maronite
Patriarch Antonios Butros Khruish,
who, according to Mady, put a new
spirit into all the Maronites there.
“After the Patriarch’s visit, they are
all coming back to work for the
Lebanese cause,” he said.
Besides roaming Washington's
corridors of power, the Phalangist
Operatives publish a monthly four-
page current events bulletin, and
have recently installed a telephone
hot line where interested callers can
get the latest news from Lebanon.
They have also launched “Opera-
lion Roots," @ programme that
funds Lebanese-Americans who
* want to visit their homeland.
The Phalangists have information
offices in France, ttaly, West Ger-
many and Switzerland. They are
planning four additional offices in
the υ.8., and one in London, but
lack the qualified personnel ac-
cording (o Naoum Farah, the of-
ficial spokesman in East Beirut.
‘THE AMERICAN Arab lobby has
“aecused the Pholangists of col-
laboraling with the Amerigan
Zionist lobby. Denying this in the
Manday Moruing interview, Mady
noted thal the Christians publicly
Sree rrmererss
hroke ties with Israel last duly, and
added that “because the Zionists
fight the Svtisns aud we fight the
Serians., the Uwo lobbies may
seunc lines appear to he taking
similar positions, hut that is mere
coincidence.”
But, Mady's assistant in
Washington told me, late last sum-
mer “Our real interests are linked te
Istacl We cut ties with the Jews te
fool the Syrians.”
Meanwhile, the Phalangists reject
any form of couperitien with the
American Arab lobby because of its
fervent advociey of the Palestinian
case,
Bashir Jemayel told me in Beirut
last’ November that his efforts in
Americ are paying off. “We are
getting support from the US.
government now, although | can't
suy what kind. Qur relations with. -
the Reagan administration are
much better than our relations with
the Carter administration, whieh
was a real catastrophe for us.”
THE PHALANGISTS® assistant
director of information in
Washington pointed out that Prest-
dent Reagan's choice of Philip
Habib, a- Lebanese Americun anda
Maronite, us his special envoy τὺ
the Middle East was an important
indication of Anicrica’s growing
concern for Lebanese Christians.
“Hubib is one of us,’" the
spokesman said. “He speaks our
language."
Some Phalangist leaders,
however, question Jemayel's ability
to forge closer tics with America.
“Bashir realizes the U.S. holds
the key to peace in the Middle
East,” said an academic working for
the Phalangists. “Thut's why he
picked a very close friend to run the
Washington office. But neither
Bashir nor Mady knows how to ap-
peal to Americans, Their argument
that we should be supported by the
U.S. to stop Soviet adventurism up-
peals only tu the most extreme
right-wing minds."
Said another Phalangist in East
Beirut: “The background papers
and communiques the Washington
office releases to the press ure 50
poorly written they make me
cringe,” es
SEVERAL Phalangists noted that
until now, their leadership has all but
ignored the American Jewish com-
munity, failing to take into account,
its powerful role in shaping US.
foreign policy.
“Our offices in Beirut and
Washington don't even subscribe to
American Jewish publications,
mouned a Christian official in East
Beirut. “They just don’t understand
that it's imporlant to know what the
Jews are up to.”
In-fighting between Alfred Mady
in Washington and Naoum Farah in
Beirtt has apparently also
eroded the Phalangists’ credibility
with the press. Accotding to one
source, Farah fears that Mady will
return to Beirut and take his job. 50
he sends him false information to
discredit his operation with the
American press and then in Bashir's
eyes. Boe
Meanwhile, the Phalangists ar
trying to entice foreign reporters
stationed in West Beirut to cross the
demarcation line. Convinced that
the Western press is in the pay it
the PLO, the Phalangists recently
offered ABC television a moder
office suite in East Beirul, rent free.
ABC declined. - - - sey We
Said a dejected Phatangist. he
will probably have to wail for La
Syrians to start :shelling δ
neighbourhoods again in Οἱ cers
get sympathetic press coverage. ©
FRIDAY, JANUARY 15, 198
- ag
israel Talbs)
Me
Imi Lichtenfeld explains his Krav Maga, an Israeli version of the martial
Gay
IMI LICHTENFELD, the 71-year-
old Inventor of Krav Maga, Israel's
own unique method of self-defence
and body combat, stands poised on
his living room rug, ready to
demonstrate.
“Lunge al me, go ahead — grab
for my throat, try to strangle me,
come on," he urges. His partner
jumps forward, both hands reaching
for Imi's neck. One swift thrust of
the older man’s muscular arm stops
him cold. With a smooth, deceplive-
ly polite gesture, Imi's hand has
pushed his attacker off balance,
while his fingers poke into the wind-
pipe near the base of his throat. The
attucker backs off, choking, while
Imi smiles. :
“You see,” [mi observes, “you're
happy to see me go after that.”
But in cuse you weren't, Kray
Maga tenches survival ogainst al-
tucks by fist, kick, knife, club and
gun. It teaches city dwellers to fend
off street gangs and muggers. Its
methods have helped many a cyclist
to emerge unscathed from bike und
νυ
motorcycle accidents. And it has
been used in hand-to-hand combat
in Israel's wara since Imi began to
leach it to the Hagana in 1944.
KRAY MAGA, meaning “contact
fight” in Hebrew, has much in com-
mon with the Oriental martial arts.
Students wear the sume kind of
white kimonos as in judo, jiv-jilsu
and karate, and are rated by a
similor system, carning coloured
belts fram yellow up to black. Krav
Maga also utilizes many of the same
arts, to CAROL COOK.
kicks and punches taught in the
Oriental systems.
The differences, according to
Imi, lie in the flexibilily of Krav
Maga and ils greater emphasis on
self-defence. :
“The foundation of Krav Maga is
self-defence," he says. “Most of
the martial aris are violent, but we
teach people not to be violent. Our
ὯΔ] is ‘Don't get hurt, Bur if you
Ὁ, swallow it, because there's
nothing else you can do.”
The movements of Krav Maga urc
swift, ecanomical and energy:
conserving, [he system takes πα} -
vanlige of the student's insinelive
ments, helping to make the
Most oul of gut reactions and in-
dividual preferences. Students alse
learn the basics af boxing, wrestling.
jude and other lighting styles.
“They must know all the possible
ways Ihey muy be attacked: they
must be ready to respond to
anything. [f | know how τὸ defend
myself, then | won'l be alraid to ut-
tuck either," Imi says.
BORN IN Budapest and mised in
Bratislava, Czechoslovakia, Imi
learned wrestling and gy mnuslics
from his father, Samuel. The elder
Lichtenfeld's sports cureer began al
13 when he ran away from home,
joined a vircus und learned
acrobatics. Luter, Samuel
Lichtenfeld hecame chief of police
in Bratislava, and established the
city's first schuol of jiu-jitsu,
Tmi, who was a national cham-
pien boxer and wrestler, says σαν
Maya had ifs origins on the streets
of Bratislava, in clashes, with the
Nazi youth gangs of the 1930s, “It
wis either hit or ran,” he revills. “TE
found it more gratifying te hit.”
Mast of Imi's furmly was lost in
the death camps of Europe during
World War UW, He managed 10 es-
cape, Sailing for Palestine in 1940 in
an old steamer crowded with 500
refugees. The ship went down in the
Mediterrancun, but [mi was rescued
by α British destroyer and finaly
made his way to Alexandei, There
he joined a Czeeh exile unit in the
British Army, serving in the Middle
κί,
Discharged in 1942. he came ta
Palestine, joining the Haguna wo
years later, When he discovered
that the underground army had πὸ
system of hand-to-hand combut, he
organieed a course in what would
eventually beeome Avav Afaga.
The system wus officialty adopted
by the IDF and Inter by the several
branches of the police force. Γι ix
tuught to physical education
teachers and has begun to muke an
impact internationally, A course for
American physical education
teachers wus organized here fast
summer, sponsored by the newly
formed American Association for
Krav Maga.
ALMOST ANYONE can leurn the
elements af Krav Muga, suys {π|}.
even those who have lost a limb
The method is taught in secundary
schools and privule studio:
throughout Israel.
Butno competitions are held. “Jn
A compctition, someone ubvays gels
hurt. For what? If you're going to
fight, you must be healthy,” Imi
says.
Fighting. however, is not the gout
for Krav Maga. Wt is not a shill
learned for power, but for the con-
trol and inner tranquillity that
comes from knowing you cun deal
with an attack,
“Don't louk upon your opponent
as an enemy, but us a partner with
whom you are doing exercises,”
counsels Imi, “Don't hate him. Do
the exercises for their own sake, nut
to feel self-important. If you are nol
uggressive, your movements will be
better, more controlled, becuuse
you are calm.”
Although it van be an instrument
of war, the true aim of Kray Maga is
the very opposite. says Imi. The
confidence that comes from know-
ing you can survive should reduce
displays of aggression und feelings
of uncontrollable violence.
“The ξ ροιὸ of learning Arar
Maga is this: that a person may walk
in peace.” o
FRIDAY, JANUARY 15, 1982
THE JERUSALEM POBT MAGAZINE
PAGE NINE
The Swits Guards charge τὸ the
butrle-cry of “Coming, Sir?”
George de Sava
Switzerland, the couniry everrane
visits, aad nobody loves,
George Ber
No marcy — na Su
Ju Shuw
Ravine
THE VOICE of the detaelor is
often heard in the fand ἢ the
cuckao-cluck, and it is usually
moatlivaled by envy. For il we
observe the bloodshed belweea
Protestants und Catholics in Ulster,
the Flemish ond Walloons in
Belgium, the hewling of the Welsh
and Seats for secessivn front the
UK, we must admit that the
Helvetic Confederation of 220 in.
dependent cuntons, four α Ι
Languages and Ovo major religions
sel ir sically hastily but timed
topography, yet democratic, united
and prosperous, must have done
something right.
But αἱ the European social dis-
integration, the ripples al diseun-
tent, whipped by the winds of
change into waves of vicletice,
threaten even this Bastian of baw
and order, Far the young, “order
is stittic, like the hank-vault or the
graveyard. Youth wants chitage. Ut
dreams af a brave new world, and
thrives on the heat generated by
social conflict. Whit is there to look
forward lo? Δ working “life οἱ
bullon-pushing monotony, fullowed
by = stale-subsidized = retirement?
Money, mobility and sexuul acces-
sibility don’t Jill the vacuum, Well-
being becomes an intolerable
burden. In the absence of
leadership or idevlogy, all that is
needed is a trigger-mechanism to
set off the conflagration.
AND SO 1976 and 1980 suw street
riots in the Swiss capital which left
the Bahnhofstrasse and Limmatquai
ἃ sea of broken glass and ripped-up
paving stones flanked by looted
shop-windaws.
The casus bellf in 1976 came inthe
shape of a 60-million-frane project
to rebuild the opera house; the
young protested that their demand
for a youth centre should be given
priority. Orderly demos, taken over
by the militant minority, led co ugly
confrontations with police caught
off balance. A youth centre was
hustily opened, but before very long
became a hang-out for drug addicts,
misfits and political agitators. The
inevitable closure led to renewed
riots. ᾿
But in (980 the Zisrich police
were prepared. Stout wicker
shields, steel helmets, vear gas,
water-cannon and, most important
of all, rubber bullets, were now
Standard equipment. Tactics were
based on avoidance of eyeball-to-
eyéball situations, and the water:
cannon and.rubber bullets ensured
physical distance between the
police and thc rioters, :
The crowds were contained and
dispersed without hand-to-hand
combat, robbing the television
+ cameramen ‘of their allotted role in
* We fracas. That at times both sides
: were playing to the video -gallery is
‘evident in some illuminating
foptage in the TV library,
For the somewhat smug Swiss
bourgeoisie, as well as the police, it
was & Lraumati¢ lesson. In expecta--
ἢ "οὐ further troubles many
shopkeepers mude only emergency
. repairs to their. star-studded win-
‘dows,-as;} was able to see when |
‘was in: Zurich six weeks ago.
A’ FRIEND had whetied my up-
patile; “It al looks 80 quiet, and in-
he told. me, “But une.
"And [ felt.1 could do
with the odd bank-robbery, jewel-
store break-in or minor carve-up to.
compensate for the loss of Kojuk,
Columbo and The Sweeney. Thus it
came about that on November 28, |
spent several hours in conversation
with those charged with directing
the police force in the Swiss capital,
as ἃ prelude to a night driving
around its streets in a patrol-car,
With Walter Geriger of the ex-
tremely efficient public relations
department 1 visit the headquarters
control and communications
centre, A large video-screen sur-
rounded by small monitors gives
Control an instant view of crucial
intersections, and underpasses by
closed-circuit TY. A computer fur-
nishes details of vehicles und
drivers,
The Emergency Task Force sec-
tion-is a shining example of Swiss
planning and foresight. Here stec!
cabinets contain contingency plans
for every imaginable emergency in
vulnerable lurgets such as ‘banks,
jewelry stores and consulutes. Lurge
envelopes contain the relevant in- °
formations: location maps, floor
diagcums (also of adjucent building).
wiring of alarm systems, location
and constriction of vaults and safes,
Li ke c Ϊ ockwor k
WIM VAN LEER has spent nights on the beat with New York City’s
‘finest’ and the slow-talking guardians of the law in Houston, Texas.
In Zurich, he has a first-hand look at Swiss-style law enforcement.
‘a ‘ay
a
CH
and duplicate keys to the premises,
Contingency plans for daytime or
night-time robberies with or without
hostages have been worked oul,
even hidden assembly points have
been selected. To paraphrase
Wordsworth, “commotion an-
ticipated in tranquillity.”
The Zirich Police have a deep
respect for the law, not allowing the
current polarization to prevent its
strict enforcement. What with its
traffic, criminal, morality (Sitten),
aliens, and narcotics divisions, its
three-language teleprinter system
and its 22 different forms of jurisdic-
tion, a central data-bank seems the
obvious tool of law-enforcement.
But the Swiss, who see the idea of a
national computer as an invasion of
privacy, will not have it.
“True”, says Dr. Fuchs, the
enthusiastic head of the P.R. sec-
tion, *A national data-bank would
be of immense help. But not until
the people, after a refereridum, al-
low us to proceed. In the meantime
we have to carry aut our duties as
best we oan.” Ae
The polygraph is another in-
Stance. Lie-detector evidence js
barred from the Swiss courts as it is
in Israel. Still, the Israel police
‘ ὡς
utilize thig useful aid to separate the
criminal from the suspects, enabling
them to concentrate their efforts.
“But,” says Dr. Fuchs, “if the
courts have judged the polygraph il-
legal, the potice cannot make use of
it for whatever purpose, in whatever
form." The radical and criminal ele-
ments thus have a clear advantage
over the Schmiere, the German for
“pigs.” or “the fuzz" and derived
from the Hebrew shmira (guard).
Dr. Fuchs sees his main task as
defusing the polarization.
Motto on the wall at H.Q.; “The
pursuit of the criminal: the defence
of the innocent.”
Grafitto on wall near bar fre-
quented by off-duty personnel: “He
who does nol break the law, will be
broken by the law."
Dr. Fuchs has his work cut out.
By eight o'clock, things are lined up
Jor me to see something of his
problems at first hand. Here, then, is
my report for the night of November
28/29, 1981, patrol-car No.117, from
20.00 until 01.00. In charge, Sergeant
Bauer; later, Sergeant Gmur.
Districts ‘covered 1, 7 and 8.
THE WACHTMEISTER inspects
the parade of patrol-crews and
| THE JORUSALEM POST MAGAZINE - .
reads out the orders of the night, It
is the last Friday of the month and
everyane’s pay-day, Money Proper-
ly earned must he properly spent. It
promises to be a hot lime in the Old
Town tonight.
20.048, Qveupant of high-class villa
complitins that the stove al the il-
legal camper outside his gate is
emitting smelly wood fumes. The
camper turns out to be a hearded,
rather jovial asademic from Ham-
burg living in a small trailer with
dog uniid) bookish disorder, He
speaks with the Muency ol peaple
who think Fister than they speak.
He is studying “anthropological
medicine” al Zurich University —
aeupuncture, herbs, bie-control —
whieh lits in with his camper’s alter-
native life-style. He puints also, and
invites us in to show recent works.
We decline. He has been a lecturer
in anthropology tit “sometimes
one needs a change, especially in
our climate.” Apparently it is not
only the students who are restless,
He promises ta move to designated
camping site in the morning. Decu-
ments in order,
20.26. Burglar alurm activated at
Bacherer's jewelry-und-watch em-
porium in the Bahnhofstrasse. We
proceed at high speed. On arrival
ilarm-bell silent. We inspect doors,
windows, front and back. No sign of
. “Alarm systems are fur from
opines Sgt. Bauer.
We've no assignment for the mo-
ment, and therefore pitrol the
woods of the Adlisberg beyond the
Dolder Hotel. “Suspicious'’ car
parked in side-lane. We investigate
and find two gentlemen in tender
embrace, We exchunge significant
ulances while they adjust their at-
tire,
* “Papers, please.” Sgt. Bauer asks
Control to check if the car is stolen.
This takes a while and we observe
the gays getting furious ubout our
unwarranted intrusion into a situa-
tion which is no longer a crime. But
laws can be changed overnight, al-
litudes adjust slowly.
We wail in the patrol-car,
headlights ublnze, feeling smugly
heterosexual, Control clears the car
and we give back the documents,
wishing the couple wel Vergnigen.
20.47. Patrol-car covering district 4
is occupied with a dead swan, so we
tush to the police-stution, where &
lady has reported that her Freier
(suitor) won't let her into her own
house. On arrival it is obvious that
Kathy Zumstein belongs to an an-
cient profession. Through a crack in
the door we observe the suitor, who
halds a decorative halberd taken
from the wall, He has placed achair
under the door-handle, and seems
in a siege mood. The light in the
corridor doesn't work, so he can't
see us. 5
The door isn't opened at the
lady's request, so Sergeant Bauer
barks out:
“Open up. .Police.”.
“How do I know you're the
police?” ᾿ :
“Because we say so, and .imper-
sonating a policeman is an offence,
says Sgt. Bauer quietly. As further
proof we turn up the portable radio
so thal control-natter can be heard.
The door is opened, revealing an
elderly, rather corpulent gentleman,
much relieved at the sight of the
uniformed law.
It turns out to have been a 100-
franc transaction, cash on the ΄.
mantelpiece. Mr. H., a Morist from
Wittikon, then strips to.the buff for
action. This prompts the slightly in-
eébriated Mrs, Z. to run out of the
flat, and Mr. H. suspects it's [0 .
FRIDAY, JANUARY 15, 1982
os
PULL OUT AND KEEP PULL
The Poster
MUSIC
All programmes start at 8.30 p.m. unless
otherw se stated.
Jerusalen
JERUSALEM STRING JRIO — Rims
Kuminkovsky, violin; Yuval Kaminkovsky,
vivla; Yoram Alperin, cello. Wurks by
Mozurt, Hindemith und Beethoven. (Tzavtu,
3K King George, tomorrow πὶ $1.00 a.m.)
TERESA WALLE:
5 (USA )— Plony Recital.
Reelhove “πηΐα, Op.74; Burtok: Sonata
1926, Livt: Pelrurca, Sonsin in f Minor.
(YMCA, lomurrow)
THE RECORDER ENSEMBLE — Israel
Zofim, Tanr Sinal, tdit Bea Moshe and Zila
Jakubl, recurders; Zvin Litevaky, mezzo-
soprano; Neta Ladur, piano, David Nitstym,
piano, Works from the Renrissance ond
Baroque periods and 20th century composi-
tlons. (Tzavia, tomorraw at 9.00 p.m.)
ISRAEL SINFONIETTA BEERSHEVA
Mehl Mehta, conductor; Daniel Benyamini,
vula, Works by Reethoven, Mozari, Karl
Stuinite and Britten. (YMCA, Sunday)
VOCAL CHAMBER MUSIC — Works by
Schubert, Mozart, Schumann and Wiliams.
(Israel Museum, Monday)
TALKING ABOUT MUSIC — with Danny
Or-Stay, (fzuvta, Tuesday)
JERUSALEM SYMPHONY ORCHESTRA
— George Malcolm, conductor; Robin
Welsel-Capsoulo, soprano; Niel Mackey,
tenor; David Wilson Johanson, baritone.
Works by Bach, Corelli and Pergolesi.
(Jerusalem Theatre, Wednesday an
Thursday)
Tel Aviy area
SATURDAY MORNING CONCERT — Yair
Kless and Yitzhak Grass, violin; Gad Lever-
lov, viola; Uri Vardi, cello, Works by Mozart,
Ravel and OQvorak. (Tzavie, 30 [on Gvirol,
tumorrow at 11.11 a.m.)
HARPSICHORD-PIANO DUG — Heidi
Kommerell and Eli Freud play works by J.5,
Bach and his sons wnd Mozart. (Herzliya,
Sharon Hotel, tomorrow at $.00 p.m
ISRAES. PHILHARMONIC: URCHESIRA
jahu Inbal, conductor: Henryk Szeryng,
violin Works by Ben Hain, Beethoven and
Shostukovitch. (Mana Auditorium, lumnrrow)
ISRAEL. SINFONIEPTA BEFRSHEYA —
Detuils us for Jerusalem. (Fel Aviv Museuin,
tomorrow)
KECEVAL ~ hy Anos Meller. Wall, [in-
manuel Church, Beer Hofninn Street, tomer:
row.
PIANO RECTLAL — by Zechana Plavin,
Works by Schubert, Rachmaninoy ond Liszi.
(Tel Aviv Museum, Tuesday)
ISRAEL CHAMBER ORCHESTRA — Juan
Pablo Izquierdo, conductor; Emanuel Gruber,
cello, Works by Mozarl, Schoenberg, Ligeti
und Kurt Weill. (Tel Aviv Museum, Wednes-
day and Thursday)
PIANO QUARTET — Haim Taub, violin;
Daniel Benyamini, viola; Marcel Bergman,
cello; Milka Lachs, plano. Works by Mozart
and Schumann. (Beit Aricla, 25 Shaul
Hamelech, Wednesday)
Halfa
ORGAN-HARPSICHORD DUO — Heidi
Kommerell and ἘΠ Freud play works by J.8.
Bach and his sons and Mozart. (Auditorium,
tomorrow at 9.00 p.m)
HAIFA SYMPHONY ORCHESRTRA AND
HAIFA YOUTH ORCHESTRA -- Moth
Miron, conductor; Philip Lourla, pinno; Hagai
Shsham, violin, Works by Beethoven,
Mendelssohn, Lavey and Liszi. (Auditorium,
Sunday)
Other Towns
HARPSICHORD-PLANO BUO — Details a
for Tel Aviv, (Nahariya, Tzavta, Sunday}
DANCE
Jerusalem
JERUSALEM DANCE COMPANY —
Yonatan Karmon, artistic director. (Jerusalem
Theatre, Munday at 9.00 p.in.)
TERMINAL -—— Synthesis of movement,
drama, pantomine and song. With Adi Etzion,
Uri Tennenbaumn, Ross Meshihl, Tat Ginat
and Martin Friedman. Choreography by
oan Olkayam. (Khan, tomorrow at 8.30
p-m,
Tel Aviv area
BAT-DOR DANCE COMPANY — Work by
Alvin Ailey and new works by Matthew Dia-
mond and Gene Hill Sagan. (Bat Dor Theatre.
Thursday αἱ 8.30 p.m)
THE AIBBUTZ DANCE COMPANY —
Master class and open rehearsal with Japanese
choreographer, Kei Takel. (Tel Aviv Museum,
Monday at 6.30 p.m.)
THE MAN — Modern dance with guitar ac-
compununent. (Arcna Thentre, | Relness,
Wednesday at 7.00 p.m.)
MEETINGS WITH DANCERS — Kel Takel,
introduced by Ronit Land. (Central Music and
‘Dance Library. 26 Bialik, Tuesday at 8.30
p.m.)
VIDEO — The American Ballet Theatre's
performunce uf Raymonda with Berashmkoy
as soly dancer. (Central Music and Dance
Library, today at 2.00 p.m.)
Halfa
THE [ISRAEL BALLET — Electrobach, Pas
de Deus, Introduction to Ballet. (Auditorium,
4omorrow at 8.30 p.m.)
Other Towns
BAT-DOR DANCE COMPANY — Works by
Roberi Cohen, Domy Reiter Soffer and Clift
Keuter, (Kibbutz Dorot, Tuesday at 9.00 p.m.)
E¥YA DANCE COMPANY —
Ohad Nahurin; In Common, Ohad
Ohad Neherin. Pas
: Thresds [rom 8
String of Swing, Dary! Gray. (Ein
Hashofet, Tuesday at 9.00 p.m.)
THE KIBBUTZ DANCE COMPANY —
Works by Jiri Kyjlan, Ric McCullough and
Spider Kedelshy, (Givat Halm Ihud, tonight at
9.00 p.m.)
‘TERMINAL — (Kibbutz Gazit, tonight)”
OPERA
ΞΟ ΝΜ Ὁ ELI
ISRAEL NATIONAL OPERA {Tel Aviv, |
Allenby St.) Singe directors: Abraham Nino,
ἄν! Fefer, Rio Novellu. Conductors: Alea-
ander Tarski, fizhak Steiner, Arich Levanon.
Chorus conductor. Dr. H. Piakua.
GRAFIN MARIZA — (Tel Aviv, tomorrow)
--..ὄ.ὄ .
FRIDAY, JANUARY [5, 1982
a OT eS ES
LA BOHEME — (Te! Aviv, Monday)
DIE FLEDERMAUS — (Tel Aviv, Tuerday)
THE BARBER UF SEVILLE — {Tel Aviv,
Thursday)
net --ς-΄-΄-.----.
PULL OUT
Zecharia Toubi and Tava Rogel ina seene from the Arona Theatre's production of "Woman ia the Sands,"
ENTERTAINMENT
Jerusalem
ARGENTINLAN EVENING — With South
American folk group. (La Carseta . Henrietta
Szold, corner Hebroni, near Kiryat Menahem
Pez Station, tonight at 9.00 p.m.)
THE BEST OF SHALOM ALLICHEM —
Stories by the famous Yiddish writer , per-
formed by Michael Schneider and Jerry
Hyman. In English. (Hilton , Little Theatre,
tonight at 9.30; King David, tomorrow at 9,30
p.m.
DIASPORA YESHIVA BAND — Hassidic
rack musc. (ht. Zion Centre, tomorrow at
9,00 p.m.)
THE FUXY DEVILS — English and Irish
drinking songs. (Tzavia, Thurtday δὲ 9.00
p.m.)
FREDDY DURA — Entertainment in
German. (Khan, Tuesday at & WV. p.m.)
HABREIRA HATINIT — Oriemal and ἐνδεῖ!
songs. Werusalem Theatre , Fuesday ot 8,30
p.m)
HAGASHASH HAHIVER — In "Cracker v3.
Cracker" written and directed by Yoss! Banut.
(Jerusalem Theatre, Sunday αἱ 9.00 p.m.)
JAZZ — (Pargod, 94 Bezalel, Wednesday ot
9,30 p.m.)
LADINO, LATIN-JEWISH ROCK MUSIC
— (sree! Center, 10 Straus, tomorrow at B30
p.m)
MASSA — Live rock ‘a roll show. U.B.R.
Club, corner Agrippas and Meailnt Yeshorim,
Wednesday at 8.00 pm.)
MUSIC IN THE GARDEN — Guitarists Miki
Gross and Chat Toister play Isracli, classical
and American folk tunes (The Garden
Cafe, 28 King David Street, tomorrow through
Thursday, 4.00-5.30 p.m)
YUUR PEOPLE ARE MINE — Pop musical
based om the Book of Ruth. In English.
(Hilton, tomurtow al 9.00 p mt
‘lv area
Tel
AN WING OF BRAZILIAN SONGS —
with Sue Elly, accompanied by guitarist Dori
Amaniw. (Jaffa, Hasimia, 8 Simtat Mazal
Dagim, tonyht at mid night)
DAVID DROZA AND YONATAN GEFEN
— (Travia, 10 Yon Givirul, tomurrow αἱ 10 45.
p.m.)
HABREIRA HATIVIT — (Beit Lessin, 34
Weizmann, tomorrow)
JALZ — Albert Piamenta, clannet and saa~
ophone; P.C. Oshoroviz, trumpel and piano;
Ted King, bass and drums. (Tzavia, Tuesday
at 10,30 p.m.)
SAZ/Z EVENING — Matti Schwanz, drums;
Kobi Ehrlich, piano. Jolfa, Hasimia, Wednes-
day at 10,00 p.m.)
THE KLIK — laraeli rock group, in "Maemo ἢ
Don't Wanna Kick 1." (Rishon Leaon, Beit
Hatarbut, romght pt 10.00 p.m.)
MATTE CASPL — ἰὰ a new programme. (Beil
Hahayal, Wednesday at 9.00 p.m)
NAOMI SHEMER -- With the Givatayim
Chor. (Rehovot, Wix Auditorium, tomorrow
at 8.30 pim.; Ben Arlosorov, Monday at §.30
Pam)
THE PUEMS OF RON ADLER ths pains
of a youth, (Arena Theatre, | Reiness, Tues:
day at 7.00 p.m.)
TALES OF A SMALL VILLAGE — Rivka
Raz, Yigal Harad and the Molombo band.
(Beit Lessin 4 Weizmann, Tuesday at 8.30
pm)
A WHITE WEDDING -- Rack show with
Shatom Hanach accompanied by Yaroslav
Yakubovitz. Micky Shaviv, Gili Dor, Jean Paul
Zimbes and Alona ‘Turel ¢Holon. Rina.
tonight at 4.4$ pan}
Haifa
THE COUNTRY FOOLS — Sing and play
folk blues and country music in “Slightly over
the Rainbow." (Zavit, tomorrow at 9.00 p m.}
cnet PE ARN SP ASA A YT SS SS καηστεναρασεννααας
THEATRE
ΑΙ programmes sre In Hebrew unless otherwise
stated,
Jerusalem
ATTRITION — Camedy by Benny Hadar
about War of Attrition in an Israeli sicanghold
by the Suez Canal. Haifa Theatre production.
(Khon, Sunday and Monday at #.30 p.in.)
MAN TO MAN — Written and directed by
Ronit Hocham. Pargod Theatre production.
Explores tonslons between Ashkenazim and
Sephardim. (Pargod, 94 Bezalel, Tomorrow ut
8.40 p.m.)
A NIGHT IN MAY — By A.B. Yehoshya.
Huifu Theatre production. (Jerusalem
‘Theatre, tomorrow at 8.30 p.m.
Tel Aviv area
ACCIDENTAL DEATII OF AN
ANARCHIST — Dy Itahan waiter, Dario Fo.
About the murder by the police of Gulseppi
Pinelli, on anarchisl arrested dri suspicion of
performing an act of terror but cleared ofguilt
posthumously.. Habimah production.
(Habimab, Smelt Hall, Wedaesdey and Thurs-
day al 8.30 p.m. (Tiderins, Mauday) Kiryst
Yam, Tuesday: Arad, Wednesday} .
THE AMERICAN PRINCES — Nissim
Aloni’s play about 4 mysterious woman
producing ἃ film on a former South Americun
ing (Habimah, Small Hall, tomorrow through
Tuesday αἱ 8.0 p.m.)
BATTERED WOMEN — Presented by the
Theatre Group. Directed by Nola Ομ απ
Movement by Daniella Michaell (Neve
Zedek, Sunday and Monday at 9.00 Ὁ πὶ}
HEDROOM FARCE — Comedy by Atun
‘Ayehbourn, produced by the Cameri Theatre.
(Camen, Sanday through Tucsday of 8.30
pm.)
CARLOS — Monodrama on the life af u ter-
rorist, Wriuen ond directed by Ran Fdbst.
. (Atena Theatre, 1 Reiness, rompht ut aid
night, turnurraw and Tuesday at 11 00 p.m.)
CATASTROPHE X-2 ~- Musleal comedy by
Arie Suver. (Briza Cafo-Theatre, 86 Herbert
Samuel, Tuesday and Thursday)
ΤῊΣ CURSE OF THE HUNGRY CLASS —
by Sam Shepherd, produced by third year stu-
dents of the Draniatic Arts School (Ramat
Gan, Beil Zvi, tomorrow through Thursday wt
8.30 p.m]
THE JERUSALEM ‘POST MAGAZINE
A DANGEROUS TURN — Thriller, (Tzavia,
30 1δπ Grirol, Thursday at 4.30 and 8.30 p.m.)
THE EMIGRANTS — Two very different
characters Nee from one hfe to a similar hfe dn
ancther place. (Arenu Theulre, day αἱ 00
pom, Mondisy at 10.30 p.m.)
FILUMENA — Camedy by Eduardo de Fuip-
po about αὶ former inmate of a bordella who
becomes a good wife aud mother, Hat
product Qiahimah Large ΙΝ], to: 7
at 6.31 9.20 pom. Sunday nnd Monday a
4.30 p.m) 3
GIRLFRIENDS — Directed and translated by
Ruth Haran. (Teasta, lomorrow εἰ 8.20 pm.)
A GOOD CHILDHOOD — The intimae
world of women (Arena Theatre, Wedneslay
aU 21.00 p.m. Thursday al 1930 pomp
THE LAST OF THE WORKE
Ychoshua Subol's play about A.D. Gurdon,
the ideulogst of the Aalutzs
Furm of a clreus show, Directed hy Nola
Chitton, (Het Lessin, 34 Weizmann, tonight at
9.30 p.m, Munday at 3,10 p.m.)
i Continued on page Ch
Suturday,
‘gly
Hal 6 44
Bank Aad T
FD ei
The Bad ket The Ugly 6.45
And Anarchs 9 15
Man 1k
Δ Fila ΟΕ] Amurchy 7
The ‘rum 9
Tues. Jan, Drum #43
Ae week
LE
PROFESSIONNEL
THE 3 KARATE
WONDERS
1.1."
ISRAEL ATUSEUM
Wed. thor Wa
SHOE
δ. Kw
ΠῚ D AND MAUDE
KEIR
ESCAPE FROM
NEW YORK
474
MITCHELE
ttth week
THE FRENCH
LIEUTENANT'S
WOMAN
O45. 4
ORGIL
dib week
THE WOMAN
NEXT DOOR
1.1.
ORION
* DON,
NOTHING
PERSONAL
479
NA ‘Tel. 224733
: Ind week *
BREAKER
MORANT
"ἢ
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RON
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THE ania
SMALL.
MINVANE
7 HAY UMA.
LA’
-PROVENCIELLE
Salurday.
ALLENBY
2nd week
BRIDGE
THE RIVER KWAI
YEHUDA
Ruse"
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{πε for sensations
CINEMA ONE
me, gid Meek a
MISS WYCKOFF
Un 10, 12
Sat and weekdays 7, 115
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CINEMA TWO
Sth week
PEEPING TOM
@ URE ZOHAR
a ARIK ΕἸ
iy “12 madsivht
Weekdays 4.0, 7215 90
ONLY WHEN
TLAUGH
DOLPHINARIUM
members
Pace parking
PERISCOPE
Ard week
Down Muakiyeyrs's
W.R, MYSTERIES
OF THE
ORGANISM
143 νυ
DOLPHITEK
Cries” Award - Hest Gil, MKT
MON ONCLE.
D’AMERIQUE
GEIDARD DEPARDIEU
y Ue
ΤΊΣ a8
ALAN AT DA
THE FOUR
SEASONS:
DRIVE IN
ny ἜΡΙΝ 3.0
“SCEE
chefays, 709,00
ALD Woop
# WARREN BEATS
SPLENDOR IN
THE GRASS
TO LOVE
ESTHER Tel. 225010
ed week
a JEAN PAUL BELMONDO?
LE
PROFESSIONNEL
A 75, ae
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The best film if ΓΝ
Fsracli cinema ΟΥ̓ ΟΝ
palme d'or,
festival de cannes 77
εἰ prix den
critique internationale
NOT JUST
* PETERS!
BEING THERE
HOD
2ad week
Venduy ut 10).
Sat. 7218, 9.40
Weekdays 4.30. 7.15. 4.10
* CHARLES BRONSON
BORDERLINE
INSTITUT FRANCAIS
1Π1 beayurkon, Tel, 239370
Yeu. Moning wal
bh m.
POLICE PYTHON
357
Sound Ν ᾿ ἊΣ p.m,
SOLITUDE DU
CHANTEUR DE
FOND
MAXIM
ἬΝ week
in the whuypeltahte thn
REBEL WITHOUT
A CAUSE
A lew copy of the film
MO GRABI
14th peck
i OF THE
NEEDLE
a DONALD SUITE
" KATFN
“Sad week
“MISS WYCKOFF
4.30, 7.10, 9.30
_ Please Με με
LIMOR
4th week
METRO-GOLDWYN-MAYER
PACSENIS
ACARLO FONTI PRODUCTION
DAVID LEAN'S FILM
OF BORIS PASTERNAKS
DAUGHTER
PARIS
210pan.. nid-
Suturday 7.15
Weekdays 10, 12.3.4. 7.15, 940
BEST BOY
ACADEMY AWARD WINNER
Rest teuture de
“Line. unusually 1
_fVinicent ¢ mnby, N.Y Lames)
experience... will open y
(Res Reed)
Ath week
O48, O18
2 prizes at the (KE Cannes Vestival
Grilles’ Prise
Directar’s Prize
The Hungariin entry
for a 1982 Oscar
Direetur Ist
Based an Klaus novel,
Mephisie
SHAHAFF
iith week
# BROOKE SHIELDS
* MARTIN HEWITT
ina Franco Zeffrelli film
ENDLESS LOVE
Friday 9,30, 12 midnight
Saturday 7, 9,30
Weekdays 4 30, 7, 9.30
Sa. if a.m.
FLASH GORDON
STUDIO * Tel. 295327
10th week
Tonight x 10
Sat. 7, 9.30
Weekdays 4.30, 7, 9.30
THE FRENCH
LIEUTENANT’S
WOMAN
* MERYLSTREEP .
TCHELET
Nutional premiere Sat., Jan. 16
* ROBERT DE NIRO
* ROBERT DUVALL
w® RYAN O'NEAL
TEL AVIV
TEL AVIV MUSEUM
THE FURY
12. 4,9
“ CLINLEASI Woop
THUNDERBOLT
AND 0 HTWOOD
Fri, 9.30, 11.30
Sat. and weekdays 9.30 ποῖ Tue.)
4 Oscars. Ist film directed by
Robest Redfard.
DONALD SL.THERI AND
TEAL HUD LON
ORDINARY PEOPLE
Sal. and w
GREEN ICE
OMAR SHARIFF AN INTIMATE
--- STORY
ὯΝ
Fr 3 pau., Sat. 1.15, Tue. 3.10 pom.
BYE-BYE ;
MON K EY Matinees ut 4
A sensationul film HUGO
paren THE HIPPO
Sot. 11 am., Mon. Thur, 4pm.
MORIAH
THE BLACK Ith weeh
STALLION & ANTHONY HOPKINS
* BO DEREK
A greal experience for luvers * SHIRLEY MACLAINE
of nolure and horses A CHANGE OF
ESCAPE FROM ΒΕΛΘΟΝΒ
NEW YORK. |onan
Ind week
Fri. 10, 12 Jean Paul Belmondo in one of his|
Sal. 7.15, 9.30 best thritlers
Weekdays 4.30, 7.15, 9.30
LE
PROFESSIONNEL
4.6.45, 9
oth week
6.30, 9.30
Andrezej Wajda’s
MAN OF
MARBLE
Winner of the Critics’ Award
at the Cannes Festival
ZAFON
ORION
2nd week
THE
NYMPHOMANIAC
FROM SWEDEN
In colour
9th week Adults only
THE WOMAN
NEXT DOOR
A new film by Francois Truffaut
with Gerard Depardieu * ERLAND JOSEPHSON
Fanny Ardent ΤΟΥΤῚ
Sal. 7.15, 9.30 ΚΌΤΑ ὍΛΗΝ
Weekdays 4.30, 7.15, 9.30
PEER
dth week
Donald Sutherland
EYE OF
THE NEEDLE
Sat. 6.45, 9
Weekdays 4, 6.45, 9
ORLY
1 week
MONTENEGRO
ἃ SUSAN ANSPACH
ῃ
t
Commencing Saturday,
January Lo, 1982 RON
The great Hungarian production
MEPHISTO
Performances 6.15, 8.45
Germun diviogue
AMPHITHEATRE
Oth week
Bill Murray
in a wonderful comedy
STRIPES
4, 6.45, 9
ARMON
* KURT RUSSEL
* LEEVANCLEEF
ESCAPE FROM
NEW YORK
Manhattan, the most guarded prison
in the world, from which escape is ARMON
impossible
« 4.6.45, 9
ATZMON
Roger Vadim's masterpiece
THE HOT ῇ
TOUCH LILY
* MARIE FRANCE PISIE! 4 Prizes at Berlin Festival 158]
* WAYNE ROGERS oer A gripping human film based an un
* SAMA EGG. uctual story
ae ably Ἢ oa Swiss filin nominated for
sistas the (982 Oscur
FULL.BOAT-
“A Mureus Imbhot film
Sul. undweekdays 7.15, 9:30
OASIS
Sth week
RAIDERS OF
THE LOST ARK
4, 7.15, 9.30
CHEN .
4th week
MASADA
: es
* PETER O'TOOLE :
4, 6.45, 9 and ψόνα
: THE FOUR
SHAVIT | SEASONS |
A hteriovs comedy : mee ie ΠῚ
SITTING DUCKS. sulnees
Matinees ut 4
6.45 only -LET THE BALLOON GO
FRIDAY, JANUARY 15, 1982:
Herzliya
Cinemas —
PAPER MOON COAL MINER'S
+ WAN O'NEAL DAUGHTER
Tas
_RAMAT GAN
Continua αὐ ον} run
“ὦ τῆν Allenhy Me
ΟΝ HISTORY OF
* BULL ΠΡῸΣ : THE WORLD
Sabi (pare by
dons er redie Liens
PETAH TIKVA
cinemas
SHALOM
THE POSTMAN
ALWAYS
RINGS TWICE
TIFERET
dud werk
Ramat Hasharon
Cinemas
In ew
‘Haste al
Mon. Tue. Chor.
In Wil apa
Sap canst weekdays (not Pie 9 15
Phe ant κα,
Bete Maller
um
DIVINE, MADNESS
Puweckdies at Pt due
ESTHE! Ἢ
4th week,
THE POSTMAN
ALWAYS RINGS
TWICE
Sat und weekdays 7, 9 18
IN SFARCIEOE CAST AWA
Anning ΠΝ
Herbal Tea
in Tea bags
natural, delicious,
healthful and refreshing
‘ Herbal
and feel the
difference
FIXBUTTE - Rose hips
FIXMINZE - Peppermint
FIXMILLE - Camomile
FIXFRUTTA- Mixed fruit Tea
and 7 other kinds
available at supermarkets, shekem,
heaith- food stores, pharmacies etc.
for prospect + free sample write pol 46. Ramat-Hasharon
MER SMALIT ysuche orl: phoronrapt,
this week
at
the israel museum
' jerusalem
CHILDREN’S SHOW
Tuesday, January 19 at 16.15
THE GREAT PEKANDPAT CIRCUS SHOW
With the famous clowns Pek and Pat
Actors-Puppateers-Clowns: Zvi Patles, Yitzhak Pecker, Yankele Lior
Puppets and set designed by Ester Kogan
(for ages 5—10)
FRIDAY, JANUARY 15, 1982
THEATRE
iCominid fron pawe 0)
FRIPTEASE — Poltical sutire
by Yehoshua Sobol and Ebllel Mittelpunk.
Tzuvta, tomght at inidnight, Wednesday at
8.30 p.m.)
LES MARIES DE LA TOUR EIFFEL — By
Jean Cocteau. Play with puppets and actors.
Qlaffa, Hasimta 5 Sintat Mazal Dagim,
tonight at 10.30 p.m. Tuesday πὶ 10.00 p.m.)
LIKE A BULLET THE HEAD —
blonedtama about | betrayal, written by
in Κείη!. With Han Dar. (Travta, tonight
10.00 p.m.}
LITLLE INVASIONS — Tragt-comedy based
on the works by Vaclav Havel and Pavel
Kohut. Transinted and adapted by Niko Nitai.
(Dent Lessin, Wednesday at 8.30 pm)
MARIA STUART — By Friedtich Schiller
Itabimah productiun (Habimuh, large Hull,
Tuesday through Thursday al 8.30 p.m.)
MAICH MADE IN HEAVEN — Convedy
with Rivka Michaeli and Gadi Yogil, (hel,
Lamorruw and Tuesday at %.00 p.m, Beit
Uahayal, Munday ut 9.00 p.m
SOLOMON GRIP - ‘The Canien's resival of
" τ
μεν, first perfrmect 12
Sunday through Muesday at
years age (Teuvt
8.30 ρα)
STULL LIFE -- True life story abuul three
Americans now living in the U.S.A (Arena
Theatre, tonight ot 10,00 p.m., lomorrew ant
Wednesday at 9.00 p.m., Munday at 8.30pm)
STORY NUMBER [I — Moti Sturia's one
mun experimental theatre show. {Acens
Thentre, Thursday at 8.30 p.m.)
THE FRIALS OF JOB — By Hanoch Levi
Based on the biblical the play tells of a
man’s journey from faith and hope τὸ denial
and despair, und hock. Gamer production.
(Camen, tumurrow amd Wednesday af ΚΟ)
pm)
WOMAN IN THE SANDS — The travels of a
scientist why meets a woman living {na sand
pit (Arena Theatre, Tuesday al 9.00 p.m.)
WOMAN OF JHE EAR'LU — By Yoe! Feiler.
Presented by the Theatre Group. (Neve Zedeh
Theatre Centre, tonight at 10.00 p.m., lomor-
row ut 9.00 p.m.)
ΠΕ
TIE FIRST IMMERSION — Soul sie
UU oiirected by Dor-Bur theatre.
Wednesday at 8.00 p.m.)
GRUS CALIN — Emile Ajar's play about the
individual's ahenalion, in 4 consumer sociely.
Translated and udupted by and sturring Niko
Nital. (Beit Abbo Khoushy, tomarruw nt 5.30
p.m}
MACH MADE IN HEAVEN — 1Shavit,
tonight αἱ 9.30 p.m.)
THE ORATION — By Haim Hazaz. Directed
and performed by Michael Kfir. A young
halutz delivers an oration lo a group of com-
tudes in which he custigates the Jewish peopte
for having wallowed In their suffering fur 2,000
years. Haifa Theatre production, (Municipal
Theatre, Snail Hall. tonight af 9.30 p.m.)
Other ‘Towns
BAITERED WC
ight. Keer Yuu
Wednesday}
IN (Nahutiya, Tzavlst,
Tuesuny ; Athi, Muti.
THE FALL — Ny Albert Camus. Transinted.
adupted and directed by Niku Nitai. (Ciush ΕἸ,
zion, Migdal Os. Monday; Netanya,
Pubowners, Tuesday?
GROS CALIN (Nelanya, Pubowners,
Wednesday)
SCAPING — Musical comedy by Frank
Dunlop and Kim Tale, based on Muliere’s
Fouchernes de Scapin, about a clever servant
geting the heiter of his social superiors (Gival
Haim Sunday)
SIX CHARACTERS IN SEARCH OF AN
AULHOR — By Luig: Pirandello. Translated
hy Ada Ben-Nuhum. Directed by Yoram Falk,
Beersheba Theatre prouduciion (Kiryat
Shmona, Monday)
ΔΌΣΙΝ MEETING -- Robert David Mac-
I)
Ehas (Beersheba,
Be Ho'am, lomurrew through Thursday αἱ
40pm)
WOMANS ALONE — Monod τ
de Beauvarr With Ruth Segal (Rush Pina,
Wize ¢ luk, tomyht ut 9 J} p.m.)
FOR CHILDREN & YOUTH
beth
LE SHOR — Wit Disney
childre sr, Museu bt
Munday, Wednesdny and J hursd.
pm.)
ve
30
BNTANGLEMENTS -π THE Wool
STURY — Performance combining puppet
theatre and fibre arts. For ages ® and yer.
Hebrew not necessary, (Liberty Bell Garden,
Tuesday αἱ 4.30 p.m)
INDIAN PUPTED THEATRE — (Liber
Hell Garden, Monday at 4.30 p.
1ΠῈ KING AND) EERE MOUN — Stories fur
children of & 9. (Liberty Bell Gurden, Thurs-
day at 4.30 p.m.)
Tel Avis area
FLOWER OF THE STONE — Puppet
theatre. (Jaffa, Hasimta, B Simtat Muzal
Dugim, tumorrow' at 11.18 a.m.b
LICHT CLASSICAL MUSIC — Amus Mel-
ler in a concen with explanations (Jaffa,
Hasimta, tomorrow at 5.00 p.m.)
‘Db ΗΝ DC SAMBOR ~
hy Yitehak in. (Het Yani,
emi, Fnesday ut $08) pans
Heres, " μανίαν Wednesday al 49 p.m.)
Hatta
JAMBOK
we Sha
'
DTS DONKEY SAMUOR —
1. Amat, tomorrow at 11.00
WINNLE THF POOH -- Children's carpet
theatre (Municipal Theatre, Thursday at 4.00
pam}
Other Towns
ML PO? HIPPO} — Mauical play based on
stones by Oded Burla Presented by the Lilue
Cheatre. (Kiryat Haim, Beit Ma'am, tomurrow
«ἘΠ ἢ ἃ πὶ, Katrin, Ulam Tarbut, Wednes
diy w 4330 ῃ πὶ}
od
For fast nainute changes In programmes of
Umes of perfurmacces, please contact Bux
ule.
FILMS IN BRIEF
THE BLACK SfALLION —Based on Walter
Farley's popular novel series by the same
name, this 1s the tule of a boy. a horse. αὶ
shipwreck, 4 beautiful island and luvc. Sume
very beauuful photography of bay, horse und
magnificent scenery offset a too-often
replayed plol. A sure winner for young
peuple.
“THE BOAT Io FULL:— Markus Imhoors
lilm about a group uf refugees which manages
lo cross the border from Germany to
Switzerland dunng World War WW. is an
overwhelming expencnce, imparted in a low
hey.
THE FRENCH LIEVIENANT'S WOMAN
— Brilhant — if somewhat too intellectual —
adaptation of John Fowles’ bestscller by direc+
tor Karl Reisz and playwright Harvld Pinter.
Meryl Streep is superb us the tormented,
almost. pathological Sarsh.
THE FURY — Kirk Douglus tries 10 rescue
his psychic sun from the hands of asecret U.S.
government agency intent on fighting the cold
wart with ielepathy. Goodly measure οἱ
suspense, thrills, horror and bkoud,
LOVE AND ANARCHY — Set mainly in an
(talian brothel of the Thirties where a young
country lad (Giancarlo Giannini} fulls μι tove
with # whore und his plans fo assassinate Mus-
snlini never materialize. Uneven in quelity bul
full of. vualily with some fine moments
Directed by Lina Wertmuller.
THE MAN UE MARBLE — A virulent attach
an the “blessings of Socialism by Polish
director Andrve) Wajda. The film suffers
somewha frum caaggeratiun und the
caricature -- like purtrayal of the
protagonists.
MEPHISTO — Absed un the $936 novel by
Klaus Mana, Istvan Szabu's filin traces the
er of an actur who moves up in the
archy lo become director of the Nulional
‘aire in Dedin A wperb piece of fimmiak-
MONTENEGRO — ‘Gasturbeiter — the im-
ported workers from the Suuth of Europe who
do the dirty jobs of the North — are the sub-
fect of Yugoslav director Dusan Mahavejey's
Istest film. Brillant,
MY AMERICAN UNCLE — Thoroughly en-
juyable film exploring human behaviour by
French direcuor Alan Resnais, who blends art
und science, and fact and fiction
PADRE PADRONE — The Taviani brothers’
besi filtn to dute is b.sed on the autobiography
of Gavino Ledda, Ihe son of a Surdinian
farmer who couldn't read or write till he wus
1S.
(HE POSTMAN ALWAYS RINGS TWICE
— ἃ gus-slation send ant falls in love with the
πέτα wife, Later the two pilin to kill the
owner. The fourth remake of James M. Cain's
novel suil dues mor exploit ms full screen
potential,
PROFESSIQONEL — Jean-Paul Belmondo
Plays ἃ Secret Service ugeni sent ly wipe out
an Aftican leader Plenty of entertainment
‘with preuy damnsels in distress. Saved in the
nick af time.
WAIDERS UF THE LOST ARK — The
Georgs Lucis—Steven Smelberg venture
creales mugic oul of sheer energy. A gloriaus.
unahashed piece of entertainment
REBEL WITHOUT A CAUSE — Reissue of
the 3955 classic study of youth on the sampoge
wlth James Dean playing wyuvenile delinquent
und Natulie Wood hw girlfnend
KIO BRAVO — 1959 Western with Jonna
Wayne supplying the nctiun and Dean Mazin
the lnughs. Abu with Ricky Nelson, Angie
Dickenson, Cluude Ahins and ocher
“Weserners *
RYAN'S DAUGHTER ~- Set iq freland's
Dingle Peninsula inimedtately preceding the
Easter Rebellion The stury centres araurtd
the love affulr between the schovlnuster’s
wife und αὶ Briish officer.
THE SHINING — Anuther space vdyasey by
Stangey Kubrick — this time into the turtured
Psyche vf a man who gues berserk in a huge
Well-lit hotel, with palatial lounges and endless
corridors. Disappointing acting by Suck
Kicho|son in the τοῖς of the protagonist, apd
᾿ THE JERUSALEM POST MAGAZINE
by Shelly Duvall who seems out of place ay his
wile.
SUPTING BUC ΚΒ — Henry Jaglom’s study of
two middle aged, deuratic und greedy
vharacters Zany comedy,
SLNDAY LUVERS — Roger Moore, Ling
Ventura and Gene Wilder star in vhs pleasant
adventure film Should provide something for
every Gisle.
SWEELD MovdE — Γι uf avant-garde
Yugoslav dirceter Dusan Mahaveyey is μὴ oul
nagewus witering which desis im expla terms.
woth human senuahty while attaching the
“deals” of both the sapitalise and communist
worlds Film is futl of surging energy with lots
of wild images und crude humour Makave-
Jes's talents stem tu fuse run amok and the
pecture if doapponing after bes fascin ung
“WR-Mssteties af the Organism.”
THUNDERBOLT AND LIGHHROUL —
Another bank eobbery film — bul the het at
the end seems almost incide:
memurahte photography of Mont
Sky Country,’
Jett Bridges
Lh
and sriking petformance by
DIMES SQUARE — Punk musical containing.
some of the ingredients of the genre, but for
lamer. Starring Retin tehuson and Susan
AAAS arnt,
ΓΗΕ TIN DREM -- Ditector Volker Schion-
Jorf (The Cast Hanuur of Kalenna Blutn:
κι συρ de Citsce} adapts Guoter Citasy' auster-
Piece fo the screen Though the story duuly
level. Winner οἱ the Golden
tthe Cwines {πὸ Festival this ts
a well made [in that aieserves tu be deen.
WOMAN NEAT DOOR — Anold affair
inlled wu Cernble blaze after an eight.
year imermiesiun in this falest Truffaut film,
hid αὶ (realed sith restraint ἀπά delicacy.
rel
-- τ του τ ποι τὼνωςς,....0..0
Some οἵ the flms Ilsted are restricted io edalt
audiences. Please check with the cinema.
SAL E:
Rehov Hehalutz, Tel. 0657-34533 fi
Supennarket Bldg
YOU MUST have noliced that no Ronnie Drew sing that traditional worked with Jule Styne at th Gi mead 7
trouble or expense is spared lo en- τς and very rude — Irish ditly, Republic studios. Styne vane Ἢ Ε Als possibility ol 45% Discount
sure that this column is in good can- : Monto, you'll recognize another with a melody for Sumny to write
eae yeu receive a chunk of Fings. lyrics for.
Uarinteed pure. Store in # coal, Monta remind . the erry “Pye "
dry place. For external use only. Herman made a ἐστ ἀπε Seay Teeed no renee
: ιν to show how cnrefully te WITH PREJUDICE / Alex Berlyne of Hello, Dolly before being forced “What the hell are you,’ Jule
Pee er el you ty part pan some of the loot when _ bristled, “a tune detective?"
Ἐ ται : the copyright owners of You're My No, Sammy explained. It wasn!
ran an NE eh renee othe Eons rea Jews cher Jack wanes part a ἀν a bash Dollar nee = huuted ies into court. — criticism, it τὰ Ἶ title then ad
: ὃ ἐ ᾿ un’t vant none of your ita Five and Ten Cent Store — whic en ‘again, in 1931 Tolehard sprung into his mind. He quic’
door eu Ὁ δι παίκῃ embassy highbrow sunk-making,” the movie may be construed as some sort of | Evans, Stanley Damerell and Boh efaethe rest ἢ the tere: aie
fmity vadoubledly mukee Mr. reperiel! for duly’ ὰ αν mudia, Kecsaneaprenmeeler coed eine. wrote rroguced a rare British err 0 me Pe heard thr song
: io. a mi - world-beater, " pai of;
Begin'’s recent remarks about “Music mit guts ve gol to heff — ja board to τὶ Tchaikovsky (1840. were rlncie to sinc ohn he ᾿ pal να
hanana republics doubly unfor- sunks mit real sediment like the 93) for the loan of Moon Love and Madrid publisher who igh have ΠΝ ΤῊ ΠΡ ΠΡῸΣ ie
tunate. My colleague Mark Segal ‘Stein Sunk’ and ‘Mit Tears in Mine ΟΝ the Isle of May (both 1939 hits) recognized it as ΕἸ Rellcarto, Eveniihe gical Richer
commented on this latest display οΓ Eyes I'm Dencing.”' [ttook Cahn but then the Russian composer's H was all summed up in δ SS ie es ee
ale tigre by suggesting ihe few minutes to entch on to the fact work has been s0 widely adapted liner about Sigmund Romberg who was soning (oan an id (asia oe
Ub aukva in favour of Yes, — that thi: i ili i i i ὃ - ᾿: . ἶ :
He He Borne hoaph fer: Immigrant sudo bess tetas nyia org cold Ἔα ο μα ταιρρου Τ eng Mee ety Ἦν 98 bla, (aL Yon
sme Ι evo Let's All Go Down Poland to polo and from knish to Making Money But Tchaikovsky. “He viites mae vie ag Gal oh joes sacar τ i
the Strand with its cude refrain — — quche in i i “ton “ ὩΣ, come foo he Pe uaikowsxy, even though he
“Hive a Banana” — punctuating thet Sack Waset teen Bi chesk “aly, etal ocean bene ee eo himself ba mer more .smned
ων! πε; employed for the embarrassment of musical nation America is! They ; aia aban ΡΘΕ Cole Porter,
τ , After all, Yes, We Have no newcomers and the entertainment even whistle Mozart, Tchaikovsky, BUT FINGS AIN'T alw. Sau ace β
Hananas is even more flagrant ἃ of his staff. Debussy and Chopin in the street.” the δι Shute once Sophistication, produced an open. Ι
piece of plagiarism than our T suppose that this is as good a ἢ ἐδ ΤΕ ΟΡ ΜΝ Cees ing strain for his 1944 hit, Ev'ry Time :
_ Rational anthem, having been con- place as t 1 ὃ We Sav Goodbye, that bears a :
cocted hy the entire staff of [iotictnack fowl acme co thet ie one ole ae ed sree ie resemblance Βούμεπὶ :
Shapiro-Berastein from bits of the — that is (1) musical and (2) Jewish: ιἰ a ots “Ft ed Faeries δον ες {{ ετεγ ἘἸΚΕΓΕΩ ΜΡ Moet ΤΙΝ ny
Hallelujah Chorus, My Bonnie, The ΚΚποοῖ, knock Sy SuUEID κα πε oh ee be what he meant by “writing
Bohemian Girl, Aunt Dinah's Quiltin Who's there? Ral ea en onan Bek Jewish music” but it is significant
Party und An Old-Fashioned Garden, Viola, ae ἕω ὑρετονοα from Felix Bernard, : that it is the original tune that has
to nme only a few. Viola who? ᾿ πρὸ pu : if il - the tremendous- wrote a lyric that Danny Kaye survived and is still being performed
᾿ Compared 9, this wholesale Viola pucidan Vow doa linea sacs hes he eeoreeny alan turned into an overnight sensation: by Ella Fitzgerald.
iurceny, Naftali Herz Imber's total ᾿ sh ᾿ ; ΠΑ͂Σ Hoagy Carmichael, who, I regret
ἃ ΠΊΕ ν : Jerome Kern from lifting achunk of 7#ere’s Malichevsky, Rubinstein, . μη :
τα ΤΩΙ itt has variously been MR, REGIN'S fruity remarks were ἢ for his Kalua — and why ποι7 __ Arensky and Tohaikowsky, oe oe owe De ae
Rumanian, couutty dance ‘or which in away. makes the Har We oved sated Sct pay, SCE amet Tehererl. sty thre€ quotations in one song
Smetahu’s Vitava is a triflj h ‘ay, ie Fes, We owed a greal deal to Mad Dogs and TJAHOWSKY, " i iq
and, areca inberwes Peete Have No Bananas metaphor even Englishmen ty Noel Coward (whose Godowsky, Artelboucheff, Monlusko, Recipe tg Pascoe aa
a great tradition, Visiting our music 1920" risa harteet After all, in own Dance, Dance, Dance, Liule Akimenko, 5 ᾿ Didn't Know What Time It Was ro
critie during Hanukka week, Twas sate ΜαΗβ μὲ a anamusing Lady too closely resembles pans of Solovieff, Prokofieff, Tiomkin, which Hoagy added a soupcon ‘of
impressed with Yohanan Bochm's material from the oly να ΜΝ De) ee of My Κατασπόδεινος: Jerome Kern's All The Things You
virtuoso rendition of Muoz Tsur — Ree ἐν aed A ἃ lassics, Ronald Delight) and moreover we have the {n his usual erudite manner, [ra Are.
especially us the sheet music on the oe n aa rir an honest opinion of Kern's collaborator, P.G. listed a total of 49 Russian com- Yet his Stardust was especially
piano was Buch’s wholly inap- Pow il cot sher who helps Dick Wodehouse, that his 1917 show- posers (including, you'll note, original — the only song] can thifik
propriate Nui freut euch. lieben ξὰς δὴ laying the role of a com- slopper, Till the Clouds Roll By, was Godowsky, whose con married [τας of whose verse has been recorded
Christens g'metn, As ason of encore Pp : ase symphony has been “more or less a steal from an old © sister Francis) for Danny Kaye to (by Sinatra) as 4 separate number : EEE ΠΡ
Yohanan threw in the Shekchey sme Hel ormed pa Tin Pan Alley German hymn. - rattle off in 31 seconds "The lyric from the chores wit deserves ‘to
τ prayer that is played at every simha ted Ho into ἃ hot little number cal- “ As Kem so reasonably pointed had originally been published 17 stand alongside The Man I Love, W MAY BE TOO LA Ϊ E! Musical inst i t
in America to a tune that David tates Ἐν lant eae ici he when the subject was Taised, "1 years previously in the weekly, Life, Body and Soul and one or two = Ι rumen ὃ
Ratrsy ἀστονοι tom Be: μῆς μας αὐ ἀας, Με ἀπριν, kant btn ne aan ἡ μαι. Ge ant enc 9 Sent benny ας an Take advantage of Kley-Zemer's offers together you usually buy once
᾿ months ago. Listening to Andrea For πὶ ᾿ ᾿ © waited hopefully but in obituary notice, “as the classic ex- αἰ πη"
0 Ὑ pact I'm prepared to vain these m ἢ ἢ ἣ
ICANTUNDERSTAND why iin MEA ας τῆς YOURE Judy fone Re enig eres ate many ya fr dmeone with tax reductions today! in ἃ lifetime: Get them
_ is necessary, After all, Jews have Chasing ΩΡ on m é ays from producing some of the most plains In his Lyrics on Several Occa- Wh i i ? from a reliable source.
. been in ig business longer than and Joseph McCarthy wae reapleaig Sra pont i in sions “20 that 1 could respond with at will tomorrow bring? eerie
anyone else and, epart from musi- ἢ ae Pp music repertory, he was the ‘fact that I Wi i Π H
cians of the wiogiiide of Mahley ory. Pe arienih Leap cer a τα = of my favourite pseudonymous Arthur Francis.” ill the tax reduction on musical instruments be cancelled?
and Mendelssohn, the tunesmiths of ΤῊΝ joi main. ad-libs. One of the actresses in the His brother, unfortunate] le of th i ee i Ἵ Ϊ Ϊ
i i a join was so smooth : : ᾿ 1 nately, can't ample of the American song.” In μ 4
Το ταὶ Αι τς δας dled dic tal wore ie rate ἄδὶ μερίς σα δὲ ὑμεῖα mara cn bot ὡς SBC ty ase pope ae Kovzanae bet pee Se A a πε ΡΥ Ἐ αὐξθοης
ern, ge Gershwin, fmpr oe = ‘ . Ha : ; ealth. In his biography, Geo. enny once referred to 1 Get Along = -- i i ᾿
“leving Berlin and Richard Rodgers "prompt in CSharp Minor ended Hepa her R's and in follow- Gershwin: The Mou ond His Muste, Without You Very Well, Hoagy’s hit and Xey-cemer's towest prices — 45% off all musical instruments at Kley-Zemer 5 sale.
must apologize for all the allitera- ua rections. Charles Schwartz fairly convincing. from the Thirties, as 1 Get Along Yamaha M6J-PE plano, J World’ i vi ΟΠΙθ ΘΑΒΠΊΡ 68:
tion, 1's like Betling a bicycle wheel wee Ales to cr-f-ross the ly demonstrates, with the aid of Without You, H.G. Wells. re ἀξ εν Deche ck mies Rome oa Meesiadiay ze eter, senense Nonportable. Alegular Special Welson Super Fiesta organ, Itahan Two 341 = Regular Special
ema ina tram line; once you start ea Fs 6 said. But how am | sup- musical illustrations, that one of Though he produced a very Exceptionally robust intemal mechanism (ποι. ΝΑΤ) tel Lips piano tution Gives μπῆκα aired δὰ tect Var) er val winds oi nap ae guna eieicenae ἘΣ WAT tee we
it ue ae lo extricate yourself). Pp cela age fri the stage? Gershwin's most successful tunes, tespectable songbook that included Resonance board of solid spruce Body and ἢ winds: Drum: va‘itides: ‘auiomane ἶ mare synihiésiss “eHecls mariory ; aciomalie’ Gin PENA Mass NAT
‘hy, we even produced the first helpfull ν “whe ἃ the composer, 1927's ‘S Wonderful, seems to have Georgia on My Mind, Small Fry, The reinforcing of glued layers of wood, specially accompaniment. atpeggios. momory. atc. 28 accompaniment, cover fo close instrument, etc
ΠΕΡ critic, Saul, who, probably and vaudeville pianist Carroll's con- τοῦ ar” ὉΠῚ you just roll been borrowed from Abraham ‘Nearness of You, Lazybones and Two " dred over 20 years Polyester finish 7% different registers giving instuimant timbres. 38 registers giving instument umbres. affect
chucked amend 08 the high Cs, tribution began. ᾿ ; Goldfuden's operetta, Akeidas Sleepy People he was well uware thal ' octaves. 3 πράβὶᾳ But wa wnheuand sdverse og | _silsets and heats 51.888 $879 | and vests S110 °$1,060
_ Eaucked ajayelin at David whitehe — Robbery of the classics was GOETHE ONC fzchok. Goldfaden's best-known 0ne of them had made such a mark ἘΜΛΘΙΗΣ ὙΘ aa ‘Quaxaniag ᾿ Yamaha B-38-NF organ, Japanese. Two 35} Welson Princess orgen, lialian Two 3¥i octave
was doing his celebrated impersona- widespread The fallow ᾿ INCE SAID that there composition was the Yiddish lullae 85 his earliest success, Stardust, and : Mahler M1 piano. made at the Sam Ick plant. Octave key boards bass octave; all the sounds of key boards bass Octave. 18 8. 4. 2 flutes, 81 the
tion of Harpo Marx. I have to admit ples are merel the tip Pate would be litle left of him if he were by, Roszhinkes mit Mandien, which that from 1929 on his career had ¥ Fro eee ἐποαν now: Sueanor tone. viovonhea 3 nih the adltion of plano, guitr TA ταδ Θ1 τη ὙΝ᾽ ἀμεετθ᾽ διοπο, ἐσμϊιδς
that we also gave the world Hard ebie NUL co : a of ι 8. to discard what he owed to others.so sometimes turns ie on Jordan TV as been relatively speaking _ 1! Strong. reliable mechanism. Body and vibraphone, synthesizer effect. viotn atc 3 vibraphone, synthasizer eflect. violin. aulomatc
Rock, the high-decibel protot f re ret, after miding perhaps I'm being unduly harsh the back i OS ‘ Parr 7 τριπίογοιπῃ of gluad layers οἱ wood Polyester volume (avels for each register. electnc drum drum accompaniment, argoggios. mamary ral
the Rolling Stones shen pie ally ok ear ee = Moonlight with these light-fingered peastictes Mtge author Labs — Nalueaiy Sioa τὰ Beste tens stained mahogany or walnut. varations and automatic accompaniment top to close insirumonis, otc 64 registers giving
: ν and Roses and the Pole also inspi . Age Ol γέ chool | u μ᾽ topicalized 7% . 3. pedals. . 4 ᾿ bre of ants, ν δ
' ihe pedis ᾿ met to the ἴορ οἵ Till the End of Time aad paglps ἐπα δ. ee can be extremely crafts exhibition. . - rs sensitive on this point and ‘once | guarantee ia aa a: 84.396 82,417 ratturant Spe es 83.750 52, Yamaha $0 8222 Wr drum eae Jn anesh poy ees
Sand ihe Sane Sing and Shout the ‘Night, among others. Newley ‘tn I “asked f . ἢ nihoay It's puzzling, George was simply made an unconvincing attempt to Yamaha PS-20 organ, Japsnese 4 octaves, Total of 64 registers yiving instrument umbres. : “062 | prufossiona set af 5 deems, consisung of
Sani of Jericho came a- it's just onc damn sing after wi py or itwhenhe brimming over with musical ideas dismiss Stardust as “an item of : portable (6 ΚΘ ἢ. with internal amplifier Runs uilecis Ἀπ beats 14222" Baus drum. Sxt4 Malal snara drum
_temblen down τος _ another; another Judy Garlend hit at cs tae called Why? and there and, Moreover, he had too much juvenilia.” : i ftom mains or battenes. Piano, violin, winds, Viscount Bahia organ, Italian Two 311 octave 8x12" tom toms. 9213" tom toms, 16416" flaar
as ‘ODDLY thio 2 Somewhers Over the. Rahibow re ar Boca Peon ae chorus pride in his work — a lottoo.much. . What probably finished Hoagy _ : wihraphone, accordion, bass. drum, vanetions key boards bass octave. 16, 8. 4 flutes, piano. tom, cymbal stand. hi-het stand, snare stand,
ἔν ones confided GH, Cole Porter Harald Arlen, iz indebted to a Little δ᾽ as Tom er toquote Jn He would sometimes even refer to Carmichael off may have been 8 and automatic sceompantmant, arpaggios. Sree ts Ste oe: top: 10 clove wasirument oe ee ease $1,708 $936
ided to Sammy Cahn that Wagner's Meistersingers, a bit of fe opanisn Lown than to come’ himself in the third person and, in remark made recently by the Lord’, Mamory Can also be hooked up to a non- Automats. rium accompaniment. Mertary. Paolo Soprani accordion, Italian, 80 Basa Ludy
he chad discovered the ‘secret of Brahr d fod of sup with an entirely original com- Nice Work if You Can‘ Get 1 ἐν Mayor of Lond that: puts thal . Portablo argan. extesnal amplifier. atc 36 synthesizer offect 37 ragisters giving «steument 34 keys. 80 bass butions, 3 rowa of tones for
: Writing hits, ae Dvorak alco = oer Rusalka. position, that's why.” what Alec Wilder has called 4 diguhar firmly latte same Sree ropasers Sing slammer, ἱπήβίσα; te ee See nee pits Ren the gt hand played αν 7 requaters + 2 uns
. ΤῊ write Jewish tunes," he told Billy Hill an J Pun ee Lionel Bart seems to have somewhat lordiy allusion” to his OmcgCy as Pa ‘Wodehouse’s . liects nd beats as 5537 Viscount Rhapsody organ, Italian Two 3% : petpslers) With: lel Ιπιεά care $1308 8720
-_ the .astonished. Yyricist. In Cahn's their 1933 Mmoneyspinner Was memorized one of ‘the best-known” earlier work, J Got Rhythm, 9 trick Madeline Bassett who, you may’. f. . Ste as eee κατ ἐκ νῶν ΤᾺ hiner ela
᾿ mvcbiogspky he’ examines the Wheels’ » Wagon oe te Ὰ Rodgers and Hart Mozart used in Dow.Giovanai when recall, thought that the stars were Kley-Zemer Uf : ὑὸς ἐρε ναρτ ΟΣ Esher eeeec δι κεῖ ει ἘΝ slinae 5285. Β140
: ere elses of Cole : vi ncent Rose (an Italian who in ἐπε rear bl ape hart ἐξ bier heh ro before his oe gpg rs eel "si ἢ : accompantuunt, niomery, roll top "ὦ closo ued eae Concert ate. ΝΑῚ ΝΣ
“cludes that the Episcopatinn mil. - ccohted Jewish-sounding name at Tey. Used ΤΟ Be — which was Georpe qlee thirty-eight, . Τῆς Lord Mayor. Colonel..sir ῃ ᾿ππΙ ΠΗ Βοι οΙε $2,104 91.157 | Homgel CG 160 guitar. Koman Concert τα,
Aai Hai alin mil- ‘Jew ᾿ a ὁ that he already Ronald Gardner, wes so cartied- a ἤ : guiter. uncer uz,
ἠβῖτο from™Peru, πάρης ay 2 time when, many Jews were rather foolhardy of him. He got h ge fe already a ; YY) H}) 7) ΟἸΔΘ ΞΙΓΩΙ guitar, 6 sianys 5128 570
fionaire ἢ , , did. sloughing uff them) aot t fo + Botvhis . belonged to the ages. His highest’ away by the news that the union of — : γ A i Ἢ ‘
Se ee listen, for exum- witht Puceini's ance ake Cutten two trios sing ᾿ accolade. when. discussing” ihe the: Prince.of Wales and Princess ~ 1: y @ M My Payments in shekels, corresponding to rate of ree Sud στα, ee eae 39 $651
Ton africans δι τα Gore afd cr BET cheer ese MONME Re Ade wes, "Seno Dantas fo be Died Be f Ma yl °*078° the coir on dey of purchase. Se ees ae
ὌΝ ἐδ f ὃ "the show-stopper he wrote for. ΑἹ Week That Was. an exnerience [Ὁ about me... - . gtew positively rhapsodical. , Ἢ . bady. 8 stings. ᾿ ἐς 5168
i peaeived aecca,. olson, was borrowed froni Tasca. . aii Beant eee ee nce ee “Babies,” hé burbled happily, Israel's largest Importers of musical inst eis ὅ80
& tegeived “equally Debussy ‘provided Larry’, Climon : peng aa πῆς then he couldn't THERE'S A REVEALING passage “are bits of stardust blown from the Yi I : Be ge Oe or a soeielens ὙΠ 10 Retey Ρ Hadash ice iad greens bochSioy ΕΝ
© On song-writing. . with Gur Love aind Harry Warren with’ Th Ὄι ἘΝ if you've ever heard * in Sammy Cahn's ‘altobiography, J Hand of God.” : a ἔπι ha House, Kiey-Zemer Ltd., main branch, Dizengoff Nalanya, Nalsn Kelichmann 83 Aehov Harz! em Haaiyen 71 δον ἀν Νὰ 82
city : ae ond. ven val ὦ. Dubliners’ -corncrake-voieed Should Care, about the firsi time he .-- (Next: Land of Soap and Glory) . epi tai eg ae ta Haifa branch, 63 Rehov “ποῦ Cette ner te ar iersies 58 Rett Senet 2
Β : Sa. tty ὡς reare xt. - ᾿ : . Kley-Zemer Ltd.. Haifa branch, ehov Hymusica. & Rehov Krinit
neers iat Haha, Tal. O4-664374 ont eee wa
i FRIDAY, JANUARY 15, 1982 : enna ee eran: Grenoh 124 Keys Get, Kes David. 7 βάλαν Lacimh | Atul, Eu Guganurg. Rehov διινα Tasha ana
“δ πα ναὶ. A Ns gel Gath ual a Prana
as Ἢ Μὰ
DON'T BOTHER making any cof-
fee for me this morning, I told the
lite woman, [I'm off to have u
chanmipagne breakfast.
There followed the usual grumble
mumble to which a food writer must
become accustomed, namely: why
do I gel invited to all these wonder-
ful meals? Patiently | explained that
it was not casy to face champugne
early in the morning, and | was
hardly looking forward to the ex-
perience,
But, 1 said, | had πὸ choice.
Jerusalem's King David Hotel had
opened a new restaurani, The
King’s Garden. They were offering
a champagne breakfast and they
wanted me [0 try it, It was all in the
line of duty. i
‘The litle woman wasn't con-
vinced, and just to make sure |
wasn't going to starl pulling on airs,
she asked me to take the gurbuge
with me on my way oul,
At the hatel, 1 tied to get myself
in the mood by pretending thut I
had just come down in the clevator
from my own special suite as
walked Over lo meet Joe Sultan, the
hotel's food und beverage manuper,
But [ still didn't think 1 coukl put
away the giant repust 1 had been
promised, Usuully | have just cotfee
and toast for breakfast.
Greeting us ut the entrance to the
restaurant was a Fulashu, dressed in
the full regalia of the hotel's
Sudanese wuiters of the Mandatory
era, A chic young waitress led us
through u veritable jungle of potted
plunts to our thronclike cane chairs
and handed us the menus.
against inflation.
‘|. than 10 times in US$ terms.
Despite occasional fMuctuation, its value
᾿ bas always gone up, due to its long-term
investment values. Take the last twelve ©
years - gold prices have increased more
Krugerrands - safe, secure
᾿ and traded around the world
Bubbly breakfast
MATTERS OF TASTE / Haim Shapiro
U glanced over the Royal
Breakfast at 1S255 per head. ]
wondered if | could possibly
manage it. Even if f could get the ©
champagne down, how wus | going
to eat the fresh fruit and the cereal
and the eggs and the smoked salmon
ur trout ard the brioches and crois-
sants and rolls? I'd be incapacituted
for the entire day.
Sultan brought me out of my
fumination by remarking off-
handedly, “Of course, you don’t
really want the champagne
breakfast." Hiding my disappoint-
ment, | hastily ugreed with him. We
ordered the usual $8 continental
breakfast und ! let myself be talked
into a smoked salmon omelette
(1S 130},
In fact, Sultan admitted, virtually
no one orders the Royal Breukfusl,
but it makes an impressive opening
tothe menu. The hotel also offers it
as part of a special packuge for
honeymooners, :
Having brought usa pot of coffce
(with pitchers of milk and ercam), a
basket of brioches and croissants
and goblets of orange juice, the
waitress wheeled over a cart at
which she proveeded to make my
omelette. The salmon was the firm,
There aren't many places inthe world
where you'll get an offer like this.
Gold - one of the safest and
- most secure investments.
Gold has always been an excellent hedge
to:-ounce by ounce
free
It is
in the duty-free lounge at the airport, on
your way home, Selling Krugerrands is Just
as easy - and their coin form enables you
to sell them exactly the way you would like
Krugerrands in Israel - safe,
secure, negotiable and tax-
ssible to buy tax-free Krugerrands
. ina limited number of countries. If the
country you livé in isn't one of them, why
salty variety rather than the bland
kind one usually finds in Israel.
MEANWHILE, as | buttered my
brioche Sultun told me of the hotel's
plans for its gala anniversary dinner,
a benefil in aid of the new Tourism
Hotel School which is to be built in
Jerusalem. It was not easy, he ud-
mitted, to compose an entirely
original menu, especially since most
of those coming would be hotel and
tourism people. Ἥ
In an attempt to tempt jaded
palates for the dinner, which is lo
take place this coming Monday, the
hotel is having kusher red and black
caviar imported specially. As for the
sorbet as a refreshment between
courses, they were at their wits end.
What hadn't been served already?
Tomato sorbet? Avocado? Parsley?
Finally, they hit upon coriander.
All this talk whetted my appetite
and [ decided to try ἃ croissant. [1
was good, but although Sultan
swore that it had been made with
butter, it lacked that specific but-
tery flavour one finds in France.
The problem, I believe, is with the
butter, and won't be solved until,
heaven forbid, we have a climate
{Κα that of France.
In addition to brenkfust, with or
without champagne, the K ing's
Garden also serves u selection vl
roast beef, veal or lamb, freshly
carved from a trolley, for Junch,
with coffee and cakes in the ufter-
noon. For the present, it is closed in
the evening.
BUT 1 HAD NOT done with
breakfast, for on the very next day, |
set out with Professor Moshe
“Sharon, who teuches Islamic history
al the Hebrew University, to try
what he promised would be an
authentic Arab breakfast.
As we made our way from the Jal-
fa Gate to the Muristun, the 19th-
century market-place, complete
with non-functioning fountain that
lies close by the Church of the Holy
Sepulchre, he explained that no
self-respecting Arab shopkeeper
would cat breakfast at home. At the
most, he would start the day with a
cup of coffce or tea.
Then, at 10 or 11 in the morning,
Sharon continued, he would send
oul for a dish of humus or ful freshly
made at a nearby restaurant. When
served at lunchtime or in the after-
noon, Sharon assured, such dishes
were “just for the tourists.”
In any case, we found our
restaurant, Dabbagha, run by a ro-
tund, jovial fellow answering to the
name of Halil, in a side street near
the Lutheran Church and next door
to the well-advertised Danish Tea
Room. We glanced at Halil us he
dished up the various items und
made our way up some narrow
stairs lo ἃ room set with ables and
chairs,
THERE WERE only ἃ few
customers, but this, Sharon told me,
was due ta the fact that must of the
foud was sent out to shops, where
the proprietors ate while keeping an
eye on the merchandise. Armed
with a pile of pitor, we dug into the
plates of humus aad ful set in front
of us.
The humus, served in a large blob
in the centre of the plate, with
cooked chickpeas on top and green
olive oil urownd, wus incredibly
creamy and smooth, wilh more than
a hint of lemon juice,
But the real lemon taste was in
the ful, lightly mashed rather than
puréed, -with juice that was grudual-
ly absorbed into the beans as we ate.
Sharon explained that this was the
traditional Syrian ful and not the
Egyptian varicty, which is smoother
and more bland.
Well satisfied with our repust, we
went down and watched Halil
prepare fresh humus. Using a
wooden pestle and a metal bowl,
he first crushed garlic and salt, ad-
ded parsley and oil, und finully the
cooked chickpeas, pounding the
mixture all the while. Finally adding
ἃ generous amount of tehina pasie
and freshly-squeezed lemon juice,
he ladled the humus out with a
flourish, and added cooked
chickpeas and olive oi at the end.
Despite my protestations, Halil
would not let us pay. Sharon told
me that the two dishes, with the soft
drinks we had, would cost αὶ totul of
about 1530 for the two of us. Π
THEATRE
Mendel Kohansky
SHOLEM ALEICHEM'S The
Graud Prize is sure-fire theatre. Like
Moligre's comedies (and there is
quite a debt to Le Bourgeois Gen-
tilhomme here) it deals with a basic
situation — n pauper suddenly gets
rich and just as suddenly loses his
riches, which anyway didn't bring
him happiness, Given the eminent
Yiddish humorist's genius for
churacterization and diulogue, plus
his warm viddishe hariz, it takes little
te make of The Grand Prize an en-
ioyable show. The Haifa Theatre's
Presentation gave it more than a lit-
tle, and the show is a delight — most
of the time.
To make his production αὶ suc-
cess, the director first of all did whut
was natural; he cast Shmuel
Rudensky in the leading part of
Shimele Soroker. Rudensky, as
every theatregoer in Israel knows, is
ἃ Sholem Aleichem actor to the
manner born, With his rich, deep
* voice, his warm personality und his
bulk, he is the quintessential simple
Russian Jew as immortalized in
Shulem Aleichem's stories and
plays.
As the star of the show, Rudensky
faces competition from another star
— Ruth Dar's sets and costumes.
This is the first time I have ever seen
a set actually perform, and the
audience applauding the perfor-
mance. [t happens after Shimele ,
Soroker, the bone-poor tailor faced
with eviction from his squatid flat,
wins the grand prize and becomes a
wealthy man. The rags and broken
furniture of the kitchen-bedroom-
workshop of the Soroker family
suddenly come to life, and undergo
a wondrous transformation, at the
end of which we are confronted
with an outrageously sumptuous
residence with dark-red satin hung-
ings, chandeliers, richly-carved fur-
nilure and revolting objets d'art.
We also see Semyon Makarovitch
(Shimele Soroker in his new incar-
nation) in a rocking-chair reading
a book (by Sholem Alcichem, who
Nitzan hus taken the utmost advan-
lage of those opportunities.
There is, for instinee, the scene
when the Soroker vounle cumes for
u formal visit to the gvir ul the
shtetl, Reb Asher Fein, the slum
landlord who recently threatened
them with eviction and is now anx-
ious to marry his nincompoop of a
son to Shimele's lovely daughter.
The Fein salon, another magic
tran sformation-scene, is filled with
guests displaying their ridiculous
finery, chatting, purtuking of
refreshments handed round by
liveried servants, ull in carefully
choreographed movement, the en-
lire group freezing when the
Sorokers' arrival is announced,
Or the character ot Yelim
Pantelemontovich Kollon (Avie
Uriah), Fein's factolum, a lume
hunchback out of Dickens; ar the
Chagallesque Soloveitchik the
nattelimiker {Alex Munte), who vir-
Wily Nes Unrough the air.
ON THE DEBIT side, there are wo
climactic scenes: the announcement
that Shimele Soraker has won the
grand prize, which does not fully
convey the earthshaking
significance of the event, and the
one in which Shimele learns that
crooks have cheated him oul of all
his money, which is just as weak.
And speithing of the crauks, the
device Sholem Aleichem used —
adding ἃ zero io the sum in the
cheque — might have been accept-
able in Sholem Aleichem's ἐπὶ of ur-
Lificial plot contrivances, but is hard
for a contemporary audience to ac-
cept. Why didn't anyone think of
pursuing the swindlers to recover
the money? The adaptition should
have done something about that.
But my chief complaint about an
otherwise delightful show is the in-
troduction, which is pure invention
on the purt of the director. The per-
formance begins with the legend
“Europe 1915" in huge lettering on
the curtain. This is followed by a
montige of scenes and sounds from
World War 1 und the brewing
revolution in Russia. [1 made me
wonder whal the connection would
be with the play [ wus aboul to see
— and] am still wondering. The ac-
tion of The Grand Prize takes place
in a Russian town before the war
and before the revolution; there is
nothing in Sholem Aleichem's
original and nothing in the adapta-
tion to justify the introduction. One
must remember Chekhov's dictum
Lhat when you shew a shotgun in the
first act, you must fire it in the last.
THE CAST seems to enjoy itself as
much us the audience. Ruth Segal
as Ette Menie has a great time
struggling with her unaccustomed
finery and aristocratic manners.
Rivka Neuman is an appeuling
Beilke, the daughter, who would
rather marry Mottel the tailor's ap-
prentice (Rami Danon) than the
rich man's dumb son (Zafrir
Kochanowski); and Mordecai Ben-
Zeev is a droll overstuffed gvir.
ub
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Krugerrands from the Bank Leumi Branch
᾿ Unlike many other forms of gold, they are
* Bank of Israel,
polit ὀρδερουμβιυ τονε erst 2 eee ΕΝΆΣΘΡΗΝ
. This offer is open to tourists only
not take advantage of this unusually
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Ysrnel, ΑἹ you have to do is to drop into
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else?), resplendent in a brocade
dressing-gown, while his wife
Ernestina — formerly Ele Menie
— wearing a dress to match the
decor, is seated on a chaise longue,
fanning herself by holding the fan
steady and shaking her head. The
performunce of the set is a tribute as
much to the designer's engincering
skill as Lo her imagination.
The Grand Prize is a director's
dream, offering unlimited oppor-
tunities to create éntertaining
characters and scenes, and Omri
FRIDAY, JANUARY 15, 1982
the servants who tench the Surokers
the ways of the upper classes.
Arye Aharoni’s translation, with
its clever sprinkling of archaisms
and Russian and Yiddish words, is a
little masterpiece. ᾿
The credits in the programnie in-
clude the information thut the cakes
served in the show were donated by
the Nof Hotel. Judging by the way:
the cast ale them, either they were
very good or the actors were very
hungry. i ; Q
internawonal Time Ownership
Kikar Alarim, Suite 222
Tel-Aviv,
Address
Yes, | would fike more information on:
OTIMESHAARING CILEASEBACK CIFREEHOLD
GREASE SETA λῆς tl,
AY THE SHALTIEL Cammunity
Centre in’ Jeruswlem list) Friday
morning Gamary 4), Jayne Lee. a
member of the [ondon Cuntem-
porary Danes ‘Theatre, showed chat
she is both a lovely dincer and a
choreogripher of nore than
promise, She had apent a fortnight
here choreographing Jor the
Jerusalem Dance Workshop
(directed by Hora Cushman), which
presented the performance,
Dressed in black tights and
leotard, she danced wu solos, her
muvement so clean, steady in con-
trol and tree from strain thitl every
westure, step and attitude hid its
own expressiveness. Her own
choreugraphy in the first solu
(music: Juhn Mayer) was based ona
Chinese idea and, indeed, begin
with the use of ἃ Chinese sunshade.
This later served an ingenious pur-
pase, hiding the body so Uhat only
the moving legs were seen, The
whobe carth-to-air design was set
finely to the music.
The second solo, choreupraplied
hy Jane Dudley, head of the
Londen Schanl af Cautemparary
Dance (music: Sehoenberg) called
for a different range of movement:
angular, staceato, aggressive, fear-
ful — and at times funny. 11 ended
with a cutting movement of two
lingers and uo deep arubesque —
ee ase ee Ae tie DOE CE came τῶν A
DANCE
Dora Sowden
αν RC a Re ce Ba μα.
aymbols of the inevitable finale.
Both these works indi
much there is still do say in modern
dance. Jayne Lee's choreography
for the Wurkshup, inspired by the
Picasso picture, Bathers, Dinard,
1015. Gnusic: Debussy sonata lor
harp, Mute and viola), wlirmed that
theugh she is young she is ne begin-
ner.
‘Three women were languorously
posed so thit the sense of seu and
sun Was immediately evoked.
Joined by two others, they touk of!
their tlimsy dresses to reveal a kind
of old-time bathing costunie: ene -
pieces, close-fitting hut all-covering.
Thereafter, their danciag wus
sensuous and lyrical, the circular
ἩΓΠῚ movements, the small rippling
fuutwork, Uhe body bends as they
held hands or moved individually,
suggesting waves and the shimmer
of waler. The grouping was whwiys
charming, not very deep in meaning
but interesting. ‘The dancers were
Dina Biton, Judy Bobrow, Datos
Finbinder, Michal Israeli and Aya
Rimon, ‘The work will be staged in
᾿ς next Jerusalem Danee
Workshop programme (dite Hot yel
danounced).
SHIMON APLATONY, whe gay
performance at Jerusalem's Tel-Or
(January 4), had everything hat
goes to make excellent mime — ea-
cepl ἃ sufficiently well-designed
pProgrimnic.
In speed and stillness, hie was
always masler of the meaning he
wished to convey through his slim,
flexible body and traditionally
white-painted face. Also traditional
was his striped T-shirt, and his
“vocabulary” included the clussic
moves of mime: walking, cunning,
viding while remaining in one spot,
leaning against ἃ ΠῚ"
mantelpie
invisible walls,
Among his many subjects were
the bird shot down, the musk that
wouldn't come off, the old man
remembering youth — all projected
with exceptional skill. There was
the right rhythm in them but few
haul the well-timed proportions to
achieve atiue dramatic ¢linns.
Perhaps the best was “Peak,
where Aplatony portrayed: ἢ sine
ner diving under water, linding an
oyster, losing the pearl, then realiz-
ing the value of his own tears. [nthe
vest, the ideas were all guod but tou
aflen descemled to the prose ol
mime. He frequem}y called on
meinbers of the young audience to
help make fun on stage ancl these
anties turned inte mere romps.
Through no fault of his, the per-
formance began an hour later than
advertised — and the stage looked
unswept.
KEI ΤΆΚΕΙ, the Japanese-born
American dancer, whe is here lor
five weeks ut the invitution uf the
Central Library for Muse and
Dance and the Kibbutz Dance
Company, will be giving ascries of
public demonstrations of her dance
and choreographic methods this
month, She will be assisted by one
of the dancers of her own compuny
and some from the Kibbutz Com-
pany, as well us using video aids.
Takei will appear in Tel Aviv at
the Museum on the 18th and the
Central Library on the 19th and
30th; at the Haifa Museum on the
26th; and in Jerusalem at the Isracl
Museum on the 28th.
Oe
JUDIE BRIN INGRIR, whe
spent saute years in bsiatel and now
teaches dines beter ut the Ulniver-
sity of Minnesony ἐν here with her
husband and two childien lor a
month's stay, curing which she is
giving GukS on various aspects ol
lind it rewarding (awrite and
speak oon the growth af dance
and how a ἈΠ eon-
2 Danes students
pet Unit Heat studies where
Vey deal all the time with the prac-
heal problems of dance. What [tind
exciting during my visit here is the
richness of the dance field in spite
of the many difficulties.”
IN THE review of Bert Yam-
Polsky's “/atroduction to Ballet" (and
wither works) that appeared in this
column on December 24, the name
of the Israel Ballet was inadvertent-
Jy ontitted as presenting and per-
forming the programme. The com-
pany will appear in a new program-
me al Beit Hahaya) in Tel Aviv on
February & when the performance
will include Giselle Act UL and the
premiere of a work by Berta Yani-
polsky (music: Mahler) dedicated to
Raoul Wallenberg, the Swedish
diplomat who saved thousunds of
Hungarian Jews und whose fate is
still uncertain, im)
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FRIDAY, JANUARY 15. 1982
ITTS WONDERFUL news that the
valiant seltlers of Yamit are winning
their hervic battle for compensi-
tion, | was furious with the left-wing
mafia in the TV news-room because
of the snide way they presented the
settlers’ struggle for justice.
We were shown people from
Yamit swearing that they would
fight to the end, that if necessary
they would die fighting Zahal in
their besieged fortress. Then we
heard Deputy Prime Minister
Simcha Ehrlich explain that a few
billions was a trifling price to pay
for avoiding a war between
brothers. Then came various people
to tell us that the new austerilies
demunded by the minister of
finunce would necessitate the
closure of schools, huspitals and
sovial-welfare institutions. 1 suspect
that the juxtaposition was not coin-
cidental.
For my part, 1 mmointain that to
make the people al Yamin happy,
we should divert the entire Grass
National Product for the year into
their pockets, After all, they settled
in Yamit at the urging of several
Israeli governments, und They Have
Been Let Down in a Big Way.
Somebody must pay for the
betrayal.
I have been trying, wilh the aid of
compulers, lo work oul how their
hillions of compensation were ar-
rived al, According to my catcula-
tiuns, they are getting 1 per cent for
capital invested, 2 per cent for
honest sweat, 3 per cent for the
equivulent of a top wage or sulary
for the period they have been at
Yamit, 44 per cent for turning
violent and threatening « war of
brothers, and 50 per cent because
somebody shattered their dreams.
ISRAEL'S theme song should be
“The Boulevard of Broken
Dreams." Every time | scan the
classified ads in search of a cut-
Price automobile, colour TV,
stereo, dishwasher, furniture or
viher goodies that some returning
immigrant or yored is jeaving
behind, | think to myself, “Here |
go shopping ugain on the
boulevard,’ and T hum that
melancholy song.
The great thing about the Yamit
award of u king's ransom for
violence-plus-dream-beirayal is that
it sets so admirable a precedent.
Anyone will be able to get massive
amounts of boodle, if he can prove
thut he has been ill-treated by the
government and is prepared to
fesort to force over it. (I hasten to
add that this does not apply to
Arabs, who can only threaten to
launch a war between cousins. They
get different rewards from the
authorities if they commit violence.)
Now, it seems to me that about
two-thirds of the population of this
country settled where they did
because they werg deceived by the
government of the day. Think of all
the hundreds of thousands of im-
migrants who were taken willy-nilly,
without being asked for # yea or u
nay, to development towns and im-
migrant villages and sa ‘abarot.
What mighty promises of u good
time coming were made to them.
For instunee, I myself went to
Ashkelon, We were told thal a great
pert would be built there. This
promise was even incorporated in
the town’s song. Ashkelon wus to be
the capital of the urea. Then along
cume Philip Klutznick and sold the
government it bill of goods, and they
built Ashdod — and Lova Eliav
suckered them into establishing
ET
FRIDAY, JANUARY 15, 1982
Philip Gilloti
Kiryat Gat, So what about the
promises to the Ashkeloniuns?
{Some of these promises were made
to me, as [ was working then for the
ivipalily and the Afridar com-
puny.) Betrayal! Did we get com-
penstion? We did not.
Exuctly the sume injustice was
meted out to the settlers of the
Negev, and the South, and the
Arava, ind Galilee, and the hills of
Judea, und the whole country.
Fellow-Jews of Israel, we have
heen double-crussed, Let us learn
the good lessen from our intrepid
brothers und sisters of Yumil, Let us
form a fighting commitiee to
threaten a war between brothers, to
Tree us front eur dependence on
Spertolo and Mifal Hupuyis.
Let us mount the barricudes with
ἃ slugan: “We all want compensa-
tion! Within our inmust hearts, the
flame bums, the ancient hope to
dwell in the land of our fathers, und
to receive compensation!"
EVELYN WAUGH'S Brideshead
Revisited became u major TV
phenomenon in Brituin, where the
last episode has just been shown.
Every Euglish newspaper is now
analysing the impact of the serial,
and trying lo explain why this was so
profound.
For instunce, James Murriy, in
the Daily Express writes: “Princess
Alexandra is repurted to huve made
an excuse and left, ‘I've got to get
home to watch Brideshead,’ she said
at a function... The series seems 10
have hypnotized around 10 million
of the big-spending middie classes...
Due to the appalling lack of coor-
dination between Israel Television
and Jordan Television (one of the
main reasons why we television ad-
dicts want peace with the Arabs is
to get this whole business of
clashing programmes straightened
oul) we are now getting a
superfluity of Brideshead, an overlap
that is causing us ἃ grave moral
crisis.
Shortly after 10 o'clock on Mon-
day nights, both stations are coming
on the uir with Brideshead. Jordan
jumped the gun by starting a week
early, and showing the first two
episodes as one, as was done in
England. So they are way ahead of
us. Now comes the great question of
ethics, the test of the true patriot:
do you plod along doggedly with
Israel, or, do you race ahead with
Jordan? (If you do your duty and
siuy behind with the Jewish
homeland, you should qualify for a
few millions of shekels in compen-
sation.)
The production of Brideshead is
brilliant: only the British could have
done so perfect a job, paying such
meticulous attention to every detail
und every character, The adupta-
tion of Waugh’s atypical novel, the
production, the directian, the
music, the settings, the acting —
one savours them like a delicate
dish or a qualily whisky.
Nobouy ever puts a toe wrong.
For example, the vomiting scene
was as muuseaus as if we were on the
receiving end of the outburst. The
homosexual love alfuir is presented
with such delicacy and tenderness
thal one very attractive young
wonlin siid to me, “Whal a waste
of two lovely men!”
The difference between the artes
and hearties of Oxtord, the trouhled
souls under the dreaming spires, the
decay of the Flytes, the corruption
of inherited wealth (as distinet {rom
compensation), and the dangers of
obsession with sin — all these are
magnificently portrayed.
Inevitably, T fund myself com-
paring Brideshead with The Forsyte
Saga, another British serial which
became a phenomenon. What a dif-
ference between the Forsytes and
the Flyles! In Gulsworthy'’s fumily,
the dominant theme was the impor-
tance of ownership, possession,
money, power — even the crime
that caused all the trouble, the rape
of Irene by Soames, was merely an
assertion of rights of ownership. In
Brideshead Me theme is decay:
weulth is valueless, the saul is more
important than the bunk account,
OF course, both serinls have
strong und drumatic stories, which
huok us as if we were trout laking
the Hy enst at us by an expert angier.
The explanation of the change in
the backgrounds muy die in the
change of Britain's fortunes, The
Forsytes represented the lion ram.
pant, the Empire in all its glory:
Brideshead is 4 product of the lion
supine.
HEARTIEST congratulations must
be extended to TV's spurts depart-
ment for the coverage of the Hapoel
Ramat Gan — Cibuna Zagreb
basketball match on Tuesday night.
The colour and the photography
were exceplionily good, Nissim
Kiviti's commentary was shurper
than usual, and il was very exciting
to meet ἃ new set of heroes, like
Korky Nelson and Steve Kaplan, as
a change from those we admire so
much in Maccabi Tel Aviv, One
criticism: we should have been
shown the clock, The time was kept
a secret from us till four minutes
from the end.
There was one piquunt touch.
One of the attractions of basketball
on TY, as distinct from other sports,
is that we are admitted Lo the secret
conclives between the coach and
his players whenever time outis cal-
led. Here we heard Zvi Sherf, the
Ramat Gan coach, explaining to his
giants, in both Hebrew and English,
that under no circumstances should
they commit any fouls, This was his
One great imperative.
“Yes, boss,” they said obediently,
touching their forelocks. Back to
play they wenl, and in twa shakes of
8 lumb’s tail most of them had com-
mitted four fouls, Coach proposes,
mun disposes,
1 AM STILL being inundated with
letters, some hostile and some
amiable, about using that quote
from Luke instead of from
Deuteronomy, One nut accuses me
of accusing Deuteronomy of
plagiarism.
To make the record clear, | have
read whut | wrote again, front ways
and backwards, because so muny of
my correspondents ure Hebrew-
speaking, and upwards and
downwards, in cuse there are
Chinese among my critics. As! read
it, 1 yuoted the passage frum Luke
in support of a thesis that
Christianity believed in austerity
und self-denial and the spirit as
againsl the flesh. And I claimed that
Judaism does not support these
things. [i may be a wrong thesis: 1
would be interested lu gel com-
ments. But f still think that to quote
from Luke to back such an argu-
ment was legitimate, and did not do
any harm whitlsvever ta
Deuteronomy. Ε
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Tee RETEST
COMI: HOME, Ephraim! Here we
kick cats,
It's sad to think of you over there,
homesick among (he cuckoo clocks
und postcard-scenes and un-
numbered bank avcounts, wilh only
an uceasional friendly fuce Irom a
visiting Habinah compuny. Worst
uf all, as you wittily described it,
there's thal sickening Swiss obses-
sion with vats,
Why do you put up with it? But |
shouldn't ask, for who can know the
secrets of the human heart? By the
way, [ never took seriously that long
exchange in the local press when
you tore yourself away from us.
Your attackers were obviously a
bunch of teftist parrat-fetishists and
spayed-bitch lovers,
Anyway, animal maniacs have no
sense of humour and no grasp of
irony. How could they understand
that your crusading pen attacks only
that sick, sick Swiss cat-worship.
You have nothing aguinst 2 dog in
its place, for the children. (Hf
memory serves, you even had one,
und it earned ils keep in severat
amusing vignettes), Your lurget is
only the neurotie personalily thit
lavishes love on animals instead of
on political leaders.
As always, you found a nice
“SERVICES
*Exclusive Deluxe Tours
*Departures guaranteed Sunday and
Wednesday by air and by land.
*Daily bus service to Cairo ~ $25
(except Fridays and Saturdays).
“Package tours according to clients’ demands,
᾿ from ,
For further details contact your travel agent, |
VIR ‘travel and tours
: “TEL AVIV: 130 Hayarkon Strect
21 Tet. (03) 247066, 242181, 242182
τ JERUSALEM: 1 Ben Sia Streot
Tal. (02) 224451-5 τ
Heiga Dudman
device for the cal piece — those two
blithering Swiss with their single
seat to Agnon at the Schauspielhaus
(the very phrase is a beautiful semi-
Semitic Glockenspiel), It reminded
me, though, of our local version of
the married-couple-one-seat joke.
Here it takes place at the Philhar-
monic (remember?) and the point is
that when it's the husband’s night,
the seat is always empty because
he's seeing his girl-friend, Goes to
show what a red-blooded nation we
are, compared to the effette Euro-
Peans with their pussycat urrange-
ments, Makes one burst with
patriotic pride,
{F SWITZERLAND becomes real-
ly unbeurable, and if for reasons
beyond your control you find it im-
possible to return to the
Motherland in the near future, you
might try Turkey, Albania, Sardinia
JERUSALEM
Lid),
*Cosi otie'l restment
*Hairdressing Saton
*Rest Ri ΐ
Snack Bar’
THE BATHS A
MEN. AND WOMEN (In se
~— one of thase places where there's
no danger that a man of wit und
culture will run into turtle-freaks wt
the opera.
Best of all are probably Iraq and
Syria, where you can be just about
100 per cent safe from conversa-
tions about kitty litter,
Alas, these refuges are out for
the moment. But it's good to know
how the Arab states have matured
since the days of Mohammed. |
needn't remind you of that story
about the Prophet, quoted ad
nauseam in every cat book (wouldn't
you know they outsell first novels,
autobiographies, and everything ex-
cept diet books) in which Moham-
med cuts off a piece of his cloak
because he doesn't want to disturb
a sleeping kittycat. Yes, the Syrians
and Traqis have come a long way. As
for the Egyptians und their cat cult
— well, you can't trust them, at
least not after April.
{ LIKED your socio-political con-
clusion — and what, after all, is
humour without a great big germ of
NEOT HAKIKAR
SERVICES ᾿
Δ meh aad LTD
Day κι Egypt
4 days — $160
Sdays — $185
; 8 days — $430
Price inciuces: all transportation by
bus from Jerusalem or Tel Aviv to
Calro and back; 3, 4, or 7 nights In a
comfortable air-conditioned tourist
hotel; breakfast & dinner; qualified
tou? guide,
Tol: (02) 221024/249588
28 King David Street,
‘puoN
Tha completa solon
We have moved |
We are now
ats
1 Mesilat-Vesharim st.
Jerusalem
LE ἤ .
ENS Ls
mew ist πο 2246536
STEAM YOUR TROUBLES 4WAY
oom
rl, 1 - :
36 Vehezket' St. Jerusalem
SBE?! Gs
ας Hut
‘fat Kibbutz Sde Boker
cosmic truth? — that the Swiss are
retirded while “Israel is growing up
will the yea you ser telenous-
ly put it. A pity you can't be here to
enjoy it, this warmly delicious
Maturity we're now in the middle ot
But 1 must warn you that the
are dangers. True, we still have
thausunds cid thousands of starving
cals, and the municipalities still
Poison dogs, and our upwardly.
mobile citizens keep large dogs on
short chains to bark hysterically ;
protect that inllation-hedging
Jewelry, But there ‘are’ insidious
changes you should know «bout.
Cat and dog [ood is infiltrating our
supermarkets, 4 tendency easily
traceable to the presence of effele
new immigrants. Fortunately, im-
migration is decreasing yearly, so
you need not worry.
AND FOR HEAVEN'S suke, don't
go to England in search of
something less Swiss. The English
are, if possible, worse than the
Americans, another of those im-
mature nations so unlike us macho,
donkey-beating Mediterranean
types.
To put it bluntly: | hope you
never had the ambition to be voted
Female Television Personality of
‘This Week in Israel ‘The leading Tourist Guide- This Week in Iseacl-
JERUSALEM ΝΣ
ALF-DAY TOURS:
* Old City $12
* Bethighem : $12
.” Jericho, Kumran $18
* Garden Tomb, Mt. of Olives $12
* Israel Museum, model $13
* Stalactite Cave $16
ἡ Tal Aviv, Jaffa $17
. Weddings * Bay Mitzvas
* Business mestings * Other Simcha:
or in your home or office,
‘Ben-Gurion’s Home
: Opent Sun—Thurs 8
Fri and holiday ov
- Shabbat and poll
~ Tal. (057) 801
SPECIAL TOURS — RELIGIOUS AMBIANCE.
JERUSALEM: 3 Ben Sira St., Tal. (02) 24G858 (muttiplo lines) (02) 623664 (ovel
Telex: 26116 GALIL IL
BRANCHES: TEL AVIV, TIBERIAS, KIRYAT SHMONA, HAIFA, EILAT
Elazor...
Kosher Caterer
Have your Simchas on our Premises, a public hall
MOSHAV ELAZAR, Gush Etzion: Located in the beautiful
and histori¢" hills of Hebron, 20 minutes from Jerusalem.
Talephone (02) 741193/2/1 Chaim
Mashgiach on premises.
% ᾿ : orlal to th
Teeael’s original memorial tects, with) :
“million,
an axhibit οὐ contemporary ΠΘΟΟΝΒΣ ᾧ
TOMES ae
the Year by the Writers’ Guild of
Creat Britain Sach an aim, unfair
though it certainly Seems, would in
yeur vase have been doomed from
the start. You would have had τὸ
have been born in the lovely English
conutry side, had a real Nanny anda
childhood in Osford, and then mar.
ried a duvter and become the
mother of three, And then written
hest-sellers about aaimads (you see
how unfair this is) and become a TV
stir,
ONE LAST THING. You know all
Chose stories that constantly tum up
about yel another cat retuming
home over some vast, unknown dis-
lance? Yet another dauntless return
of some poor displaced kitty to its
moledet, whether Siberia, South
Africa or Sweden? (I forgat to say
that the Scandinavians are also ex-
tremely tedious in the pet
department.) Well, according to a
recent survey mude by the Jewish
Agency on “Goodies to Motivate
Motivation among Returnee Cats"
— it was found, contrary to all ex
pectations, that not a single cat
made his footsore way across (he
prairie, sea, or Himalayas because
of inducements of tax-free fillets,
{t's something to think about. Π
The leadin
SERVICES.
FULL DAY TOURS:
" Massada, Dead Sea pnd Jericho S35
* Halfa, Acca, Caesarea $35
* Dead Sea, Massada and Bedouin
Market
* Nazareth, Tiberias, Capernaum 929
For 5, 8 and 10 days:
Organizad Tours at
Special Prices
TEL AVIV-CAIRO--TEL AVIV $40
init oe
‘CHAMBER
—, OF THE
f' | HOLOCAUST |
displayin:
ear King
abe Tat (68) όθαι,
FRIDAY, JANUARY 15,
1982 ;
Ἢ ᾿
Mice Ad ia
" - ot < ao 5
Kagemusha, the (6th century Japanese saga directed hy Akira Kurosawa
Encouraging
parallels
CINEMA / Dan Fainaru
IT MAY NOT be very fashionable
to sound optimistic these days; and
indeed, if all you do is read the front
puges, there is no reason why you
Shouldn't have one nervous
breakdown after another every day
of the week. But if you skip the
latest news, and ignore our relations
with the world and our relations
with ourselves; if you have the mind
to turn to the back of the paper,
browse through the art and leisure
pages, and appraise, for instance,
the situation of movie distribution
in Israel, then you might [eel just a
tiny bit better,
Being a film critic, this is what I
do from time to time, in order to
Suivage a little sanity. As we are at
the dawn of a new year, and since
ty learned colleagues have already
summed up the past and foreseen
the future in their respective fields,
Perhaps | may be permitted to draw
some conclusions about 981 as
reflected on the silver screens of
Israel,
Believe it or not, things have been
changing there. Of course, nothing
drastic that you would remark at
first glance; but gradually things are
improving. After years of watching
the cinemas repeating the same mis-
takes apain and again, refusing to
take into account the existence of
the magic box at home that can sup-
ply all the mediocre idiocies they
used to sell and despairing at the
dwindling box-office receipts without
doing anything practical to change
the trend, it seems to me that things
are picking up. Maybe not the way
exhibitors would like them to,
which would include closing dawn
television (some politicians would
love that as well), But certainly the
way film critics would like them to.
ONE LOOK at an Israel Film In-
stitute poll among the reviewers for
_ -Uhe best films in 1981 shows Β sur-
Prising fact. Out of the first 10 they
FRIDAY, JANUARY 15, 1982
picked, none has been a commer-
cial flop, and some have been a
remarkable box-office success,
Topping the poll are Padre Padrone,
playing now to full houses in Tel
Aviv, and Kagemushe, which in spite
of the blackest prophecies, played
for months on end all over the coun-
try.
Typically, both films had a hard
time ‘mustering support. Padre
Padrone made the rounds of the
Israeli distributors for years and was
turned down even by those who
liked it as hopeless for the focal
markct. Its present success certainly
belies the perspicacity of these
specialists, Kagemusha was con-
sidered a prestige item, rather
awkward to handle a3 no one knew
whether there really is any public
here for a l6th-century Japanese
saga, Obviously there is.
Third on the list, Angi Vera, a
madest Hungarian production, with
no stars and no glamour, provided
further proof that the Hungarian
cinema has made a name for itself
and is attracting crowds by its sheer
quality, something that has never
carried much weight with dis-
tributors before.
The next three items on the
critics’ Ten Best choice, all
bunched together, are Mon Oncle
d'Amerique, Raging Bull und
Mephisto, The first hasn't done too
“well, here, but the blame for that
may rest with the distributor, who
put it in big theatres, instead of
choosing a more intimate. environ-
ment for such a difficult subject {the
distributor himself now tends to
think so too). The other two
definitely qualify us commercial
hits, favourites of the’ public and
critics atike. :
In seventh place, Robert Red-
ford’s Ordinary. People was 8
tremendous success, one of the top
grossers of the year, if not the top
one. The Man of Marble and Mon-
᾿ ‘THE JERUSALEM POST: MAGAZINE —
er
tenegre, buth placed eighth, are still
Playing and appear to be mitking a
handsome profil, while The Stunt
Mua, which comes 10th, has done
well enongh even if it has broken no
revords.
BEYOND the simple statisticul
curiosity of this list, which reflects
ihe vombined taste of 16 different
reviewers, there is one unexpected
conclusian, For yeurs, the general
opinion of the distributors and the
exhibitors wis thal if a film is liked
by critics, i can't be anything but a
flop at the bnx office.
The erilies, so the word went, are
snobs who don't know the first thing
about movies, or what the public
means by movies. Therefore,
whatever they write in’ their
columns has nothing to do with the
expectations uf the public. Of
course, there is the odd picture that
cain he helped by good reviews; but
ically, one should never rely ona
crilic, hecuuse his judgment: is
hopelessly twisted by silly intellec-
tual considerations.
Now, either the public or the
critics have changed (in truth, both
have), but the results of this poll in-
dicate that there is no great dis-
crepancy between the preferences
of the two, What has happened? On
the one hand, the same public
which used to besiege the cinemas
to capacily and beyond Is quite con-
tent nowadays to slay at home and
watch Love Boat and Dallas. The
rest, those who are not content with
this kind of fare, will go to the
cinema if there is something
worthwhile to see, something bet-
ter, bigger or raunchier (than
anything they are offered on the
box.
The size of the nudience it is true,
has shrunk; but ils quality it seems,
has risen. The lesson that many ex-
hibitors refused to learn from the
experience of their colleagues
abroad, has finally sunk in. Higher
admission prices, smaller and better
cinemas, a repertoire based either
on quality or on originality — these
are the only answers today, in the
age of TV, video cussettes and video
discs, if cinema is to survive al all.
TO PROVE the lesson has been
learned, just look around Tel Aviv
and you'll find more and more
cinemas catering to spoiled
audiences, sometimes even
changing their programmes daily.
At least six cinemas in the area call
themselves urt cinemas und try to
select films accordingly Paris,
Tchelet, Gordon, Cinema 2, the two
Dotphinarium theatres), Ramat
Aviv, Ramat Hasharon and
Herzliya all have their own art touses,
and with the Chen building soon to
be converted into five theatres and
the Dizengoff Centre about to open
another two, the prospects are rosy.
Even Jerusalemites who used.to
come down to Tel Aviv once in a
while to see those movies con-
sidered too heavy to muke it up the
hitl, now have their repertory
cinemas (for instunce Cinema 1).
Of course, this does not mean
that movies have gone solemn all of
a sudden and that crowds go there
with the same hushed awe they have
for the theatre. But ot leust, a fact
appears to be established; there is
no shame in showing ἃ good film.
And this Is a big step forward. So
why shouldn't we be optiniistic,
even if it spoils the beuutiful at--
mosphere of gloom all around us?
Finally, it is no accident that only
distribytion and-not production, has
been discussed here, Making filma
in Israel is an altogether different
matter, that must be dealt with
Separately, and at length. Oo
: at
the israel museum
jerusalem
EXHIBITIONS
Parmanene Collections of Judaica, Art and Archaeology
The Jows of Kurdistan — daily iife, customs, arts und crafts
A Glimpse into the Past — the Tornboch collection -- objects
from the ancient Neor East :
Trends in Art After 1945 -- representing trands such a5 non-yeometric
abstraction and pop art
aAeallty and [liusion — children’s exhibition deating with visual illusion
Jn culture end art
Primitive Art from the Musaum's collection
Photagraphs from tha Musoum’s callaction
Royal Hunters & Divino Lovers ~ Inciun miniature paintings from
the 16th to the 19th cantury
Furnlture & Travel Posters — from the collection of the Design
Department fonuning January 20)
SPECIAL EXHIBITS
Hebrew Ostracon with a list of numarals, from the fortruss
of Kadesh Barnea, 6th-7th century B.C.E.
2vi Goldstein: Functions, Progress and Universality In the
Third World (frorn January 19)
An Afghan Jowish bride dressad according to the tradition of Herat
with special forehead ornamentation called “zaraq’’
EVENTS
LECTURE
Sunday, January 17 at 15,00
ARCHAEOLOGY AND ARID LAND SITES
Lecturer; William Daver {in English)
Ac the Rockofaller Museum
CHILDREN'S FILM
Sun., Jan. 17; Mon,, Jan. 18; Wed., Jan. 20; Thurs., Jan. 21 at 15.30
“THE CANDLE SHOE" (Disney)
With Jody Foster and David Niven *
LECTURE
Sunday, January 17 at 20.30
TRADITIONAL PSYCHIATRY IN ISRAEL
The seeking of help by troubled Moroccan-born mashav members
from rabbis and traditional healers
Lecturer: Dr. Yoram Bilu, Department of Psycholagy, Hebrew University
CONCERT
Monday, January 18 at 20,30
VOCAL CHAMBER MUSIC
Gilah Yaron, soprano; Idith Zvi, piano; Yuval Kaminkovsky, viola;
Gershon Dambinsky, clarinet
Schubert - The Shepherd on the Rock; Mozart - 3 songs for soprano and piano;
aemenn - Lieder for voice and piano; John Witliams - The Love of Theresa
limon
FILM
Tuesday, January 19 at 18,00 & 20.30
“HAROLD AND MAUDE" (U.S.A. 1971)
Dir, Hal Ashby. With Ruth Gordon, Bud Cort
LECTURE
Wadnesday, January 20 at 20.30
IMPRESSIONISM IN FRENCH PAINTING OF THE 12th CENTURY
Lecturer: Dr. Avigdor Poseq, Hebrew University
VOUTH WING For information an Youth Wing activitios,
please phone (02) 633278
Guidad tours in English:
Museum: Sua., Mon,, Wad., Thurs., at 11.00; Tues, ut 16.30
Shrine of the Book: Monday, January 18 at 15.30
Rockofellar Museum: Every Friday ut 11.00
VISITING HOURS:
ISRAEL MUSEUM: Sun., Mon., Wed., Thurs. 10-17;
Tues, 16-22; Fri, & Sot. 10—14.
SHRINE OF THE BOOK: Sur., Mon., Wed., Thurs, -10~17;
Tues. 10—22; Fri. ὦ Sat. 10-14.
BILLY ROSE SCULPTURE GARDEN: Sun.—Thurs, {Q-sunset:
Fri,, Sat. & holidays 10-14,
ROCKEFELLER MUSEUM: Sun.--Thurs 10—17; Fri. & Sat. 10—14.
ARCHAEOLOGY GALLERIES: Sun.~Thurs. 10-17; Fri. & Sat. 10-14.
LIBRARY: Sun., Mon., Wod., Thurs. 10-17; Tues. 16—20.
GRAPHICS STUDY ROOM: Sun.; Mon., Wed., Thus. 11--13;
Tucs. 18—20,
TICKETS FOR SATURDAYS: Buy in advenca at the Museurn, majar
hotels, and ticket syencles,
THE FORMIDABLE Rixi Markus
of Englund will be one of abour 100
overseus purticipants inthe 16th an-
nual Israel Bridge Festival, which
upeas next weekend al the Tel Aviv
Hilton.
Rixi hasa’t been with us for
several years, but she’s sure to be
one of the main attractions [or
kibitzers and one of the most
feared opponents for partici-
pants in the 10-day festival,
which opens with a one-session in-
dividual, The two-session mixed
pairs will be held on Sunday (5,30
pm. starting time) and Monday (8
p.m.) followed by the three-session
teams of four Tuesday (5.30 p.m.),
Wednesday and Thursday (8 p.m.).
After a free Friday, the tourney
reguines with the three-round Philip
Morris Cup vpen pairs, Starting
times for that event are 8 p.m. on
Saturday, 5.30 p.m. on Sunday, and
4 pm. on Monday.
RIX] WAS ONE of 24 experis who
submitted cntries to the Bols Bridge
Tip competition. Her advice con-
cerned the advisability of leading
low from a doubleton honour on
defence. Here's the hand in ques-
lion, with Rixi sitting Eust. Her
BRIDGE / George Levinrew
partner was Benito Garozzo, the
Ttalian superstar.
North
4.4
Ὁ 18
ὦ Κκϑυδ
&AKYIG2
West East (D)
a&AQi 4 82
© QBs KJ10962
ᾧ 0952 ὧν 94
ἣν 553 & QI
South
ἃ K109653
S Ad
& ALO?
ἂν 14
AFTER RIXI's pre-cinptive open-
ing bid of three leurts, South
becante the declurer in four spades,
Garozzo led the heart queen to the
king und nee. Deelarer then won a
club in dummy and touk the losing
spade finesse to West's queen. Rixi
won and the heart return had to find
a winning defence, It would be
harmful to lead a club; declarer
could then establish the suit in dum-
my for the discard of a losing dia-
mond. If she did as most of us would
and led the diamond jack, West
wauld be in trouble after winning
the spade ace, assuming that
declarer had won the diamond with
the ace. She led a low diamond,
preserving West's sufe diamond
exit. The defence thereby won a dia-
mond, a heart and two spades, set-
ting the contract for a top bourd.
THE EUROPEAN Bridge Federation
has organized u Directors Training
Course to take place in Amsterdam
from January 11-17. Moshe Yaffe
and Shmuel Lieberman will be the
Isrueli participants.
LOCAL BRIDGE NEWS. Officers
of the Israel Bridge Federation for
Δ κ᾿ SRS PUTER SARE NIN
the neat year are David Bardach,
chairman; Joe Margulit, president,
Moshe Yalfe, vice-president; [srael
Erdenbaum, sports captain; Haim
Talit, treasurer; Pinhas Hershberg,
secretary; Shlumo Zilberbush,
Micha Amit and Ze'ev Sliverman,
members of the executive cummit-
tee,
O Two Israelis, Moshe Yaffe and
Shmuel Lieberman, are in Amster-
dam to participate in a European
Bridge Federation director's train-
ing course in Amsterdam.
O Pairs which score in the lop 15
per cent of next week's Philip Mor-
ris Cup at the Festival will be eligi-
ble to participate in the finals of that
prestigious event, in Monte Carlo
March 26-28. Winners of euch of
the qualifying heats (there are 8-10
in various European countries) will
also be awarded a free room for
ihree nighis during the event.
IF YOU LIKE a comprehensive,
complicated bidding system, reud
The Hybrid Club: An Action System
by Ron Vickery, (16165 Mount
Olancha; Fountain Valley, Califor-
nia 92708), paper-back, 114 pp.,
$6.95.) The system is endorsed by
leading American players, including
whe.
. ἢ
᾿
42 δ»
"
y 4 Ἐ :
ΔΑΝ
0".
2
U
Eddie Wold and Max Hardy,
Featured in the system are abig
club opening, the “Kamikaze" no.
{rump opening, two over one of a
major forcing to game, and transfer
bids.
The Kamikaze no-trump is a [0
12 point opening in first or second
seal, Responses ure Stayman (fore-
ing and non-forcing) and special
bids up-the-line from two hearts τὸ
four no trump (not Blackwood).
There are also many special bids for
ull levels of the system.
U think the system is much wo
complicated to learn. The book is
interesting but allots only four pages
to competitive tactics, not taking
into account that bidding is com-
petitive half the time. ἢ
Wershavsky Freilich
is Week in Ierael-Th:
ΝΕ ENTERTAINMEN
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ev
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ἁ τύδοῦ
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RICA
Join us in our
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© 7 Hamelachim Street, Netatiya: Tel. (053) 37131
‘The leading Tourist Guide-This Week i
RESTAURANTS
Eating a Chinese meal is a lesson
in sharing, and the Canton House
menu serves ax 8 valuable guide, It |
suggests ordering a variety of con-
, trasting dishes, ach dish having its
own distinctive taste, All hat spicy
dishes era listed in red ink.
Though some of the food Is
spley, the decor, In ivory and paw-
der blue huos, Is cool and delicate,
Linen panels with silk screened
flowers and mirrors cover the walls,
The menu Ie full of Chinese de-
lights, Szechwan and Cantonese
_ Style, but the most unusual dishes
will be suggested by the waiter.
New and different dishes aro
rasdily available, and the black
bean sauce Is 4 rarity In Israel,
We triad the shrimp roll and the
roast spara ribs in honey for startere
and were very satieflad, There were
plenty of shrimps in thi
which was crispy on the outside.
The spare ribs weren't too sweet
and there wes plenty of meat on
tham.
For the main course we chose
crisp roast duck, and beef with hot
garlic sauce. The duck was served
with a special fruity sauce, which
we later learned was mede from in-
gredients Imported from the Far
East, white the beef dish was spicy
but not too hot, :
We ended with a fried banana.
τ Lychee frult in season and. fried
apple or pineapple era also avail-
able, : :
The Ganton House Is located
in the commercial center of Savyon,
Tel Aviv's most Impressive suburb.
It ls open seven days a week, from
12.30-3,30 pm for tuch and fram?
* 6.30—midnight for dinner. Parking
‘|, fs available right in front of the rea-
taurant, Tel. (03) 764609, ᾿
Thera‘is also a Canta House in .
Remat Hasharon, just beside the
Country Club — though you don't
* have to be a mamber of the Club
. ta eat here. The address Is-60 Ha-
hanim St., Ramat Hasharon. Tal.
(09) 482491. Hours. of‘ opaning
House in Savyon, .
TEL AVIV
RAFI'S
RESTAURANT
PIANO-BAR
DINE & DANCE
Enjoy combined entertainment
of israeli style dinner and
Plano Ber
Every Sun, & Wed. for ages 30 & up
SINGLES NIGHT
1 Yordel Hasira St.
{in the Tel Aviv
night life center
near the Old Port)
Reservations:
{03} 460083
12 Kehilat Venezia St. (Mi Blu,
Neot Afoka, Tel Aviv, Tele 4949
Love — Chinese Style χὰ T
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*Altentive Service
Lotus —
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Intimate and friendly
atmosphere with tive musio
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Every Wednesday from 8 pm.
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The only studio οἱ B :
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Ta RESTAURANT
“JALKAN CORNER
Intimate homelike Balkan
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UT) tytical Balkan specialties
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Tonnis Cantor,
Rokach Blvd.
5 Aviv
ie
1 es)
Special dishes after mid
m TOUS
CHINESE RESTAURANTS .
Open 7 days a week from:
12.30~3.30 pm; 6.30—midnight
ἜΝ
Diners Club,. Visa’ &. ἰδγάσαγα accepted.
Commercial Center :
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Tel. (03) 754509 __ . :
_ You don't have to ba.a Country Club
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50 Habanim Street
. Ramat Hasharon
}
(near Country saat
EASTRONICS provides the sides
this week, ranging from a peck at
the post-punk era to some notable
retreads. Let's get right to the best
of the lot.
A year or so ago we were Startled
to hear a hard-driving exhortation
called “C-30 C-60 C-90 Go™ by an
English group with the inauspicious
name of Bow Wow Wow. The song
was telling us of the joys of taping
off the radio rather than buying
records. With that message, the
band was in danger of biting the
hand that feeds it, But the debut
nonetheless was u bow with con-
siderable wow,
So who was this pack of pups?
Well, the story is that Malcolm
McLaren, who had packed the Sex
Pistols, walked into a laundry one
day und heard this |4-year-old
Burmese girl named Annubella
Lwin wailing over a washing
machine. If you believe that, then
you'll believe that Elvis Presley just
a decided on the spur of the mo-
ment to park his truck in front of
Sun Revords and cut u deme for his
Mom's birthday.
Anyway, so gues the story,
McLaren put Annabella together
with three other pubes, namely the
wildly tilented drummer Dave Bar-
Bark and bite
ROCK, ETC./Madeline L. Kind
barossa, the mediumly talented bus-
sist Leroy Gormun, and the no-
talented guitarist Matthew Ashmin,
who cheerfully makes us ash ol
himself by strolling about naked
with only a transistor radio strapped
to his groin. An album built around
the hit single, called Your Cosette
Pet, had considerable success. Now
we've got their newic, with the
felicitous title — here it comes —
See Jungte! See Jungle! Go Joln
Your Gang Yeah! City All Over, Go
Ape Crazy!
Much ats all the hype sticks in the
throat, and much as the exploitaion
of Annabella seems nkin to kiddie
porn, 1 have to admit the band
sounds grand.
The gnitarwork, as noted, is ulter-
ly thrown away, but Anni's
energetic voculs and Barhurossit’s
fom-toms and bass drum carry the
concept nlong with woully abandon,
from the grabby opener, “Jungle
Buoy,’ on through “I'm a TV
iSuvuge™ to the closer, “Hello, Hello
Daddy, I'll Sacrifice You." | ger a
feeling they're going to eat up An-
nabella even before Ashimin's bit-
teries expire in his jock. Bul
meanwhile, we cain bop ty Bow
Wow Wow. Woof!
TWO TRIOS from Canada have
been giving their all 10 make it big,
although their all sadly isn't all that
much, Triumph twurs with 350,000
watts of lights, fug machines, hisers,
24-foot flame throwers and all the
other normal accoutrements Neces-
sury for keeping warm in the North
Country. Allied Forees shows them
working up a fair umunt al heat da
well. Well, two points for
ism. 1 couldn't get ap much
enth Mm, however, for Chil-
fiwack's Wanna Be a Star. ¥ ou wan-
na bea star, Chilliwack? Then don't
put oul an album that isso blutantly
middle-of-the-road. You stay in
the middle of the road long enough,
Chilli, and you gonna get run over.
ONCE UPON a time, ἃ long time
ugo, Elvis Presley parked his truck
in from of Sun Records and on the
spur of the moment made a demo
sucord us a gift for his Mum, The
whale story is related in the current
film release, This Is Elvis, and the
double album sound-track, with
about 30 songs and interview ex-
cepts, lells the story equally as well.
The most renurkable thing is that
from the earliest cuts, the Ed Sul-
“livan Show appearance, the mush of
“Teddy Bear” and the like on
through to the final Vegas perfor-
mances, the man just couldn't do
wrong. Special treats ure the lesser
known blues ballad, “Merry
Christmas Baby,” und the previous-
ly unreleused items like the
beautiful “Always on My Mind”
and “An American Trilogy" (Dia-
ic,” Battle Hymn of the Republic”
and “Thish Litde Baby." A woof
and yun. ᾿
MORE RETREAD materia) with
Changes Two Bowie, a second vol-
fection of David's grentest hits. OF
the 10 cuts T can stomach only the
magnetic “Sound and Vision,” bun
others will get off on “Aladdinsane™
and “Starman and “Fashion” and
all that fashionable stulf, Hlulf-wool,
THE CASHBOX mugaczine list ol
198 1’s top [0 singles:
1. “Endled Lovet — Diana Roaa
and L.tonel Richie.
2. “Bette Davis Eyes" — Kim Carnes.
3. fessle’s Girl” — Rick Springfield.
4. "Keep oo Loving You" — R.E.O.
— The Polnter Sisters.
. “Physical” — Colvin Newton-John.
“Queen of Hearts’ — Juice Newton.
“Theme from ‘The Greatest
American Hero" — Joey Scarbury.
|. Private Eyes’ — Daryl tall
and John (ates.
10. **Celcbration’* — Koal and the Gang.
2 RAPA
TU. TOP τῇ alngtes of {981 lo England, os
cunipHled by Melody Maker:
Ultravox,
δ
‘Stand and Deller’ — Adam
and the Ants,
6. "One Day in Your [fe — Michael
Jackson.
Relng with You" -— Smokey Robdlnmon.
tars on 45'" — Star Sound.
— Dave Steward
16. * Antmusle™ —: Adam and the Ants,
This Week in Iseacl-The Leading Tourist Guide-This Week in ἴσας! Τῆς Leading
TEL AVIV
Chinese
Restaurant
317 Hayarkon Street, Tel Aviv
Tel. 443400, 458785
Open for lunch
and dinner
RESTAURANTS
LITTLE
OLD
TEL-AVIV
i
TWO WORDS
δ PED ΤῸ DES
FRENCH RE
IN ISRAEL
Le Versailles
“Business Lunch
: $id
4 Reservations: Tel, (03) 655552
“FRIDAY, JANUARY 15, 1982
*20% Reduction
for einbassy menibers
37 Geula St, Tel Aviv ῃ
TEL AVIV |
anana
Natural Food Renquent
Cooked Daticacies
Reasonable prices
334 Dizangoff Street
Tel. (03) 467481
᾿ 4 ‘Open Midday to Midnight
q excopt Friday
Zentner Co.
The targest wholesaler and retailer in
Israel for handbags, attache casas and
sultcases.
importer of ‘samsonite’,
attache casas an
INTELLIGENCE
EQUIPMENT
SURVEILLANCE
SYSTEMS
ἡ Wa Eshkar \td.
= DUTY FR
{eleetront
SHOPS
at
Ben Gurion Airport
PECIAL
SHOPPING
Gul? China, Iran, | f
Pakistan & India
Direct
Distributor
for Carmel Carpets
role
TEL AVIV
Direct Importers ME
FREE
Carpet house
SHOWROOMS: 164 BEN YEHUDA STREET, TEL AVIV.
TEL, 03-226145 03-235947..
DUTY FREE
_ Listed by the Mintsiry of Tourism
Best Business Award 1982 ὁ
80
BEN YEHUDA STREET,
TEL. (03) 246333
Te TEL AVIV
. THE JERUSALEM FOST MAGAZINE.
MISSET The Weizmann Ins ! ae
fireengmem & The Weizmann House, Rehovot
Ἷ
The Warzinann Institetais open to Une partie,
Tolls
ULPAN AKIVA
TT
SOSROR ORT Tare:
soe tac
CULESS
VWliahu Shahaf
Noblem No, 3053
&. KORA L, Hungary
Ist puize, Hran, fy. 1980
ELLE BOISE
OPERA JS still a very problematic
part of our music life, and only oc-
casionally can the Israeli public en-
joy full-scale productions uf un in-
ternational standard, Usually they
have been brought here through the
Israel] Philharmonic Orchestra
(Falstaff, Den Giovanni, Le Nozze dl
Figaro, Italiana in Algeri} or the
MUSIC & MUSICIANS / Yohanan Boehm
Cologne company
by Achim Freyer, one of the up-
and-coming directors in Eurupe.
THE CITY OPERA of Cologne is
pacl of a musical tradition that gous
buck hundreds of years. Cologne
wis always a democr:
munity, making m
Prepared for the extra eapenses will
certainly enjoy the wo operas, cach
oulstanding of its kind -~ the
Mozurt with its entertaining Plot
and beautiful music, the Berg still a
milestone of nalurulistic opera, The
latter is based on a drama written by
cS ic available to scores eeaner who died in [937
if site ᾿ ᾿ A ἢ its cit} hile ut the a 3. Setting a -
me Led cua ee eee Lee a em , ΤῊ Ia IH wih Schocubeg? Riese reeked ee fon, fas een ditorum, Part ofthe enormous ex- nl Batten coe ee O23. Seting a completo.
ΡΣ Ἢ 7 z in 1974 with Schoenberg's Moses rescheduled for the second hill ul pense of the project is being herne time the privilege tn istocrali :und predecessor of Ernst Toller, Frank
ἢ and Aron and the Berlin Deutsche this February, hy the Foreign Ministry of the shure ἢ ἩΡΡΙ ΑΝ “Col ᾿ Re *s Wedekind and Bertold Brecht, und
The Wegmann Hausa 1s upon Sunday ~ Thurselay, 10 ang Wom, Oper in 1979 with Verdi's Nabucco, Now, the Cily Opera of Cologne — Federal Republic and the Cologne Giierse ich — the f oe at Alhan Berg's music — com 30 d
cloved vn Friday. Thave 18 ὦ nenmunal ‘er tor seamen mee fiver ere both at Cuesarea), or the cambined ἰς coming to Tel Aviv, at the invila- Municipulity, chastealenanic Η τῷ am be ἘΠΕ heiween 1617 aad igs ἘΣ is ik :
ΔΥΡ Ύ ΤΕ seater Wasaane Maclaane τε το tora} A597, hil Sapte Ene aaa ἢ effort of the two (Beethoven's tion of the Israel Philharmonic For the fully-staged perlur- 1447, endowi 75 house techicsia words like a glove. Ὁ vue
to ᾿ ne vane ens ΠΡ πΣ τὴς (nie τὸ τῷ eciabttigin' sete Vis ᾿ " faerie ἢ ; : Fidelio, and Saint-Saens’ Samson Orchestra, to perform Movart's — mances of the hwo operas more than with’ name τ wel Ἐπόύη ἂς the When it was premiered by Erich
vila on the hie at Istael’s bret Preisdent, De ΟΝ νειν Weiztiann, as veell aan [ FRE ae: THe 5 ie ἘΠ 5 ᾿ and Delilah). Cosi fan tutte and Berg's Wozzek (lor 100 people will be coming tw Israel, Gewandhaus in Leipzig or the Kleiber at the Berlin Staatsoper j
andioeviual shove in the Wis Auditariin yf the insiture’s research actwnes The eg hours a day! “iP eon τ τῶν ane ae cine Hy ον Apuit from the regulur perfure details see “Poster” on Jnnuary 22 including singers, stuge Thaniigers. ὦ ate feel ae i δὶ The 1925, the right-wing fe cinch aH
ὈΠΕΡῚΒ peruared Cnty a LV haut owed Tae, spe steno ᾿ logether and Meine ee a wide’ “Lah ile ti ἀξήις ( * mances of the Isrnel National and February 5). Accordingtosome conductors — with John Pritchard Ἢ eo beated’ τ ae i ah “al ihe music ith suche crit ine δ
SEAT sen Goly πμθαῖαὶ κα πε πίπῃε many ᾿ ἢ Pea ϑμτῳ ΕΝ Πρ sat egaal wind ile B| . Opera, there have been perfor- quarters the Cologne compuny was as chief conductor — technical and sacleiies “ind chia. end ΣΝ “The young talents have hud their
[ of as Ener A ANE Oo Rae aera | . mances of special interest such as originally intended ta come here costume personnel to start. im- the second halt of the 17th νην fing and left us αὶ rubbish dump on
: sremeniice ἢ. The Emperor of Atlantis, presented with Wagner's Tristan and tsolde, mediately upon arrival, altempts were made lo establish ah which for years to come nothing will
H HEBREW — τυ, 12, bora w eit ἶ ἣν - : by the Dutch Opera ut one of the but that plan Was Scrapped when the John Pritchard is today known in- opera company, although if was grow or prosper.” Bul others fuund
ἢ MODERN : tu, Te, ᾿ Ai. ΜΝ a Spring Festivals in Jerusalem and recent demonstrations and public ternalionally as one of the most oul- only in 1882 that the first permanent Wezzek a work whose intrinsic
oa “oh pica τον ae eee ἢ for bnyinners, intorinediaty and udva 1 eer mn ima eR Josef Tal's Massada 967 staged in discussions created a rather ugly al- standing operu conductors. Inciden- opera house wis built. The City qualities would remain valid long
a PIONEER WOMEN onl | Sk ἢ White to phy and win (4-3) ῇ Jerusalem at the 1973 Israel mosphere of opposition to the per- tally Zubin Mehta served with him Opera was built 80 years later, into the future,
(Δ ο ᾿ NA‘AMAT Ν᾽ δ) ἢ]] SPOKEN ARABIC for hoghiners: 20 day οἱ Ὁ day “quickie” raurse ἢ a) Set; δ} Ph6 to do. Festival, ἢ formance of Wagner's music αἱ the — us assistant conductor af the Liver- Among the directors whose niumes After at certain period af negleet
i Tourist Dopartmont Morning Tours Tee ; {for Hubraw spoukers} SOLUTIONS, Problem No. 3051 The attempt in 1979 of the present time. pool Philharmonic Orchestrn atthe ore familiar to us here are Olio and, af course, ablivion during the
' Call far tuservatinns: eas ἢ tKupnin). 1.Ngd g2 2.864 ΝᾺ} ΚΠ Jerusalem Symphony Orchestra lo An advance purty of stuge outset of his career. Klemperer (one of whose wsistants Nazi regime (degenerate art!), Wuz-
ὦ μην etl Avi Histngrut es ῃ ἀδείαιν, ἜΗΝ Hl] courses UPRNING: Fubruary 2, 1982 g1Q 4.Bgl Ng] S.KI2!! BeS 6.Kg?! include regular opera presentations managers, technicians and cunduc- Jenn-Pierre Ponnelle, directing was William Steinberg, a native of τς became, after Work War I,
Jeinsaleng 17 Straus Suert, Tet. 162) 223631 ἢ Murch 2, 1982 Ba? 7.Re& KbS &.Re2 Κρ OND in their activities, starting with Ros- tors came to Tel Avivsome months Cosi fan nute, is famous tor his Cologne), Wolfgang Sawallisch and part of the stundard repertuire ol
aif (U4) C1781 axt. 241 ἢ April 20, 1982 Kb) 10,Rd2 ΚΟῚ 11.Ra2 BI2 12.Ἀ}; sini's Barber of Seville, was scotched i
Social Service tnstitutions throughout Is
work of Fieneee Wome in i
LO tas.
May 18, 1982
Courses ara held in the Ulpan Residence ul the Green Beue
Rosidents of Netanya and vicinity me accepted as exteunal students
ἃ. — Kd7 7.Rel Καδ ΒΕΔ! Keb
&Rd2 KES LONE KE LEKg! ΚΗ
1 ΚΠ, and wins.
NATIONAL TEAM
CHAMPIONSHIP
THI. [982 championship tourney
at the last moment through the ac-
tion of the orchestra committee.
ago to check up on local conditions
and prepare the ground for ἢ
flawless production at the Mann Au-
original productions ut the Salz-
burg. Bayreuth and Edinburgh
Festivals; Wozzek will be directed
Istvan Kertesz.
TEL AVIVIANS and others who are
every opera house in the world and
wins more and more followers
as time goes by, a
his Week in Istael-The Leading Tourist Guide- This Week in Istael-The leadin
SERVICES TEL AVIV SERVICES CAR RENTALS TEL AVIV
yA Ibert
ZatCo
Albert Zarco is your
Personal advisor on
all uspects of Real
᾿ - Estate and Invest-
Ment properties In, Israel.
If you are interested in investing in a
home, spartment or ville or If you
prefer to invest in land, phone Albert
Zarco: 484370 ot drop by 42 Sokolov
Street in Ramat Hasharon. He speaks
your fanguage — English, Spanish,
To: Ulpau Akiva, P.O.B. 256, 42102 Netanya Sou
Planse sand me ffrag of chargo) your detailed brioche
Address...
opens toniorrow with a record 185
teums participating. The first divi-
ἢ | sion includes (in order of ballot)
é 1. Rishon LeZion Feldklein; 2.
Tel Aviv University ASA; 3. Ramat
Gan Hapoel: 4. Rehovot Hapoel; 5.
Husharon/Herzliya Hapoel; 6.
Beersheba Chub (the title-holders);
7. Haifa Technion ASA; 8. Hadera
Hapoel; 9. Jerusalem ASA 1; and
10, Tel Aviv Youth Centre. In the
central meet of the first round,
Beersheba will meet 1981 State Cup
holder: haron/Herzliya. The se-
cond division: |, Haifa Technion 1];
2. Tel Aviv Lasker; 3. Ramat Gan
II, 4. Kirynt Ata; 5. Kiryat Sprinzak;
6. Beersheba ΠῚ 7. T.A. Youth
Centre U1; 8. Jerusalem ASA WJ; 9.
Jerusalem Rubinstein; 10. Petah
Tikva Hapuel,
Me ALA oma
A PERSON
TO
PERSON
SERVICE
Sometime or another you have thaught
about setting In ISRAEL.
Bo part of a modarn miracic.
Sites around the country
and spacial tours.
Hl application forny
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KEREN KAYEMETH LEISRAEL] ΒΕ|]}""
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Tal, (02) 635261, oxt. 13
96 Hayarkon Street
{opposite Dan Hotel), Tat Aviv
Tel, (03) 234449
HOTEL RESERVATION CENTER
TRAVEL & TOURIST SERVICES. :.;
The most experiencad tourist company in Israali
New Immigrant!
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tions, seminars and conferences. “Booking tickets for the Dolphinarium and
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OUR SER VICES ARE FREE OF CHARGE!
MAIN OFFICES; Accountancy and Group Reservations. Tel Aviv, 5 Esther HeMalke
δι, Tel. (03) 248188,248188. MAIN BRANCHES: Tel Aviv: HaMeshbir, Dizengoff
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Tel, (051) 24515, 33353
spots going to socded players.
PUSSR CHAMPIONSHIP 1982
THE 1982 USSR championship wes
murked by the appearance of maty
young purticipants; 38-year-0!
Vitali Tzeshkovsky was the oldest
player. Some top players, including »
world champion Anatoly Karpov. -
were absent. Ag always, the Lournt:
ment produced highly interesting
games, some of which ar
reproduced below. :
YUSUPOV SVESHNIK OY .
1.44 d5 2.c4 66 3.Nc3 οὔ ὁ: wos
NI6 5.Bg5 ded 6.e4 b5 7.65 h6 tip ᾿
μ5 9.Ng5 ἢβ5 10.885 Nbd7 ! ΕΝ
Bb7 12. Bg? Qb6 13.εἴδ c5 14.45
Ὁ 15.0-0 b4 16.Rb1 Bh6 17.14 ἜΝ
13.856 Rh6 19.Ne4 Nf6 20. OM i
21.Qg4 Bd5 22.806] RIS 23. 1 i
3! 24.061 Qb6 25.003 οὐ 26. Rds
(RF21) be3 27.Bd5 Rfd5 28.Rd5 ἢ
29,Qe8 Ke7 30.Qf7 Rd7 31.9% ζῷ
32.Kgl Qe5 33.Khi c2 34.Ke2 oa
35.Kf3 Qh5 36.g4 Qh3 37.Ke4
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FRIDAY, JANUARY 15, 198
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FRIDAY, JANUARY 15, 1982
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clay
ὥ
THE JERUSALEM POST MAGAZINE i Q
A NEW SOVIET documentary fil
on the Niwi massacre al Bubi Yar
“distarts history" by virtually ignor-
ing the murder of approximately
100,000 Jews, aecording to the B'nai
B'rith Anti-Defumation League.
ADL Associate Nutional Direetor
Abraham Foxmua said the 76-
minute film, like the Soviet
memorial at the massacre site near
Kiev, neglects the principal victims
of the Wurld War ΠῚ slaughter.
The Ukrainian-produced
documentary, a description of the
1941-2 German invasion of the
Ukraine, which focuses on Bubi
Yur, wis screened recently for an
audience of diplomats at the United
Nations.
Prepared for Soviet televi-
sion, it will probably be exhibited
threughoul Western Europe and
entered in U.S. film festivals.
boxnntn said the “documentary”
not only glosses over Jewish mnurtyrs
but abo rejects the Jewish rate in
This Week in Iseacl-The leading
CAR. RENTALS ©
national.
Adu i
ΗΛΠΗΕΙ͂ oe
100 HAYARKON 8T,, TEL AVIV
TEL, (03) 222055
‘TASTE CHUAN
. THE SZECHUAN CHINES!
RESTAURANT KFAR
SHM ARYAHU' CENTER .
Corts ce ror Lunaby gy.
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You mustn't mtss the familiar Therefore, in Britain
we're Britons, in France -- French, in USA --
Americans, in Italy - Italians, in the Netherlands --
Dutch and in Switzerland, tri
In short: 37 countries offer you the advantage of
national services. That's what we call truly inter-
con
BETWEEN ACTS
Joan Borsten
the resistance to Hiller, con-
centrating instead on Ukrainian and
Soviet partisan fighters, [t alsa in-
cludes ἃ propaganda messuge thut
equates preseni-duy Zionism with
Nuzism and film clips of American
neo-Nazi and Ku Klux Kian rallies
in an attempt to link the US. with
Nizism.
What happened to Jews at Babi
Yar is dismissed in one sentence,
ἀπ the mussacre is referred to as
““paliticn! murder. But the most
flagrant omission, according to Fox-
man, occurs in the film's portrayal
of the Warsiw Ghetto uprising.
“The nurrator manages lo
describe the heraie revolt of the
Jews withoul mentioning Jews,"
said Foxman.
TEL AVIV
Ben Gurion Airport:
03-871306, 03-971386
main office: 03-796111
Rentat Stations all over *
᾿ the country
PAG ona
a ia EN FOR ne
o> ἱ
AN ISRAELI-BORN director,
Shmulik Firstenberg, won second
prize in the Chicago Film Festival's
“Best New Director” competition
recently. Firstenberg directed Se-
cond Chance, the slory of an ex-
convict'’s utlempt to make a new
life for himself. It was produced by
Menahem Golan and Yoram
Globus in Los Angeles.
Golan and Globus have another
new production oul, Lads Chat-
terley’s Lover which stars Sylvia
Kristel, the stunning Dutch actress
who won world attention us Em-
manuelle in the movie of that name.
Just Jueckin, who directed the con-
troversial French movie, is atso do-
ing Lady Chatterley. is bused on.
the first of three versions of the
hook by D.H. Lawrence, which was
banned in America and England
from 1928-1960. The film which also
stars Nicholas Clay and Shane
Briant, was made in Englund early
lust year,
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MY COLLEAGUE Mark Segal.
whe wrote almost (vo yeurs age
that 4 Waman Nanted Golda would
include ἃ reference τὸ the late prime
minister's alfair with David Remes,
Was apparently not far off the mark.
Although a spokesman for the
production penned an angry jelter
ta the editer of The Jerusalent Past
al the time, denying that Remez
would even be mentioned, the
studio has now ordered two
photographs of Remez from the
government film archives. The Post
has learned that producers of the
four-hour TV movie want to cvon-
pare Remez at $0 with fuotuge shot
of Australia’s handsome Jick
Thompson, who plays a character
named Ariel. Ariel is usually
described as a “composite of
several men in Meir's life.
HANAN YOVEL, Dudu Elharar and
Lev Sigler have began appeuring in
ἃ new musical production culled
Cous Cous and Sarafan. The show in-
cludes new songs written by Yovel
and Elharar, as well us by Sasha
Argov, Emanuel Zamir, Mati Caspi,
Rahel, Dan Almagor, Yuron
HAIFA
Sylvia Kristel: ‘Emanuelle’ star in
Lads Chatterley's Lover.
London. It is a combination of
Eastern and Western songs, a light
shaw written and directed by
Yehoram Guon.
JAMBOR AND his donkey Sam-
hor, are the stars of a children's play
well worth seeing. It will be in Tel
Aviv on January 25 at Beit
Arlosoroff. oO
urist Guide-This Week in Istael-The leading}
HAIFA.
eba, the timeless Fragrance ‘oman ancient land. ‘anclont land. Captivating
- alluring εν «the imagfc that is Israel ,.
| Available in duty'frea shops, hote! gift shops, on-board’ Eb ΑἹ alr-
+ lines. And when you're in Haifa take advantage of-our additional .
= 15% discount available at our showrooms at 54 D’Israell St. on
imoless Mt. Carre! (2 minutes from ‘th Shufamit Hotel),
- the Perfume that Is 5 yOu.
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WHAT'S ON
Notices mi Unis feature ure charged ut [85.40 per line including VAT: insertion every day cosly
18969.90 includ
recognived indve:
agents
Jerusalem
CONDUCTED TOURS
‘Tourlsts and Visitors come und see the General
israel Orphans Home for Girls, Jerusalem, and
ils manifold activities and impressively
modern bullding. Free guided (ours weekdays
between 10-4, Bus No, 6, Kiryat Moshe. Tel.
$2321.
HADASSAH — Guided (our of ail Installa-
tions. ἃ Hourly tours of Chagall Windows at
Per month. Copy accepled ut offices of The Jerusulem Most and all
Emunah — World Rel. Zionist Women. 26 Ben,
Maimon, Visit our projects: Call 02-662468,
630620; 03-788942, 7o84a),
American Mizrach! Women. Free Morning
Tours — 8 Alkali Street, Jerusalem, Tel.
632334,
MISCELLANEQUS
Plant a Tree with Your Own Hands! For details
and/or tour reservations, call Jewish National
Fund, 02-635261, ext. 13,
- FRIDAY, JANUARY 15, 1982 |. J
Kiryat Hadassah. Nominal charge. ἃ Hourly
tours at Hadassah ΜΙ. Scopus, * Information,
reservalions: 02-416333, 02-426271:
Hebrew Universtcy:
|. Tours In English al 9 and 1} a.m. from Ad-
ministration Building. Givat Ram Campus,
Buses 9 and 28,
Tel Aviv
CONDUCTED TOURS
American Mizrachi Women. Free Moraing
Tours — Tel Aviv, Tel. 220187, 243106.
WIZO: To visit our projects call Tel Aviv.
232939; Jerusalem, 226060; Haifa, 89537.
2. Mount Scopus tours 1] a.m from the PIONEER WOMEN —NA‘AMAT. Morning
Bronfman Receptlon Centre, Sherman ‘ours. Call for reservations: Tel Aviv, 256096.
Building. Buses 9 and Ά to ἰδεῖ μορ. Further Haifa
: Te ‘What's On In Halfa, dia) 04-640840.
Beth Hatefutsoth
‘Noho Gokimann Museum of the Jewish Diaspora
8.. Thur 10 ἃ ΠΊ..5 pm., Wed 10 o.m.-9 p.m. The
id on Friday and Saturday
— Children under 6 not admitted.
— Organized tours must be pre-
Thur.)
inged (Tel. 03-426161. 9 a.m.-1 p.m.. Sun-
Permanent Exhibit — The main aspects of Jewish life in the Disspora, pasi and pre-
Sent, presenied through the most modern graphic and audio-visual techniques
Chronosphere — A spacial audio-visual display presented in a planotarium-shaped
auditorium depicting the history of the migrations of the Jewish peaple
Exhibitions
1, The Jewish Heritage In the Eye of the Camera — A choice of 160
photographs by 42 photographers. participants in the International Photo Con-
test held by the Association of Friends of Beth Hatefutsoth in Israel.
. A Century of Zionist Immigration to Eretz Yisrael — A retrospective oxhibi-
tion describing the Zionist Immigration against the background of World events
(in cooperation with The Institute for Zionist Research, Tel Aviv University).
Events
1. Hatred of Jaws — The Jewish Fate or a-Soolal Phenomenon? Islam and the
Jews — Lecturer Dr. Yoel Kraemer {in cooperation with the School of Jewish
Studies. Tel Aviv Univarsity) in Hebrew.
Βπϑι Zion Auditorium, Tues., 18.1.82. at 8.30 p.m.
. Scholar's Notebook: Hebrew Periodicals in the 19th Century, lecturer. Dr.
Menucha Gitbo’a, partcipanta. Prof. Israe! Levine, Prof. Anita Shapira. Dr. Uzi
Shavit {in cooperation with The School of Jewish Studies. Tel Aviv University) in
Hebrew.
Conferenca Room, Wed., 20.1.82. at 12 noon.
. A meeting with Prof. Benjamin Akzin, who will talk about his childhood in
Riga and the Jewish Ife of the city. Moderator Yaron London, in Hebrew.
Bnai Zion Auditorium, Wed.. 20.1.82, at 8.30 p.m.
— Symbols in Jewish Art — Lecturar: Mrs. Ida Huberman. A series of 8 lectures
will be given on Tuesdays, at 10 a.m., starting on 19.1.82.
τ Participation is limited to members of the Asgocration of friends of Bath Hateful-
soth in leresl. Further information about the lectures and membership in the
Association of Friends may be obtained Sun.-Thur, between 10 a.m.-12 noon at
the Department of Externat Relations. Tel. 03-425161, ext. 37.
Exhibitions on Tour .
1. The last Jews of Radauti Beit Lohamei Hagetsot (The Ghetto Fighters
Museum). Kibbutz Lohomel Hagetaot.
*2. Scrolls of Fire — text Abba Kovner, paintings: Oan Reisinger, Moshav Bnai
Darom
43. Jewa in Egypt — Spring .79 — photographs:
Beersheba.
"4, Libya: An Anclent Jewish Community — Community Centre Ta’anach, Nir
Yateh.
48. The Wonderful Isiand of Djerba — photographs: Jan Pari, Community Centra
Nativot.
‘comey ot ISRAEL DISCOUNT BANK! DD
Beth Hatefutaoth is localed on the Campus of Tel Aviv University (Gate 2), Klausner
St.. Ramat Aviv.
Buses 13, 24, 25, 27. 46. 49. 74. 78, 274, 672.
Micha Bar-Am. Omer.
will apen on Wednesday, January 20, 1982.
Classes will meet weekly on Wednesday, 5. 30-7.30 p.m.,
Further details and registration at the Institute office.
Il.Horowitz Institute Ltd
9 Karl Neter st’ Ahad Ha’am Tel-Aviv 65202
P.0.B. 1500, Tel: 03 49
ART GUIDE
Notices in this feature are charged at [880.40 per line juehiding ΝᾺ ΤΊ insertion every Friday casts
Is] including ΝᾺ Γ pe
Fecogmted adsettising agents,
Jerusalem
MUSEUMS
Isrsel Museum. Exblbitluns; Permanent collec:
a, Ari and Archaeology. Jews of
ally Life, Customs, Arts and
Crafts. Glimpse i into the Past, objecis from the
Ancient Near East. Trends in Art After 1945,
non-geomeiric abstraction and pop,
Reality/Iilusion, children's exhibition of visual
illusions in culture and art. Primitive Ant from
Museum collection. Photographs from Israel
Museum collection. Royal Hunters and
Divine Lovers, Indian miniature paintings
(16th-19th cent). Special Exhibit:
Jewish Bride, dressed in Herat tradition.
Special Exhibit: Toys and Games of the An-
cient World (Rockefeller Mus,). Special Ex-
hibit: Hebrew Qstracon from Kadesh Barnes
Fortress. Special Exhibit: Zvi Goldstein,
Function, Progress, Universality in Third
World (from 19/1). Special Exhibit: Colour
(next to Rockefeller Mus.) Opening Exhibit:
IMPORTANT
NOTICE
TO EVERYONE LEAVING
FROM
BEN-GURION AIRPORT.
You can keep in touch with
the day-to-day happenings in
\srael with a subscription to
The Jerusalem Post
International Edition. Flown
faster than airmail every week
to over ninety countries. Its 24
pages are packed with all you
want to know.
Just drop in at the
@Steimatzky’s
bookshop in the duty free
lounge and they'll take care of
you.
Shatom and have a nice trip.
ἘΝῚ
(Dy
israel film archive - jerusalem
14.00 The Lile of Srian — Terry Jones
18.00 Morgan — Vanessa Redgiave
Can Walt— Warren
taima — Alain
Rest
. 21.30 Sunset Boulevard — Billy
Witder
. 19.00 Monty Python‘s Life of rian
— Terry Jones
21,20 Stavisky — Alain Fesnals
. 19.00 An Evening with David Pattov
— Film and Discussion
|. 21.90 The Man Who Fell to Eacth
— Nicholes fosg
. 19.00 Metropolis — Fritz Lang
. 27.30 Slaughterhouse §— George
fay Hell
44.00 Dr. Strangalove — Steniey
Kubrick
Screenings st tha new Cinematheque
building, Woilson Gardens, Hebron Rd.
Bank leumi Φ
SEGALL BT,
Teresa Walters
noted pianist from
the U.S.A. ©
PIANO RECITAL
Beethoven: Sonnta, op. 78
Bartok: Sonata (1926)
Liszt: Petrarca, Sonata
inB Minor..
YMGA, West Jerusalem,
Sat., Jan. 18, 8.30 p.m.
. MAGDA
Dental Laboratory
Urgent false toeth repairs 5
εὐ ‘half an hour.
26% reduction for paneer:
27 Rehov Balfour, Tel Aviv
᾿ THE JERUSALEM: POST MAGAZINE
mth Copy accepted at othces of The Jerusalem Post and all
Furniture and Travel Posters from Design
Dept. collection.
ὑπὸ Vision Nouvelle, Khulzot Hayotzer,
Y.S. Hamiache. inal prints, Tel. O2-
419864, 280031,
Jerusatem City Museum — Tower of David ---
The Citadel. Open dally 8.30 a.m.-4,30 p.m.
Mulli-screen show (Eng.) Sun.-Thur. 9.00,
11.00 a m.; 1.00, 3. 00 Ὁ. m. Nightly (except Fri-
day and ‘Holiday) in French: 7.30 p.m.
Old ¥ishuv Court Museum. The life of the
Jewish community in the Old City, mid-I9th
cealury-Werld War 11. 6 Reh. Or Hataim,
Jewish Quarter Old Cily, Sun.-Thur,, 10 a.m.
p.m
Slr Isaac acd Lady Edith Wolfson Museum at
Hechal Shlamo; Permanent Exhibition of
Judaica, Diorama Room: History of Jewish
People. Special Exhibit: Sun. through Thur. 9
a.m.) p.m.; Fri, 9 a.m.-12 noon, Tel. 635212,
‘Tel Aviv
MUSELISIS
‘Cel Aviv Museum. New Exhibition; Makom-
Dani Karavan (opens 14.1, noon to midnight}.
taraeli Art. A Decade of Acquisitions.
Archipenku: Early Works 1910-1921, Euro-
German: 8.15 p.m. English: 9.00 p.m. Perma-
nent Exhibits. Ethnographic Dolls “Jerusalem.
Charocters." Temporary Exhibition: “Haj
Paintings in Jerusalem."
Th THIS WEEK'S EVENTS
THE TEL AVIV MUSEUM
(77) 27 sHaUL HAMELECH BLVD. TEL. 257361
16-21.1.82
COLLECTION
MAKOM — DANI KARAVAN: A spacial environment for the
interior/exterior space of the Museum, made of simple materials
{especially wood) and a combination of sand, water, wind, and
light. The exhibition begins in the Museum's plaza, continues
into the Central Court and up into Zacks Hall. Continuous
acreening af a video film on the artist's work.
ΙΝ THE FRAMEWORK OF THE DANI
+ EXHIBITION:
AN EVENING WITH DR. PETER NESTLER (COLOGNE). THE ARCHITECT.
DR. PETER BUSSMAN, AND THE ARTIST, DANI KARAVAN {in Engiish)
Cukural policy of the cily of Cologne: planning of tha new Ludveg Museum in
Cologna and planing of the projact for the square of the now Ludwig Museum by
Dani Karavan (in Hobraw! In cooperation with Tel Aviv-Yato Municipality and tho
Goetho Institute Sun., 17 1 at 9.30 p.m.
GALLERY TALK
in the Oani Karavan exhibition. Tuas.. 19 1. at 8 00 pm.
COLLECTIONS
ISRAEL! ART — A DECADE OF ACQUISITIONS
ALEXANDER ARCHIPENKO: THE EARLY WORKS 1910.1921
EUROPEAN AND AMERICAN ART COLLECTIONS
Music [0] tsnast oiscOUNT BANK:
THE ISRAEL SINFONIETTA, Beershebe. Conductor’ MEHL! MEHTA, DANIEL
BENYAMINI. vicla Works by PROKOFIEV. STAMITZ. ΒΗ͂ΙΤΤΕΝ and BEETHOVEN
Sat. 18.7 at 8.30 pm.
PIANO AECITAL: ZECHARIA PLAVIN, Works by SCHUBERT. RACHMANINOV
and LISZT. Tuas. 19 1 at 8.30pm
DANCE
THE CHOREOGRAPHER PREPARES: A look at tha creative process. Tho Kibbutz
Oance Company on a new creation by guest choreographer KEI TAKE! {Japan}
Mon., 18.1 at 9.00pm.
CINEMA ᾿
MAN OF MARBLE: (Poland. 1978, colour. Polish. EngtistvHebrew subtitles).
Andrzej Walda's exemplary film. A natianal hero's involvement in the workers’
upsising of Gdansk. Nightly screenings at 6 30 and 9 30 p.m.
AFTERNOON ADVENTURES AT THE MUSEUM
Kindergarten childran and their parents: Sun. Tues. and thurs at 400 pm., (all
uckets sold). Grades 1-2. Wed. at 4.00 p.m : grades 3-6, Man at 4.00 ρ πὶ. tadvance
boaking)
HOURS
Sun to Thurs.: 10.00 a m..to 10.00 p.m. [Collactions from 10.00 to 6.00 p.m.}. Sat.
10.00 τὸ 2.00 p.m. and 7.00 p.m. to 11.00 p.m.Fri. closed {box office open from
10.00 a.m to 100'pm). The Helena Rubinstein Art Library. Sun.. Mon., Wed..
1000 am: to 4.00 pm: Tuas. Thurs, 10.00 am. to 100pm and 400 pm
8.00 pm. The Graphic Study Room: Mon.. Tues. Wed. 1000 am. to τ 00 pm
Circulating exhibits. Sun. to Thurs. 9 OO τὸ 1 00pm
THE HELENA RUBINSTEIN PAVILION
6 TARSAT ST. TEL. 287196, 299760
EXHIBITION
SCULPTURE: PROCESSES. An exhibinon-wotkstop from the Museum
collection In the framework of the exhibilion. creative workshops where youny
‘wsitors can experience sculpting in vanous matenala Sun. to Thurs.. from 5 OO p.m
w800pm
MEETING WITH A SCULPTOR: MICHAEL GAOSS talks chad his own work and
environmental sculpture.
Ragistravon for youth workshops. grades 1 τὸ 8: limited number of places
infazmation by phone. 299760 from 9.00 am 19 12 ngon.
REGISTRATION FOR EVENING CLASSES FOR ADULTS,
SEMESTER Β:
Rogistration ts open for cleseos in drawing. painting. s.ulptura. puppet ihoatre.
cimematography, screan βήπειπρ, Tai-Chi, history of acl, weaving and cantomporary
an
Aogiavation for current studants. 17.1 τὴ 21.1 from 9.00 to 12 00
Aagpiatration for new awdente 24.1 to 6.2.
HOURS
‘Sun.-Thurs: 8.00 a.m. to 1.00pm and 6 0010 8.00. Sat. 10 Οὐ ἃ m.10 2.60 pm.
Fri: clased,
a.m-5 p.m; Sat. Da me p.m; 7-1 pm Fri
closed.
KARAVAN
UNDER THE SUPERVI |
THE STANDARDS INSTITUTION
τ OF ISRAEL
IT’S CALLED
- PLADELET
AND IT'S PRODUCED BY
___RAV-BARIVACH
Ἢ 283168 {3 nos)
Ramat Gan: Tal. 03-722111 (3lines}
Holon: Tel. 03-844146 (3 lines). .᾿.
Rehovwot-Ashdod: Tat, 054/73141°(3 lirles) -
He Tal 04: 726114 {3 | as). - .
‘Kreyati Tol, 04-7261.14 (3 fin hoa
Ni myivlel-onecsosan © ‘ ἐμ δε ὦ
. derusalom: Tals Ὁ2.:533261 (3 Sines)
~ Beersheba: Tel, 0657-76840, 796;
_ FRIDAY, JANUARY 15, 1982
enlist some heavy support, entailing
either further investment or bodily
harm, or both. Blocking the door-
handle and arming himself with the
weaponry of his forebears, he awnits
the lady and her Schlager (bully).
When Mrs. Z. returns lic refuses her
entry, and demands evidence that
she is alone. She now becomes
abusive, and threatens to call the
police, much to Mr. H.'s relief.
The atmosphere is now hardly
conducive {o amatory develop-
ments, and Mr, H. wants his money
back. “Out of the question,” says
Mrs. Z.
Sgt. Bauer enquires where and
how the purties met. Mr. H. is in
luck for the Jocaule being residential
and out of bounds to prostitutes.
There's disagreement about the
opening gambit, Mr. H. claims that
Mrs. Z. remarked; ‘Na, whal are we
two up to, then?" while Mrs. Z.
maintiins he asked: “Is the young
lady available?”
We tend to believe the florist.
After some gentle pyodding, the
Money is returned to him, the
sergeunt explaining that, if Mrs. Z.
wishes to lodge a complaint about
Mr. H.'s disturbance of the pence,
she should come to the station in
the morning.
“Wilt { have to appear in court?"
usks Mr. H., once again frightened.
“Only if the lady decides to lodge
ἃ complaint," says the sergeant.
Mr. H. ponders the conse-
quences, then returns the 100-franc
note to Mrs. Ζ. ᾿
“L take it, then, that this is set-
tled,” says Sgt. Bauer. Both grunt
assent.
We see the florist into the street.
And once more patrol-car No. [17
is on its way.
21.30. Suspect on premises. An of-
fice manager, returning from dinner
in town, has seen a light in his third-
floor office. However, he's left his
keys at home, and can't check,
Another patrol-car has already ar-
rived. The “suspect turns oul to be
the janitor, who's sweeping the cor-
ridor. The embarrassed manager
apologizes profusely, and gives each
car 20 francs “for beer.” “The
money will be paid into a fund for
police widows," says the sergeant.
What is more, { believe him.
21,50. An Alfa Romeo is parked on
the pavement before a discotheque.
A group of youngsters are hanging
about outside, mainly boys of about
17 to 22. Someone goes inside to
fetch the driver, an Italian youth in
8 black leather coat. He pretends
Nol to understand German, and acis
out his brand of macho before the
admiring youngsters. As we move
forward, his friend opens the door,
Which bangs into our rear bumper,
causing minor damage. We park,
ask for documents. The Italian in-
Specis the damage and gets very
emotional. ὁ ~
Within seconds we are sur-
Tounded by a hostile crowd dressed
iN standard disco clobber. There are
punks with multicoloured coiffures,
gays with thin gold necklaces show-
Ing off their small buttocks in tight
White pants, There's one anaemic
Hell’s Angel.
One girl has the message, “Fuck
you, [ can make it myselves,"
Painted in white letters on the back
of her black plastic jacket,
The Italian indicates that he .
Tefuses to pay the fine and wants to
consult his lawyer, while [ put the
girl right about the spelling of her
dorsal grafitto.
_ Bauer instructs the Italian to
come immediately to HQ and file a
deposition. He keeps. the docu-
Ments and passport in. escrow.
Qn:
“Are we going back to head-
quarters? Tusk in panic. There
goes my bank robbery, my super
heist.
“Later... much later," says Bauer
with a fine smile.
[t has begun to drizzle us we
resume our cruising. Rain is the
policeman’s friend. And the jour-
nalist's bane,
2.25 Young Dr. Schneider is in
charge of the night shift at the Can-
tonal Orthopedic Hospital. Mrs. L.,
a patient, and her mentally-
handicapped daughter have been
there since four o'clock, drinking
from a great variety of bottles. She
is very drunk indeed; empty bottles
decorate the splendid carpet in the
lobby. When the child sees the
uniformed men she screams: “The
doctor knocked my mammy down,”
an outburst to which the young in-
tern refuses lo react.
Mrs. 1.8 explanations, excuses
arid accusations don't come loo
clearly through the alcoholic fog.
When Bauer suggests that “the bar
is closed," she invents the theft of
420 francs from her purse,’ and
names the thieves, mainly other out-
patients and former fellow-boozers.
The demented child keeps scream-
ing about the doctor's assault on
Mammny. Mrs, L. now demands that
Bauer repay her the missing 420
Francs,
“Out of my own pocket?" asks
Bauer.
“On behalf of the city,” says Mrs.
L., who despite her intoxication, has
lost none of her business acumen.
“After all, I fost the money in
Zhrich.” In the public mind the |
welfare state knows no frontiers. In
the end we call the paddy-wagon to
bring Mrs. -L., her wayward
daughter, and a small fortune in
boltle-deposits to their destination.
Dr. Schneider returns to his round
and we to ‘the world of crime:
23.20. Johann Brutschi, 41, clerk,
having received his monthly salary,
decided that life owed him a night
ao}
on the town, Eastern-potentale
style, complete with mini-harem.
He drummed up two fadies willing
to share the charade and reinforce
the illusion. Terms were discussed
over a bottle of wine, and settled ut
the pashalic sum of 1,000 francs
($520) each. The successful comple-
tion of negotiations was celebrated
over a second bottle, and clinched
over a third, after which the party
repaired to the premises of Miss
Heidi, where, amid romantic
lighting, and a plethora of stuffed
dolls and animals, the rapturous
tryst was (0 lake its course.
But Mr. Brutschi, apparently un-
accustomed to such quantilies of
alcohol, was unable to take part in
the proceedings to the extent he had
contracted for. Debarred from what
the law calls “specific perfor-
mance". by force niajenre —~ though
perhaps in this case it would be
more accurate (ὁ say force atineure
— the ladies were in a quandary as
to how to complete the transaction.
There was no question of unwil-
lingness, for the ladies tried for an
hour to arouse their benefactor’s
desire. At the end of which Mr.
Brutschi demanded his money
back, brandished a broom-handle,
and uttered threats, The ladies, now
thoroughly frightened, called the
police — and here we were.
Was 2,000 francs the ugreed
price? and had tha money been
paid? To both questions all three
give an affirmative answer. Mr. B.is
thereupon invited τὸ leave‘ the
premises quietly. Much sobered, he
suddenly realizes the extent of his
unwise investment, and once more
becomes aggressive, demanding we
arrest the women for theft. Failing
that, he will report: us, since he
knows “some pretty big animals in
the police force.”
When he suggets that the police
collaborate with prostitutes, and
share the profits, he. is warned, er-
rested and taken to HQ. Weeping,
he explains to the desk sergeant that
he won't be able to pay his rent and
‘see the month through. We return
to the night's drizzle and a lalse
burghar-alnarm.
AT MIDNIGHF we go back to HQ
for a change of crew. The !talion
disco hero hus been cuoling his
heels and stoking his rage. He still
refuses to pay his fine, and opts for
Icgal procecdings. Sgt. Bauer tukes
his statement, J, as a witness, hive
to deposit my pusspurt in order to
sign a deposition at the end of the
ride. Sgt. Gmur becomes my new
crew-chiel,
00.15. Public exposure by male,
reported by a Mrs. Baumann. Ou
arrival, the lady secms more excited
than outraged, and describes in
glorious technicolor the cause of
her complaint. We ask fora descrip-
tion of the “flasher. She blushes,
tooks away, observes: “Well, just
like any man’s.” In the ensuing
laughter, she invites us in for a
drink, which we decline regretfully.
She gives us a useful description of
the culprit, ‘and suggests, even in-
sists, that she accompany us on our
search, since now she can't sleep
anyway. But it is ‘not our job to
entertain lonely ladies suffering
from insomnia. We cruise around 3
bil, then report to Control that
we're open for business.
Pickings now are thin, radio nut-
ter is sparse, the drizzle continues.
The citizenry sleeps the sleep of the
well-fed and the jusl, Pubs and
restaurants are closing. Under nor-
mal circunistances man's hidden
sins should bubble to the surface.
But rain stops play.
00.45. Barking dog causes distur-
bance. Another patrol-car is already
on the spat, A drunken woman sits
on the pavement, leaning against
the wall. By her side sits a friendly
Alsatian, From the house opposite,
second floor, a friendly pater
familias in a nightshirt leans out to
tell us that she is a cegular inhubi-
tnm of the pavement between α pub
culled “Zur Sonne" and her home
three blocks away.’ The dog is
THE.J ERUSALEM POST MAGAZINE:
trained to alert the authorities when
his mistress is in trouble. “He has
more brains than she hus." we ure
informed. The crew of the other
patrol-car carcfully trundle her
home, the dog supervising the small
hveturnal caravan.
01.10. Objectionable noise is being
emitted by a first-floor Friday night
party, The stomping beat is keeping
the neighbours awake. The com-
Plainant in housecual and slippers
explains the obvious. The hostess, a
young. bright girl with a pold band
around her forehead, cheeks
flushed, comes down to apologize.
“My parents ure i y WE
hadn't reahzed... anys i
to go home. Um serrs.” She runs
upstairs and the music stops.
The complainant thanks us,
ubserves that young people think
the work! belongs to them.
As well it may.
0125 Dispute in resturant heween
a busty young waitress and her
ver. She hits been enpaged on
a two-week tial and assigned the
ive curner of what in any
it rather crummy place.
her third diy und she wants
to quil... right now. And wints her
wages, some 350 frunes, for three
days’ work. But according 10 the
owner and his copy of the union
rule-book, she must give three days'
Notice, or pay a fine equivalent to
one quarter of w month's wages, that
is, some 800 francs. Which means
she owes him 450 francs. This sum
she stubbornly refuses to pay; nor
will she hand over her day's takings,
which amount to 819 francs,
Set. Gmur who, like myself, has
lide sympathy for the raucous, self-
righlcous proprietor, informs the
girl that she is withholding her
boss’s money, and that, if she
refuses to hand it over, he'll have to
take her into custudy. She hus the
right to uppeal to a Inbour coud. in
the meantime Τ have read the rele-
vant clauses of the contract, Tak ing
the sergeant aside, | suggest thal she
give three day's notice, und al the
first opportunity spill a plate uf soup
or ἃ glass of wine down a client's
collar, in which case her boss muy
well give her, three days, notice, or
pay her a quarter of a month's
wages. If the ploy does not ensure
instant dismissal, more soup can fol-
ow. But the Swiss go by the book,
and chochmes simply don't ap-
pear in it. So that the girl
shouldn't be lefi.penniless over the
weekend, the sgrgeant manages (o -
exteact 50 francs‘from her boss “asa
loan.” After whigh she hands over
the day's takings. Incident closed. -
We cruise around for another half
hour. The streets are deserted. Here
and there a hardy pro under her
umbrella arranges her frozen face in
a smile for the passing motorist.
Even the efratic burglar-alurms
have gone to sleep. Control delivers . .
an occasional grunt.
We return to HQ. Ail that is left is
some paperwork. 7 sign un cye-
witness report on the disco rumpus.
retrieve my passport and thank my
companions, ει
A pairol-car drives me to my
hotel, where the new night-porter
observes my desvent from the car,
gives me ιν suspicious look, isks for
my name, compares it with the
register, und reluctantly hands me
my key. The Swiss dun't trust guests
delivered to their door by putrol-
ears.
IF LT. KOJAK were seconded τὸ
the Zurich police, he'd be bored to
death. Obviously the Swiss, despite
their detractors, must have dane
something right. Π
PAGE ELEVEN ©
Ξ
g
a
§
Ε
Ἑ
ξ
Ξ
=
- celebrated his birthday,
_bicyéle Fide -olid ‘giving ‘the’ bike
PAGE
eEREUM RINGER LA:
GREY-WHITE hair, gold-framed
whiuses, while lunle-neck sweater,
fieht baggy trousers, striped long
arange veal, clunky tie shoes,
Monotunaws voice,
Dr. blistbeth Kabler-Russ, psy-
ands on Lhe sttge of a
al the Hebrew Univer-
sity, and, microphone in hand, tells
the story of Jeffie.
Jeffie was a nine-year-old iniddle-
American boy who'd had leukemia
for six years. After years of
chemetheripy, the doctors wanted
to try ἃ new treatment, and got the
consent uf the palient’s parents.
"Why don’t you ask Jeffie?* Kiibler-
Ross suggested to them.
The parents said there wis a
limit to the decisions a nine-year-
old cuuld make, but they ugreed to
ask him. Said Jeffie: “1 don't un-
derstand you grown-ups, You have
fo mike me so sick to make me
well.”
Jeffie hud had enough treatments.
He wanted to go home. “Free
choice is the most importuat gift a
human being has," says Kibler-
Ross.
So Jeffie weat home with his
mother and Fulher — and asked
Kitbler-Ross to come along. He
needed her help with something, he
said. They went into the garage,
where his brand-new bike hid been
hanging on the wat, unused, for
three yeurs. He could barely keep
his balance walking, no tess riding.
He asked lo have the bike taken
down, and then ~ a great conces-
sion for a nine-year-old — tw have
the training wheels pul on. He
wanted to ride around the block,
“And your job,” he said to Kibler-
Roas, “is to hold my mother back.”
The “grown-ups” let Jeffie do what
he wanted: “Wee all held each other
buck,” she says. It seemed like years
until he returned, but he was glow-
ing when he did,
Jeffie went up to his room and
asked lo have his brother Dougie
sent up when he came back from
school.
Two weeks later — one week
after Jelfie’s funeral — Dougie
and
revealed what that consultation was
about: Jeffie had given him the bike
as a birthday present while he was
‘still around {o do the giving.
“MANY in the audience — profes-
sionals in medicine, psychology,
social work, as well as the ill and
their families — simply sm and
wept. But there was a kind of joy in
the weeping. Jeffie's Story, like
other examples Kabler-Ross gave in
4 talk that lasted more than (wo und
3. half hours, ‘brought together
τ threads of the work She's done for
20 years — trying to help us see
écath as a stage of life, rather than
an embarrassing failure of modern
‘medicine,
People who ‘are il know when
ΠΡ they're close io death, she says,
though the knowledge may be in:
τς Auitive “and ‘not intellectual. If we
~Nislen, they will tell Gs three things:
from whom they need help, when,
a and whit that ely consists of
-ONen there is “unfinished business”
they fant'to resolve before they can
die’ ia dignity and poace. Thal can.
include anything from having uw last”
.dend,
Ines five stag
Dealing with death is the speciality of Elisabeth Kubler-Ross, the psychiatrist,
who was in Jerusalem this week. MARSHA POMERANTZ reports.
away, to secing that their children
will be cured for.
. Kiibler-Ross, who now works "90
per cenl with children,” says we can
deurn a great deal from them about
how τὸ die.
Those of us who are near the dy-
ing person must come to terms with
our own fears: “Whal the patient
picks up is not whut you say, but
what you feel," says Kibler-Ross,
“Patients fear desertion and playing
games.”
What is required, she adds, is
“ane person without theories who
touches the patient und says, 'God,
it must be difficult."
Often, in hospitals or hospices,
this person is a nurse's aid: someone
who is demonstrably there, and
cares, and is likely to be around at
the time of death. “Don't be in-
sulted if they don’t choose you," she
Says.
Kibler-Ross believes in universal
laws which guide man’s relationship
to man. [1] this talk she doesn't
detail them, except to mention the
two principles she values most: love
and service.
The Hebrew University audience
seenied ty fidget at the mention of
vilues which seem so general, and,
weil, Christian,
BUT EVEN those who haven't read
her books — On Death and Dying is
perhaps most widely known — soon
have a clenrer picture of what she
means. There is a relentless honesty
ubout her, but ne accusation Against
those who are less honest — merely
ἃ couxing, an iavitation: come on in,
the feeling's fine, the water's not as
icy as it looks,
Just love, she repeats. Not "I love
you if...you bring home good
grades," and all the other condi-
tions which make children, and
adults, prostitute themselves
emotionally.
Suicide is the third greatest cause
of death among 6-10-16-year-olds in
the U.S..” she says. The reason?
Lack of love. She gives the example
of an [l-yeur-ald boy who shot
himself. When asked to recount the
events of the preceding 24 hours,
the mother said “nothing special"
had huppened. Just that the boy
came home from school with a Tong
face and his father said “What's the
matter with you?" and the boy said
he'd gotten two “bad grades." No
One asked how bad or why. Not one
to put up with a “sour puss," the
father simply ordered the family not
to look at the boy during dinner.
That night, the mother tucked her
four other children in, but skipped
his roam. In the morning, he was
Thinking ‘about how we die
makes us question the way we live.
“What happens with sudden
death?" someone in the audience
asks. Then it's the living who are left:
with the unfinished business, Says
Kibler-Ross. So we lave to-keep
our desks as clear ‘us possible at all:
times. ἊΣ . ξ
“Do.it all now,” she says. “Talk
to people. Whien you look back, you
wonder why you ‘vere so small...”
. Most. of Kibler-Ross's work hus
been with the incirably ill who die
gradually. On Death and Dying out-
“most people go
through in the process. First there is
denial: the [10 reports must hive
gotten mixed up. Then there is
unger: how can God, or the doctor,
or my husband, do this τὸ me? Why
didn’t they know sooner? The third
Sluge is bargaining: If I can only
have another year, if! could just see
my children through high school...
The fourth stage is depression,
which is first related to losses in life
— of ajob, of contact with children,
of self-csteem which comes with
physical wholeness. This gradually
changes into depression over the
loss of life, a kind of anticipatory
grief.
Finally, if the patient is helped
through those stages, he achieves an
aceeplince of his death, and can do
his last living in peace.
Nol everyone goes through all the
Sluges, and the length of each stuge
varies, depending purtly on how
much time the dying person senses
that he has. Kibler-Ross's
enumeration of the stages, in her
first book, is full of examples and
dialogue which muke the ex-
perience vivid; her deduction of
categories from thousands of deaths
dves not get in the way of her
humanity.
ASIDE FROM travelling the world
to lecture and give workshops for
those who deal with the dying,
Kiibler-Ross has initiated the es-
tablishment of hospices “for these
beyond medical help.”
Whenever possible, she feels that
a patient should die al home, sur-
rounded by what is familiar, and by
the people who love him, If the
patient has no family, or if the fami-
ly cannot take care of him at home,
a hospice is the ulternative which
provides a warm almosphere, witn
visitors freely ‘coming and going.
Asked whether the fact of being
moved into a hospice isn't a
“stigma,” a signal to the patient that
all is lost, Kiibter-Ross explains'that
the move is only made al the
patient's request, when he has ac-
cepted his situation and wants to be
as conifortable as possible, It is also
practical to separate the dying from
other hospital patients: the staff at αὶ
hospice is specially trained, diets
are different, Why shouldn't a dying
man have the nice juicy hamburger
50 rigidly proscribed before? ᾿
One of her most recent projects is
setting up a self-help network for
parents whose children have died —
including sudden deaths. She is con-
cerned now with the attitudes of
doctors and nurses toward relatives
waiting outside the emergency
room, often to be told, at the end of
forever, “I'm. sorry." Though the
parents can’t be admitted, it is im-
portant for ἃ nurse to give them a
moment of het time, and to tell the
child, while il's still possible, that his
- parents have arrived, And Lo let,the
parents know that he knows.
When parents:have lost a child in
the emergency room, they are in-
.vited back a month later to ask the
questions they couldn't remember
to ask, or had no opportunity to ask,
during the traumatic moments:
“Was he alive when he was brought .
‘in, Was someone with him, ‘did
somcone-hold his hand, did ie men-
‘tion my nume?”
ες THE JERUSALEM POST MAGAZINE:
COMING TO Jerusalem, says
Kibler-Ross, has closed a circle
which began for her at Majdanek,
where, al the ge of 18, she worked
with concentration cump inmates
after the war, She was fulfilling u
promise she had made at the age of
13, when she heard, in her peuceful
Swiss home, that Germany had in-
vaded Poland: “When you're very
young your fantasy runs away with
you, and you want to do something
for humanity.” The difference is
that she has lived out the fantasy.
After her work with refugees, she
returned to Switzerland to study
medicine. “The one place | never
wanted lo go wis the U.S.," she
says, but she married a man from
New York, and there she was.
Psychiatry was the field that
foreigners could get residencies in,
so there she was again. In a state
mental hospital she worked with
“chronic schizophrenics" for two
years, and, she says, 94 per cent of
them were able to be discharged.
Her methad? “Not Freudian, not
Jungian, not Adlerian," she says,
“Just love,"
It was after that that she began
working, with the chronically
physically ill, and the dying. During
her 20 years of work she has
become more und more interested
in what comes after death — and
that hus brought some scandal into
her life. In California, where she
lives now, she was associtted with 1
group that attempted to com-
Municate with the spirits of the
dead. Dissenters from the grdup
claimed that it practiced suspect
Sexual activilies. The Sun Diego
Prosecutor who investigated
charged the guru-spirit medium
with the rape of a 10-year-old girl.
Kibler-Ross was regarded as an
innocent bystander, but as a result
of the bad publicity, her husband
left her and many of her friends
deserted.
She didn't mention the scandal in
her talk, but did relate some of her
findings about near-death ex-
feriences, in which people defined
as clinically dead “return to life”
and describe an. experience of
hovering over their. bodies, fully
observing the rescue team trying to
tevive them, ee
THOUSANDS of such out-of-body
oxperiences have been recorded,
though they are still regarded: with
greal scepticism. Kiibler-Ross has
no doubt that such experiences are
teal, and that the dying person
sheds his physical body like a but-
terfly emerging from a cocoon.
From the butterfly state, which she
describes as “psychic death,” it is
possible to-return. But beyond that
isa state of “spiritual death,” which
she describes as the: one-way pas-
Suge through: 8 ἰυπήε! — or any
:Other image -of transition — into
" great white light. wo Τ
She del not expla the hasis for
her convept of the third slile —
which hits parallels, if natin Neder
edwin, then ranging tram Dante's
Paradoe ta the tibetan Kuok uf the
Dead. But she did have some
evidence for her description of the
second state, [rom whieh retum ig
possihte,
Among the exaurples she gave
was one ol a woman who was
clinically dead — no heart beat, flat
brain wave — for 44 minutes. When
the womnn revived, she reported
that, hovering above her body, she
had heard the entire conversation of
the resuscitation team, including a
joke one of the doctors made after
she'd been given up for lost.
The dead in this state have a
sense of wholeness, says Kiibler-
ΩΣ
Ross. A woman with multiple
sclerosis told her: "1 was able to sing
and dance.” But this is not just a
matter of feeling, she says. People
who had been blind — without light
perception — for at least 10 years
before their near-death experience
could report, when they returned
from their encounter, just what the
members of the revival leam were
wearing.
Kabler-Ross ulso says she has
evidence that the dying come in
contact with those who have
preceded them into death. Among
the exumples she gives is one of a
hoy who was severely injured in an
accident in which several members
of his family were killed. One
brother was sent to another hospital
for burn treatment.
Moments before the boy died, he
reassured those around him that he
was “with certain members of his
family. The ones he named were
those who had died; among those he
mentioned was the brother he knew
was being treated for burns. Ten
minutes after Kitbler-Ross’s patient
died, a phone call came from the
burn centre to tell her that the
brother had died, “I told them |
knew,” she suys, “und they thought
T was u little kookie.”
But she insists that the dying who
name the members of the company
they're joining are never wrong.
As she progressed in her descrip-
tion of states of deuth, there was
much restless shifling and murmur-
ing in the audience: Perhaps, after
20 years of working with the dying,
you do go off the deep end?
Someone asked a pointed question _
about whether we are to tell the dy-
ing that there is reincarnation
karma.
Her answer: that we are to allow
people the benefit of their beliefs —
and in her case, presumably, allow
the investigator the opportunity to
present the evidence as it comes in.
When she had finished her talk,
she was asked to remain on the
stage for a “surprise”: A young
woman, and a young man with ἃ
guitar walked up to the
microphone, said they had heard
about her favourite song, and
started singing You are my Sunshine.
Those in the audlence who were not
busy wiping their eyes and blowing
their nosés joined in, singing, clapP-
ing, laughing. 2
Kabler;Ross, who was only if
Israel for a day, has promised (0
come back’ next year to do 8
workshop, Lots of unfinished ap
business around here.
"FRIDAY, JANUARY: 15, 1982
ST merece
~qe————- gts
1 Oe τ΄:
Gil Goldfine
AFTER running a string of several
interesting, unorthodox exhibits,
the exhibition commitice responsi-
ble for filling the Tel Aviv Antists
Pavilion has reverted to old times,
when mediocrity reigned supreme.
Concern fur promoting and spon-
soring serious art stated in fresh,
contemporary forms has begun to
ebb with this month's show of
woudcuts. The only objective ac-
complished appears to be the
providing ‘of educational material
for the uninitiated: the woodeut asa
technique is thoroughly covered;
the art experience is unexceptional
and jeans strongly towards the
banal.
Among the $0 prints by a dozen
participants only a handful are
worth mentioning. Wrongly
situated, bul included us a sign of
historical respect, are works by
Paldi, Eisensher and Steinhardt.
They set the tone and the standurd
for pictorial themes and technical
upprouch. Following these leads,
horizontal and vertical banded cut-
ling predominates, Subject matter is
localized and apallingly unsym-
pathetic, Colour is neglected by all
except two veteran Jerusalemites,
Sima and Pins, still the most ac-
complished woodcut artists in
Israel. Despite the fact that their .
prints ure not of recent vintage their
sensitivity wood engraving is a
pleasure to witness. Most of the
remaining artists are ponderous in
cutting, plodding in composition
and unsure of the balance between
negative and positive shapes.
Somewhat complimenting the
strength of Pins and Sima, the sur-
realist Gildor manages to fertilize
one’s imagination via flatly drawn,
supernatural images, unrelated to
anything and anyone in the gallery
and in themselves mysteriously con-
jured up and strangely illuminated.
Julian Stup’s advanced handling of
the media is at least non-conformist.
His wood surface is veined like an
etched metal plate. His finesse of
line and dot ranges from linear
portraits to abstracted, Cezannish
buildings, thrown together in comic
book fashion.
Rosa
Puvilion, Tel ἡ
waudent (Artists
Saritikev:
Without this handful of relatively
successful primis this exhibit would
be a total washoul. (Artists Pavilion,
9 Atharizi, Tel Aviv). Till Jan. 50.
TWO environnments crented by
Surah Chinsky are interpretations of
ἃ painterly style running through
the Luavie-Gurbuz-Ne'eman xis.
Characterized by a personal fixation
on man's social predicament on the
one hand and a general disregard
for material finish on the other, the
kind of art produced by Chinsky
becomes incoherently knotted in
visual metaphors. Busic forms like
paper muché stones and trees, a
plaster faced wall, taped copper
tribularies running along the bure
floor and wax figurines dangling
against a painted backdrop (sym-
bolic of earth, air and water) are
muddled units, unorganized and
lacking in any true dialogue
between artist and public. Chinsky,
like so many others has blocked a
message with codified, unaesthetic
dots und dashes, In a desire to con-
form to a taught method Chinsky
has fallen into a trap, one that in-
evilably ties her to Lhe work of her
mentors and becomes an extension
of {πεῖς careers. Joining the club
means to proselytize for the couse.
Creating works of art involves a
greut deal more than following the
leads of other.
At the same gallery, but in a
secondary position, Ylona Aron
shows four smal} photo collages that
echo a former group. The similarity
locrit
Cc ll rrr ὁἑἙ“ὁὅἝ ὅ Π ΠΚ“(-...
A
goes lar beyond the style, for the
dance images are the same and the
end results are about the sume. This
lime bits of colour supplement the
black and while bromides, directing
the whule towards decorative
cubisin. Aron has made little inrond
inty an already familiar point of
view. (Shinar Gallery, 32 Pinsker,
Tel Aviv). Till Jan 30,
TZILA LISS has drawn, on tinted
charcoal paper, alamily af fow land
fish furms together with householed
furnishings strung out between
angled, Mondrian style grids. Her
aim is to interpolate the wildlile
imagery and literal meaning. A con-
loured fish becumes τι base and then
a picture of a human lenpin, packed
imo a sardine tin, A duck's head is
duplicated as a decorative pin wheel
and absurdly contrasted wilh a
stick of cake pans ar classic
wooden chitirs. Skelched with char-
coil and white chalk, Liss’ inter-
polations and applications ure ac-
tually humorous declarations. [t is
her light, unpretentious schematic
cartoons and naive automatism that
allows one’s eye to wander across,
up and down the large sheets of
Paper, engrossed by the inuneness
of it all but not upset to the point of
rejection. (Kibbutz Gallery, 25 Dov
‘Hug, Tel Aviv). Till Jun. 29.
BY CONTRAST Orna Ben Nira is 4
traditionalist tied to all the trap-
pings: her small, black-and-white and
sepia-tinted etchings, wash draw-
ings and watercolours remain within
the confines of “establishment” art
procedures: realistic images, con-
servative themes (landscapes,
genre, portraiture etc.) balanced
conipositions, correct perspective,
proper anatomy and a use of shade
and light to drumatize detail or
event. Number 42, a stark landscape
printed in a dense indigo, captures
the whistling wind and the defini-
tion of harsh shadows created by
direct lunar lighting hitting the
foreground foliage and distant hills.
Ben Nira also shows softly brushed
watercolours and strictly con-
toured, lyrically defined, figures,
the best-effort in the exhibit. (Mapu
Gallery, 17 Mapu, Tel Aviv). Till
Jan. 22. [5]
PE aes ee ἀν υστν
Forward to c
πιαρικωνσα αι σσια φαταικει ey selene κακαὶ Lanse μακσαξη πὰ
Meir Ronnen
THE LATEST in Dr. Gideon
Ofrat’s series οἱ exhibitions in the
mezzanine of the Jerusalem Artists
House wis actually put together by
Tel Aviv painter Yair Garbuz, the
guest curator of a guest curator, He
presents a fairly young experimental
Tel Aviv gruup who studied at the
Midravha, the school for Art
Teachers. ΠῚ ἢ parallel statement in
his fourth catalogue (which offers
views by Garbuz: Ἀπὸ Lavie;
winl an indignant apen lelter trom
Uwalde Romberg, head of the Fine
Arts Department of the Bezalel
Academy, addressed to Mare Sheps
of the Tel Aviv Museum und
protesting the pul-dewn of the
Bezalel implied in the Museuin’s
“Turning Point" catalogue) Olrat
complains of the dwindling
audience for new Gut and) the
general lack of imellectual en-
counter,
The dominating influences at the
Midrasha have been Raflie Lavie,
whose calligraphic-painterly-
abstract-expressionist and ultimate-
ly minimalist yet lyric canvases have
influenced several generations of
young Israelis, some of whom ure
now leaching at the Midrasha
themselves; Garbuz himself; and
Michal Na’aman. Lavie, out of
Dubuffet, Aroch and Twombly, is
enormously gifted; he can make
magic oul of plywood, pencil, bils
of collage und a few swathes of
paint. His students have stuck lo
mundane miaterinis bul possess
nathing of his charm. They have
replaced it with a brute disdain for
finesse or finish, while introducing
post-conceptual elements and forms
reduced to New Image silhouettes
or taken out of the frame
altogether. The plywood school
has to some extent become the
fretwork school. Several of the
.Midrasha group show flashes of
originality ai times, bul one rarely
comes across a work of theirs that
bears second scrutiny. A good Raf-
fie Lavie, by comparison, is good
for years of wear, if not more.
Replying to Romberg’s indignant
open letter ina column the Curator
of the “Turning Point” show and
author of the catalogue that ired
Romberg, Sara Breitberg-Semei,
mit
liches
mildly pointed out in Yediut
Aharonot last Friday, that she
hadn't meant to make a value judge-
Ment in pointing out that only the
Midrasha had an ideological diree-
won. In her τἀ] σὰς she compared
the Midrasha group with the New
Horizuns group of the fifties (“there
is no erosion at the Midrashu™ }, ἃ
point echoed by Ofrat. But she had
described the Midrasha as standing
firm against the past, while implying
that Bezalel did not. Her catalogue
stilted: “nat ane ot the artists con-
nected to the Midrasha adupts the
new-old trend of gushing expres-
sionism flourishing now all over the
world, whose infuence 1s prevalent
among young Bezalel graduates,”
ORAL chides the public and ancers
al galleries. But perhaps he should
be addressing lintel to the artists,
His current shuw is a case in point.
The participants, while making all
sorts of genuflections Io images
trom Greece ta Matisse, try their
best (eo break these -— and
traditional formats -- up (or down,
if you will) in a gammendable effort
τὸ inthe sumething new. But apart
Irom some desthetic sensibility
evidenced by ‘Tamar Eshel and
Semadar Eliasaf, there isn't
anything in this show to stimulate
the intellect or excite the senses.
Last year's cliches ure no better
than last century's cliches.
This column hus, for years if not
decades, chided artists For not try-
ing new tacks. But it is mot enough
lo try, One has to be original
and interesting. One must reveal
some new little truth, however sm-
all. [fthe artists fail to attract the in-
terest of their audiences surely they
must bear at least part of the blame’?
The Afidrasha group has too many
Indians and no chiefs.
Ofrat recalls that the public
deserted the New Horizons painters
at their first appearance. But this
was not true of the genuinely in-
terested audience, who al least par~
ticipated in public and private
polemics.
But today's slapdash paintings and
slapdash conceptions of minimal intel-
lectual content are nol conducive to
public polemic. The public has
decided, in its wisdom, that most
current offerings ore just not worth
arguing aboul. Qa
Back to gum-prints
Ephraim Harris
ARTUR GRINGRAS shows Gum-
bichromate photographic prints, a
Process popular at the turn of the
Century and now undergoing an ex-
perimental revival. Its invention is
attributed to Alphonse Louis
Poitevin, a French chemist and
photographer, in -1855 and was
beloved of Rodin. [t consists of
ground pigments, and colloids as
the medium, soluble potassium
bichromate, and the whole mixed in
a wash and spread on the paper.
Gum prints contain no silver salts.
They are washed, after exposure to
Sun, in water, and characterised by
4 soft focus effect enhanced by a
wide tonal scale as the soluble gum
is washed away, leaving the pigment
FRIDAY, JANUARY 15, 1982
on the dark bits of the picture. The
show, is divided into three
different approaches and techni-
ques. The first and largest section
he calls “pictorial, which also
seems to include “soft focus” (in the
woodland scenes) despite his denial.
A rather irksome rough and gritly
texturé appears in prints containing
too much light and space; more
pleasing are those where represen-
tational motifs block it out. Attrac-
tive items are the graded light of an
old woman knocking at a door; the
fine still life of jars with the solid in-
dependent motif of a shadow
balancing light; and especially il-
lustrating the point made, the bar-
red and locked door completely
eliminating the rough texture and
the single case of a woodland clear-
ing, which, in.spite of its soft focus.
light, accomplishes the samte result.
His second category, the “isohelia”
or tone-separation process, resem-
bles silk screens. These are in
colour, ¢.g. green trees on widely
spaced yellow and while terraces,
although an Arab village in less loud
colours, brown, yellow and white, is
preferred; il is indebted too to the
contiguous houses. Good marks go
to a calm moon-lit sea. The third
group of “solarised” prints, com-
pared by Gringras to reversed
etchings, is the weakest, Entirely
black, the contours alone picked
out in white, they suggest (not
necessarily artistic) objects at a hob-
bies show, although the middle one,
an urban scene enclosing plentiful
motifs of houses, distantly reminds
the viewer of a Steinhardt wood cut.
(Musuem of Modern Art, Haifa).
AMNON DOTAN shows
photographs of the Far East and of
apparently Africin male portraits
(they are numbered but without ti-
tles). His tasteful colour is not at all
blatant; note the orange dress (42)
and the brownish make up (41) of
Chinese (7) actors, Chief interest
lies in the portraits e.g. the old man
resembling Ho Cho Minh (29).
Another, outstanding for compasi-
tion (28), shows two smail boys sit-
ting together; the older has his legs
right on the picture surface, grossly
enlarged until you realise they
determine their respective heights
and hence their ages. The portraits
of blacks, all in their prime, ob-
viously seriomen of the world, are
first class. Dotun’s weakness is
shading — and shadows: even in
moderation they tend to obscure.
(Abba Khoushy Community
Centre, Haifa). Till Jan. 20.
SHOSHANA AROAS does realist
sunny landscapes; and proficient
still-lifes execuled within straight-
forward, accepted styles, ranging
from near-impressionism, ('-
*Flowers") to moderate hand-edge.
but stili under impressionist in-
fluence, (Roofs, “Houses Beside
the Beach,” “House” ete). An in-
teresting composilion starts from
THE JERUSALEM POST MAGAZINE
soupward brush strokes which in
turn cause an upward thrust of the
subject, so that even in the decline
of Mountain Slope” the same ap-
parent situation pertains. (Hagefen
Gallery, Haifa). Till San.27.
SHOSHANA FRIDHOF paints
naive oils which, according to the
invitation, deal with political and
social subjects,. The first is hinted
at, enigmatically. only in 6, Israel's
Reet arriving at a foreign port,
enthusiastically preeted by strange
beasts and humans; the second in 3,
a young woman standing on a too
nurrow park-way clearly marked for
vehicular traffic, as a large car is
coming up behind her. Incidentally,
Fridhofs picturesque “Gardens”
are, on the whole, well composed
and painted with an evident luve far
them. Very good too are her
“Flower studies but such skill
seems to belong ta the stack-in-
trade of naive art. Her landscapes,
like her gardens, are laid in different
countries. (The Litile Gallery, Beit
Rothschild, Haifa). Till Jan. 27. 0
PAGE THIRTEEN
Ruskin’
Venice
por RSET SEES
succumb to that cily’s fading yet im-
Meir Ronnen
᾿ a \
Ruskin. Edited and introduced
rg ‘Morris. London, Faber and
Faber. 239 pp. £12.50.
BRITISH PAINTINGS OF THE = troduc!
tal charms. Jan (formerly
Tones Morris, herself an eccentric
, once WI n
THE ΘΤΌΝΕΣ OF es plone book on Venice; now
she gently takes the mickey oul of
the over-earnest bul well meaning
Ruskin in her witty and readable in-
tion to this latest edition of
rote her (when him)
ine . She explains
IRY by Catherine the Stones of Venlce x
rasa Ene TOneenvere Guides — how Ruskin originally ane ne is
Where. Is {{7 Bouks. London, ἃ guide to English architec
Frederick Warne. £2.95.
stonemasons, ἃ work not oar ΟΥ
aesthetic analysis but socit
i agedy of αὶ
ἘΠ ANCIENT WORLD. philosophy. Out of the irage
ΑΝ το of styles and forms. By — disintegrating city. Ruskin hoped 19
Pierre Annet, Christiane Desraches raise up a new Golden Age in
Nablecourt, Adain Pasquier. century England.
Catherine Metzer and Pierre Barat-
What Morris fails to point oul is
irsche i ition is n bowdlerized
| Edited by Jean Hirschen. (hat this edition is a Ὁ erized
ines Taber and Fober. S67 pp. yersian af Ruskin’s huge tonre, cob
an eurlier edi-
cm bled together from an earlicr αὶ
pues lien tint Ruskin himself came lo
Μ The Wi ‘os, By repudiate and
POPISM The Warhol GOs ι d
ἱ i ckelt. evise, Hut even 1
Andy Warhol and Pia Flacket τας δ ον Τὴ ute τος ἄς
altempling ta do and is profusely il-
London, Hutchinson, 310 pp. £7.95,
hich he intended to
this version docs
THE ENGLISH love eccentrics: fustrated with Ruskin's own witer-
perhaps that is one reason for the
survival
colours and drawings. ney. οἱ
of interest in John Ruskin: these ure most attractive Dut,
the other, in this case, is the English needless lo say, he was a much more
love of Venice, although you cer-
tainly don't have two be English te
TRE
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ek
#2 ΠῚ a :
Ducal Palace (rem the Stanes of Venice, resect
Jolin Rushin: exterior of the
There are beller books about
Venice for the student but th
ant and handseme one,
concludes historic a
Morris recalls that Ruskin began
this work on his honeymoon, bul
this epitome of the mot
could never bring himself lo con-
summate the marriage (his pretty
young wife, Effie,
τ and then, after win-
colour, as well as Ruskin’s own
rk .
British Paintings of the 19th Cen-
tury sels some
only book abou ι
that does not contun ;
lustration, save the cover. τι is part
friend, the handsome and
John Millais: as il tart that Ὁ knew ol
romantic painter, n
to make up for lost time,
him eight children).
RLD’S MOST PRESTIGIOUS >:
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‘WOCHENBLATT
REVUE JUIVE
ε , Florastrasse -
“1 Founded in 1901
af the Where fs 10? series, designed
to show sau where & characteristic
selection (not complete!) of the
werks of mayor and minor aris”
may be found around the woth,
Why Artin the Anclent World was
published at all is completely
beyond me. Assembled by a batten
οἱ French archeologists and orien.
talists, it is supposed Lo be a hand.
book of styles and forms, but the
whole project is utterly delented by
the fact that the thousands of ib
lustrations ure all poorly drawn in
line ἐπ exactly the sunte manner. This
hook gets my vote for the booby
prize of 1984.
Popism is another book you can
save money on. [tis Andy Warhol's
view of the Sixties through his ono
circle of “superstars” and it's all
prety pathetic and uninteresting.
Warhol's method is to drop names,
just. ts he is now doing in his
thoroughly commercialized series
of portraits af "Famous Jews.” His;
desperation for fame was sadly up. .
staged hy the death of Robert Ken -
nedy. who was killed just alter ἃ
frustrated lady writer had pumped:
several bullets into Warhol. Bu |
daresay Andy has done pretly well
hy his own lights. He is enormously -
gifted, although you wouldn't think
τὸ from reading this voyeuristic and
rather pathetic book. a
FLOCCINAUCININILIPILIFICA
mus senusum classifieds
TION
Beat inflation with Bost
counts as one word!
FRIDAY.
ere
JANUARY
THE OLD quip that an age is
“dark" only when we are ignorant
of il is increasingly confirmed.
Medieval studies flourish, indeed
have become very popular. All is
nut yel lost for the humanities when
seh a solid piece of research is
Barbara Tuchman’s 4 Distant Mir-
rer: The Calamitous {4th Century
becomes ἃ bestseller.
The two translations under
review are by poets oul of
Tuchman’s century. Dante died in
1321, Langland was probably born
in the early 1330s. The translations
prompt me to ask the perennial
question: which is the more
impertanl—choice of subject or
manner of treatment?
Of course, Dante is the supreme
poct; from my reading in him, he
can do no wrong. In this he resem-
bles Milton, who was also ἢ master
of decorum—more consistently so
than any other poet who used the
English language. “Even Homer
nods,” we are told; and certainly
Shakespeare has his passages of
rant. But Dante is perfect.
Now, how do I (who have never
mastered the Italian language)
know this? ] have read him in a
dozen translations, and always
found him absorbing, moving,
profound: few of the styles of
translation used have been able to
damage what is permanent in his
poetry. His example has convinced
me that—despite the element of
{ruth in Frost's dictum that the
poetry is ‘twhat is lost in
translation"—the truest test of
greatness in poetry is that it can sur-
vive mediocre (even “bad™) transla-
tion.
| HAVE before me two excellent
books: one a superb translation of a
supreme poet—the other a good
translation of a good poel. To seek
to understand these differences
should be a useful exercise in
criticism.
Though provincial Langland
knew his Latin, he does noi seem to
have known “Dante and His
Circle." We naturally want to
relate Langland to John Gower. his
contemporary (whom Terence Til-
ler has also translated well: the
Penguin Confessio Amantis}, and
the slightly younger Chaucer. But as
Tiller writes, “he was different from
them in background and nuture as
DANTE’S PURGATORY.
Translated wilh Noles and Com-
mentary by Mark Musa, illustrated
by R.M. Powers, Bloomington, In-
diana Universily Press. 373 pp.. no
price stated.
THE VISION OF PIERS
PLOWMAN by William Lungland.
A translation into Modern English
verse with introduction und notes
by Terence Tiller. British Broud-
casting Corporation. 287 pp.,
£9.50.
Sholom J. Kahn
he is in metre."
Langland was a popular poet Lor
his age, who “‘exhibils an
astonishing variety of tone and
movement’ within the flexible
limits of his rhymeless alliterative
verse. But “contrasted with, say,
Dante's Divine Commedia, Piers
Plowman seems frankly dis-
organized and sprawling, though
“not entirely without structure {Til-
ler, my italics). A dubious compli-
ment.
I have been enchunted by
Chaucer and read him both in the
original und translations; but trank-
ly, Langland hus been one of those
poets | could never get intimate
with, What is wrong? What reader
has not been charmed by the open-
ing of Langland’s vision: “In u
somer seson whon softe was the
sonne"? And this alliterative style
works a miracle in Sir Gawain and
the Green Knight — a poem which
caplures and. Keeps our attention
because it has direction und struc-
ture,
But Piers Plowman, alas, reads
best in excerpts; a highly significant
document (like Wigglesworth’s The
Dav of Doomi, it is toa often puzzling
or boring as 4 poem.
Yet, short of struggling with the
long original (240 pages in the B-
text}, we are gratelul tor this
version—ta which ! shall return fur
help with Langlind's sense, excel-
lently rendered into genuine poetry
and well annotated. Tiller begins:
“One summer seasun, when the sun
was soothing..."—rather gerd.
But how much of the original
“slrungeness™ should we preserve in
a modern version? [ admit | was put
off when the familiar “teir leld 11}
of folk” became “A pleusant plain
full of people.” “A fair field full ot
folk 1 saw..." strikes me as Aerter
poetry.
The original phrasing shuuld not
always be Iollawed so lazily,
hawever. Now, Mark Munit"s
Daunte, 1 suspect, will supersede
almost afl the olhers: it has become
my close companion. Why?
The jacket blurb praises his **llex-
ible iambic verse,” “dignified un-
derstatement’’ and “‘elegant
clarity.” Combine these with superb
notes and beautiful printing ...
Race, Dear Reader, do not just run.
lo the nearest boukstore and put in
an order for Musa's edition!
WITHOUT INDULGING in a
“biographia literaria,” 1 should
nevertheless like Lo eapluin) my
preference and provide ut least one
good illustralion—after hall a
lifetime spent looking for a satisfy-
ing Dante in English. Cuary's
Miltonic blank verse, with which 1
began, so popular in its
Romantic day, was never “right.”
The Viking Portable Dante com-
bined Laurence Binyon and Dante
Gabriel Rossetti~two British poets
who imitated Dante's metres and
rhymes; and till now, on the whole.
this has been the Dante I preferred.
Except perhaps for the [901 Tem-
ple Classics edition—wilh its close
following of the [tahan (printed on
. the facing page) in loose prose by
Thomas Okey, and annotations by
H. Qelsner and P.H. Wicksteed;
this was the editiun T.8. Elivt used.
And there are also Melville B.
Anderson's gand rhyming version
(Worki Classics, 1921) by an
American poct for at least it poet
living in Culiforniz in 1932); aad
Emanuel Olsvinger's lovely
Mebrew (Jerusalem. Tarshish.
1951), which dispenses with rhyme.
Musa's bibliography includes two
other translations ἢ have also used:
Dorathy L. Sayers (Penguin, 1955)
and John Ciardi (Mentor, 1961 j—
each with its virtues. As 1 began
reading Musi’s Pargatory, | was
struck by the following fines in
Canto 1 (the Invocition τὸ the
Muses, ΕΠ, 7-12): “Here let death's
pociry arise tu life., O Muses
sacrosanct whose liege | am And
let Callinpe rise up and pluy/ her
sWeel accompaniment in the same
strain/ that pierced the wretched
Tingpies with the truth’ of un-
forgivable presumpluousness."'
Those last lines ... well, here is
Dante's text: “di cui le Piche misere
sentir te colpo til, che diperor
perdone,”*
Now, when words in Latin (or
whatever) resemble [:nglish: words,
the easiest way tur Une translator is
τὸ use the sume vocabulary, hence
Okey's “they despaired of pardon.”
So did Binyon and Anderson. But
Ciardi (‘whose power the wretched
Pierides once [el so terribly they
dured no hope again") was the
freest and the best: “perdona™
becume “hope” (“for pardun”
understood i—and “disperar,” a ter-
tible loss of daring.
CIARDI REYMED A with C, and
dispensed with the linkage of the
terza a rima stanzas—a reasonable
compromise which worked rither
well, But Musu has dispensed with
rhyme allogether, and this has
enabled him to achieve a maximum
faithfulness of meaning and tone.
Not only are Musa's lines the best
poetry (among the versions | have
examined), but his note to lines [1-
12 makes clear why that strong
phrase ‘unforgivable presump-
tuousness™ rings so true.
Dorothy Sayers gave the bare
facts: “the nine daughters of Pireus.
King of Emathia, challenged the
nine Muses to a singing-contest.
They were defeated, and changed.
for their presumption, into
magpies.” Ciardi gees into more
detail, and notes Ovid's retelling of
the myth.
Both Sayers and Ciardi use the in-
evituble English word here:
previemption, And here is Musi’s lull
note: “Piereus. King of Emathia in
Macedonia, had cine daughters, tu
whom he unwisely gave [he names
of the nine Muses. In their
presumption they challenged the
Muses tu a contest in song, in which
they sang the praises of the Tilans
who waged war aguinst Jupiter (ct.
inf) xsxi). Defeated by Calliope,
who was chosen Lo represent all the
Muses, they were punished by being
transformed into magpies (ul. Ovid,
Mein, ¥, 294-678).
Reading that note along with
Μακε" translation brought home to
me the fuil farce af Dunte's
pectry—as 1 bint not quite under-
stood and telt it before. And this
keeps happening, again and ngain,
in Musu's superh edition—which 1
herewith place on the lop shell,
among the best poetic translations.
To return, in conclusion, to my
original questions. The secret of
greatness in literature is: a preat
subject. treated in un appropriate
style and form. Dante had both:
Langland had chiefly the great
snbject—but he rambled loo much
in search of the appropriate struc-
ture ang form. Terence Tiller could
rise only as high as his original, and
sometimes he scemis to me to pull
Lungland down a hit, By way ol
cuntrast, Musa’s edilion is worthy
of Dante's matchless achievement.
As to the Middle Ages: thank
God, they are no longer “dark.”
Barbara Fuchmin uses a sentence
from Dryden us the epigraph for ἡ
Distant Mirror. “For mankind is
ever the same and nothing is lost out
of nature, though everything is
altered.” This is the truth we find in
the greatest poets, and in the tans-
lators who prove not unworthy. O
IT SHOULD BE no surprise that
England's John Fowles, a long-time
devotee of Continental literature
and one of the most populur serious
Novelists writing today,
enthusiastically endorses the
tepublication of these stories by
Stefan Zweig, who was probably the
Most successful creator of serious
Uropean fiction a half-century ago.
Clearly the author of The Collector,
The Magus and The French Lieute-
nant’s Woman would respond to
Zweig's tales of crippling obsession,
emotions melodramatically
reflected in a hall of mirrors, and
light-corseted passion amid Haps-
burgian splendour.
Fowles therefore considers it an
Outrageous injustice that Zweig to-
day is all but out of print. He at-
tempts to blame this on the author's
Political naivete (a proponent of a
“world Switzerland,” Zweig was
very slow to condemn Nazism) and,
even less credibly, on Zweig’s
bruised psychological structure (0
wretched relationship with women,
an inability to cope with the passing
‘of the Old Vienna of his youth). To
these Fowles adds the charges of an
absent sense of humour and ‘the
curse of having been too famous.
All of this is interesting, but of
course none of jt can really explain
- FRIDAY, JANUARY 15, 1982
Better read
than dead
THE ROYAL GAME and Other
Stories by Stefan Zweig, Introduced
by John Fowles. Translated by Jil!
Sutcliffe. London, Cape. 250 pp.
£6.95.
S.T. Meravi
Well, no one ever accused
Maugham of failing to entertain,
and that Zweig does handsomely.
None of the five stories here is in
danger of boring the reader. The
pre-World War 1 examples,
“amok? and “Letter from ‘an
Unknown Woman,” are compelling
monologues from Zweig's collec-
tion called Tales of Violent Feeling.
They are richly enjoyable, but tlicir
passions ats too monochromatic .
(essentially a flaming red) to lift
- them above the possible and into
the plausible.
“The Burning Secret” is on more
certain ground. This story credibly
describes a 12-year-old boy's efforts
to protect his mother from a suavely
lecherous fellow-guest at their
resort holel. (The mother inciden-
tally is the only Jewish character in
any of these stories, and she is only
incidentally Jewish.) The piquant
element here is that little Edgar
hasn’t an inkling of why the man is
so attentive to Mama; Edgar finally
concludes he must have murder on
his mind, blood-lust being the only
sort of lust he's ever read about.
“Fear” refers to the fear of béing
found out, and is the story of a
wealthy Viennese wife in the grip ol
a blackmailer. It is extremely well
told, bul both its sense and sensa-
Zweig's current neglect. The
answers are more logically found
less in the writer’s life than in his
product. The final test is whether
these five stories, admirably
retranslated into supple English on -
the centenary of Zweig's birth, cun
find an audience tuday.
THE STORIES ore not a bit dated
in terms of time and place — Zweig
blessedly does not encumber his
narrative with unnecessary baggage
of physical detail. But the stories
are too often psychologically
mechanistic, and were so as much
50 years ago as they are loday. They
ure immensely readable, but not im-
mensely believable. They nominate
themselves for their place in classic
Continental literature, but lack the
cunning quality of fantasy found in
Kafka, the tightrope of irrationality
found in Hesse, the sure psy-
chological underpinnings of
Conrad, the breathing fullness of
Mann. Compared to them they are
interesting exercises, all of them
seen through admirably, but exer-
cisas nonetheless. In his introduc-
tion Fowles evokes in passing the
name of Somerset Maugham, and
perhaps that is with whom Zweig
should most properly be ranked.
The question is, do today’s readers
want another Maugham — especial-
ly since they don’t seem to want the
first one any longer? ..
THE JERUSALEM POST MAGAZINE
lion are undercut by an O. Henry
ending — and the wrong O. Henry
ending at that.
THIS LEAVES US with the collet-
tion's title story, wrilten in 1942, just
a few months before Zweig, crushed
by the new world war, took his life.
Powles points to “The Royal Game”
as proof that the author's skill,
nearly 40 years after he had
launched his career, was as sharp as
ever. It is true that the story is as
good as any in the book; it is also
true that it is no better. Zweig
however does refine and focus the
self-conflict which is a recurrent
theme elsewhere by eliminating the
obsessive love-objects and external
threats and positing a protagonist
who, although held captive by the
Gestupo, must struggle against
himself for survival.
Zweig thus remains a fine story-
teller who if not one of the great il-
luminators is surely one of the more
respectable entertainers. Ifhe is un-
deruppreciated by the satiated
sophisticates of today's readers, he
was probably overappreciated in
thal more innocent time 50 years
back. He doesn't deserve adulation
— and Fowles does not accord him
that — but he is loo good to be
totally ignored. - [π|
: PAGE FIFTEEN
ᾳ«σδδυαασασδασασ “θαι
duces
2 eggs
1 tsp. soda
d tsp. salt
So tsp. salt
Sur in oats.
_ PADDRESS:
erry:
FUDGE
OATMEAL
Jerusalem Brand Oats intro-
a marvelous recipe
using the best quality oats
Imported from America,
Oatmeal Mixture
1 cup margarine
2 cups Jerusalem Brand Brawn
2 ssp, vandfla
2% cups flour
3 cups Jerusalem Brand Oats
Fudge Filling
4 200 gram bar of bittersweet
I cup sweetened condensed milk*
2 ¢his, mrargurine
2 ssp. vanilla
4 To make your own sweetened
condensed milk:
Over a low flanicinu saucepan,
cook slowly 1 cup sugar and 1
cup water until
thickens and becomes caramel
colored. Add 1 cup milk and stir
until complotdy mixed.
To make oatmeal mixture:
Cream together margarine and
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yanilla. Sift together flour, soda
and salt. Add to creamed mixture,
To miake fudge filling:
In 8. saucepan over boiling
water, mix logether the chocolate,
sweatened condensed milk, mar-
garine, and salt. Stir until smooth.
Stir in vanilla.
To assemble:
Spread about 2/3 of oatmeal
roixture in a greased jelly roll
pan (15.4" X 10%" X 1"), Wet
hands and presa oatmeal mixture
into pan with hands. Cover with
fudge filling. Dot with remaining
oatmeal mixture and
fudge filling. Bake 3,
re
a ea
«Ἶ To sec a ‘hee sample of |
_ Iérusplam Gats and a delicious
zecipe for muesfi, attach this
coupon to the baok of a postcard
‘and mall to: Ὁ ake
Jeruealems Granola, P.O, tox 7733
νον, Serusalern 91077 ᾿
NAME: ___-
zie CODE:
> ‘{HR'Z0A HOUSE DRAMA CIRCLE: |
__* Presoite on animated playroading in Engligh ὁ
at 4 Hess Street yet?
=) Brown's
Tel Aviv: .
4 Hess St. (corner 36 Allenby)
214 Dizengoff St.
Jerusalem:
9 Shlomzion Hamalka.
OT AAD AE AID A MT AM
WELL-WRITTEN NOVELS come
offthe press like hot cakesat acom-
mercial bakery — and Charlotte
Vale Allen's Promises (Berkley,
450pp. $2.95) is one of them. Yet the
sugars and spices can't hide its pap
nalure — its been specially “baked
for those who crave to know what
the butler (in this case kid sister)
saw, and whether [he wiges of sin
dv butter parsnips.
Jess is a good gir! but when she
has to support her kid sister she
becomes a call girl. Her soul is
numbed but her body pays the rent.
Nothing is omitted Irom the
progress of events: kidnapping.
murder, successful marriage, unsuc-
cessful marriage, long und detailed
scx episodes of every kind, Finally.
everyone manages lo reach some
happiness — give or take a denth or
two — all in soap opera style.
Oh at Σ
Oa
FO Pe hk hell
Ἀ
ΙΜΡΟΗ͂ΤΑΝΤ
Annual Registration of
British Residents
All cibzons uf the Unitod Kingdom and
Colonias and of Commonwealth
countries (axcept Australia, Canada ‘and
Matta). British subjects withoul
citaanship and Briusah-protected
persons. who ore resident in Israel but
fra NOT citizens of Israel, ara remindad
That nny should rogister each year
prefarobly in Jand: at a Bntish
Consular Offica Failure 10 do 50
regularly will valve the removal of ther
narnas from the reyrster.
VISITORS in the above-mentioned
categores are also advised to register.
Rasidents of, and visitors to the State of
Israa) who intand to register may apply
with their British passports between
8.00 am. and 1.00 p.m. Monday to
Friday inclusive at:
‘Tha Consular Section
British Embassy
198 Hayarkan Street
Tal Aviv,
or, if rasidant in Jerusalem, between
8.00 am and 11.00 a.m., at the British
Consulate-Genezal δι:
SHIRLEY Schoonover's novel A
Season of Hard Desires (Avon,
236pp. $2.50) is intelligent and
observant, at times even poetic. !t is
a pity therefore that, following the
pap trend, she has indulged in so
much sex detail, Leah Knutinen,
Finnish-American-born and farm-
bred, manages to win scholarships,
a Ph.D. degree and a teaching post
in a small college. Her first love af-
fair ends in abortion, her last in
compromise. The story is in the
third person for the past, in the first
person for the present. There is
good writing almost all the way, so
that the soft-porn is both unneces-
sary and regrettable.
JOHANNA Lindsey's Paradise
Wild. (Avon, 313 pp. $2.95) is the
kind of junk food — tasty but
worthless — that makes publishers
and perpetrators rich. A handout
says there are three million copies
of the author's previous novels in
East Jerusalom
or
Tower House
Station Road
Weat Jerusalem
Postal applications should be
accompanied by postal ordera of stamps
to cover return registered postage o! the
“THERE WAS A CROOKED MAN”
— produced by JOSEPH
MANKIEWICZ with KIRK
DOUGLAS. HENRY FONDA and
ROBERT BENTON.
THE BLURBS of her novels will tell
you that Bernice Rubens’ writing is
both blackly comic and hilariously
disturbing. Which, I suppose, makes
her a social satirist. But, as Swift
τοῖς, there are “two ends thal
Men propose in writing Satyr, one
of them ... regarding nothing further
than the private Satisfaction, und
pleasure of the Writer ... The other ... a
publick Spirit prompting men of
genius, to mend the world as far as
they are able." Though Rubens sees
alot wrong with the world, and ob-
viously enjoys laughing at it, she
-doesn’t seem to want to change
CONCERT-CAFE
THE ISRAEL BACH SOCIETY —
plano and harpsichord duo — HEIDI
KOMMERELL, guest pianist from
Germany and EL! FREUD in works by
BAGH, MOZART. KREBS and others.
Saturday, January 16 at 6.00 p.m.
Price: IS 70.- including colfes
' and pastries. ‘
. , Tickets δὲ the cashier's desk
THE SHARON. HOTEL
- Hareliya-on-Sea, ᾿"
Fel, O62-78777 ‘1. -
United Tours bus No. 80.
‘| ly funny to the savagely ironic her
stance is invariably uninvolved.
She has no ideal vision to set agains!
the joyless, loveless world her
novels depict, Bs es Τότς
The first of the novels, ἃ fantasy
entitled Spring Sonata, ends with the
death of a mother and child. While
| hope may spring eternal. in the
= PLASTIC AND ""
_ SYNTHETIC CURTAINS
imported for -bathrooma, ‘ kitohens,
Ἢ prepared to ordi ddn:
‘tablecloths,
covers. = - GEFFNER: .
29 Rehov Ploeker, τοὶ Avi
* commer Trumpéldor, Tel. 288)
things. As she ranges from the gent- ᾿
Dora Sowden
print, and Unat the 28-year-old
mother of three “became an author
after she read Δ mumber of romantis
novels and decided to try wiitny
one herself. See haw eisy st
Like selling pizza.
The heroine is ad Bostumian
beauty, and the story is her ding-
dong love affair with ἃς Haneatinin
macho whe comes lo Boston lo avenge
his mother's death Ceaused, he
believes by the beauly's father). The
Bostonian finds out his motives, and
dares (o take her own revenge. A
long line of misunderstundings and
quarrels, love bouts (beginning with
rape), and separations, ends predic-
tably. A tiny glimpse of Hawaiian
life provides a brief escape from the
mush.
SALLY MANDEL'S Change of
Hean (Dell, 416pp. $4.50) is 4
departure from the usual lust-love
syndrome. St must be the first
romiunce about a heart transplant —
and it is written without sen-
sationulism. Sharlie has had heart-
defects since birth. Three maifunc-
tioning valves suggest the need for
transplant surgery but she fears to
live with a strange heart. Chance
brings Brian, a young lawyer, into her
life. They fall in love but only a
heart transplant can ensure a nor-
mal married life for them,
So the transplant takes place.
How it changes her character for ἃ
time (despite psychiatric aid) is not
far-fetched, and has been known to
happen. The writing is economical,
shrewd, clever. Sharlie is intelligent,
witty, pretty, well-read. Other
characters are also well sketched —
the domineering father, the submis-
SPRING SONATA by Bernice
Rubens, London, Sphere Books.
215 pp. £1.25.
BIRDS OF PASSAGE by Bernice
Rubens. London, Hamish
Hamilton. 215 pp. £7.50,
Jackie Stein
tion in amniotic uid, Buster's diary
obligingly reveals how a nice Jewish
housewife like Sheila Rosen got
herself into such o mess.
AND SO on to the next novel, Birds
of Passage. The birds in this cnse
are two eminently decent Indies in
their sixties, patiently waiting for
their husbands. to expire, and
meanwhile planning the ocean
cruise that will follow the sad event.
In oe ἀπαυῖδε Loveboat type set-
ting Rubens’ ‘humour becomes, as
ob-
jects. For Ellen It's-alt.a bil of ἃ
ighttjare, but dear.old Alice sur-
renders. herself. sweetly’ to the ver-
μ᾿ Walting-re m-faping-
Soapy sensationalism
sive mother. The moud is semtimen-
tal but sophisticated. The reader's
sympathy is caught, and kept.
OUT OF the ordinary among thrik
leis is Lively Anthony's ‘The Grave
of Youth (Arrow, 244pp, £1.95) —
nel se uch tor the writing as for
the theme, Did) Fea Braun bear
Hither a child! Or was it (wo? The
sturs explores the nation through an
ingentous series of consequences.
Uhen ix at love-story involving
thease whe seek τὸ unravel the
mystery. Americuns, Germans,
Russians follow the clues, and ravel
the skein of danger. The author is
adept and inventive, and devotes as
much time to peuple as to the in
tricactes of situation. 50 the plot is
nol just diagrammatic. Whoever
thought another thriller could be
extracted from Hitler's bunker?
Weill, here it is.
SHORTLY BEFORE she died in
July 1979, Helen van Slyke com-
pleted her ninth novel, No Love Lost
(Bantam, 404 pp., $5.50) — and
quite her best. In this domestic
romance, the main characters are a
wise and wealthy grandmother, a
mother who divorces her philander-
ing husband, a self-willed daughter
who marries young and whose hus-
band, stationed in England during
World War 11, hus a love affair, and
a scheming girl-friend.
The surprise twists, (one ¢x-
husband marries the widowed s-
cond wife of his ex-father-in-la¥)
are rather tortuous, but the story is
quite plausible. Diulogue is offen
witty, always natural. The ending is
neither predictable nor conven
tional. One goes on reading because
it could have happened to the peo-
ple in one's milieu in America ~ if
one were rich, educated and a?
ligent, Ε
Laughing on the outside
waiter in a beautiful, belted
awakening. ᾿
“Of that sort οὐ humour pie fs
fancy, you'll have u great tim
sship’s fancy dress bull. The scene
opens with one timid ~nnd_ she
Stuart Petly, ee "᾿ being
the first to arrive and he ts,
dressed as Adolf Hitler. Leyte
rest of the passengers in.
is delighted to spot a rou
more Adolfs, und there is = happy
Prospect of many more
down forelocks. “He knew the
that his choice of costume ἽΝ
solutely right und proper. mould
there was no other way @ need
attire himself." Among the and
two ruffled birds, our Elles ἣν
Alice, dressed in cosummn® trl
guise as Queen Elizabeth pr
like pea-hens, their patriot ism
(Emmeline’s second daughter-)'
a Golda Meir, represented ἐν ae
woman who for better or We
already had the face.
we are told, “had tact
the Hilter role...” ey
᾿ Bernice Rubens also wri ἰν
the stage,-televison and the © jivel:
where { imagine such δ Ἢ.
Seam σα ῖον, gs Ἵ
luminating, However, DO -
creations have that unica Py
that comes from the joyless""- ἢ,
Her δ
fully shunt
το σαὶ eee
ΠΡ ΠΕῸΣ
$234 PEALE
τ
Ι DARESAY many οἱΐηι speculate
as 10 what kind of life they would
have led if they had stayed in the
country of their birth. A sort of dop-
pelganger pursues us with ἃ shadow-
self, and in moments of depression
we aire ipl Lo imagine that we have
inissed some glorious opportunities,
When common sense reasserts itself,
we admit that even if we had done
“better” (i.e. amassed more fame
and/ur fortune), there would no
doubt have been a high price to pay
— anli-Semitism, and what to do
about the children for example.
These thoughts are prompted by
Gloria Mound's highly entertaining
memvirs, allhough if | had stayed in
England I know my life would have
been nothing like hers. Mrs, Mound
is by no means εἰ professional writer,
In fact, she has spent most of her
life running, together with her hus-
band, “Leslie's Delicatessen," a
grocery shop in Wembley in N.W.
London — hardly one would have
thought the stuff of which literature
is made.
Yet because she gets right
down to the nitty-gritty of the actual
problems involved in running a
shup, she draws us right into her
life. One is held spellbound as she
explains, for instance, how they
managed lo stock those indispen-
sable items of Jewish diet such as
smoked sulmon, smoked herring
und real cream cheese, in the early
days when they couldn't afford a
fridge — their gentile neighbours,
nioved by their plight, eventually
lent them £100 to buy one on the
never-never.
Leslie and Glorin started out with
prictically nothing, and by borrow-
ing, scraping, selling Gloria's
engigement ring, and working like
TAKE A BASKET! by Gloria
Mound, Perpetua Press. 159 pp.,
£2.95,
UP THE CROSSING by Ken
Ausden, illustrated by Phillidu Gili.
British Broadcasting Corpora-
lion. 237 pp., £6.50.
Aviva Even-Paz
gulley-slaves, managed to build up 4
thriving business. Life was all the
more difficult for them because
they ure both Orthodox Jews and
they tried as hard as they could not
to break any of the laws which
created a lot of problems. In fact, as
told by Gloria, life was one long
problem. They were surrounded by
aunti-Semilic shopkeepers, lots of
custamers got out of paying as long
us they could; and there was the
Perpetual drain of pilfering both by
the customers ind sume of the assis-
tants they were luter able to hire. It
was nol unusual, for instance, for
well-befurred ladies to roll up in
limousines, to be found later at the
hack entrance where the stores
were kept, pinching expensive
tinned goods. One well-hecled
matriarch invariably demanded
“cracks” (cracked eggs which went
cheaper), and was not wbove break-
ing ἃ few accidentally to fill her
quota,
IN ADDITION to all this, in order
lo make ends meel, the Mounds had
to lel the two flats above the shop.
This led to endless difficulties with
non-paying tenants, drunken te-
nunts, vanishing lenants. With the
advent of the Rent Protection Act
— ἃ humanitarion, measure
designed to thwart rapacious
landlords — they were expluited
ruthlessly by equally rapacious te-
nints, the “compassionate” sociely
having overreached itself
somewhat.
Throughout all these trials, the
Mounds brought up two children
whom they steadfastly sent to
Jewish schools, looked after their
aged parents (they always refer
endearingly to their vurious saunts
and in-liws as “our deer Aunt
Becky, Rachel” ete., not an adjec-
live [would usually have applied to
any of my relativ They worked
hard fur various charities, especially
Jewish and Isracli ones. They even
sold what Gilorin charmingly culls
such “Jewish appurtenances” us
Hebrew text books, tefillin and
Israeli records. In fact they were the
model of an industrious, devout and
charitable couple.
The really unusual thing tome is
that the Mounds tugk their file in
Englund, which sounds no casier
than life in Israel, as uw permanent,
immutable fact. Israel to them i
something wonderful — and apart,
When their son eventually marries
am American-Israeli girl they are
delighted but never even consider
leaving England.
Their book bears out convincing-
ly the vld maxim that you should
only write about what you know,
Gloria Mound has no literary style
as itis generably conceived. She tells
her stary exactly as she nu doubt
would tell it la you over the
counter. Just because she is so
artless and forthright, and includes
all the telling little details that make
up reality, in her own way, she has
produced, well, not a musterpiece,
but a memorable record of one cor-
ner of Anglo-Jewish life.
SONNETS, not surprisingly, have
been written to Venice and Capri
bul one would hardly expect a fond
reenilction of Swindun, αὶ large un-
lovely town on the main line
between London and Bristol whose
raison d'étre was the Great Weatern
Railway in its heyday. Ken Ausden,
now headmaster of u Swindon
primary school, did .not have to go
home again — he never left. In this
book he tries tu give a picture of his
childhood in the dismal Thirties
when the children mitnaged tu be a
lout happier than their parents.
Although at's all there — trips τὸ the
seunide, children’s games, uncles,
aunts, old grannies, unpaid bills, the
First World War's long shaduw —
strangely enough it is very difficult
to read, and never ance does the
reader get davelved, The characters
become caricatures, dad one ean
almost see them ina comi¢ strip —
working-class housewives with
curlers in their hair, and clothes-
pegs between their teeth, with tittle
halloons of Cockney humour vom-
ing vut of their nvouths. .
Gloria Mound ulways remains
part of her milieu, and writes accor-
dingly [rom the inside. Mr. Ausden,
although he would probably be hor-
rified τὸ admit it, has passed beyond
his, whilst pretending still τὸ be part
oF 1}, This makes his book tedious
reading, and il never comes to tife.O
THIS EXCITING BOOK describes
how the American lobby for Isruel
was established in 1951 when the
few Jewish state urgently needed
economic assistance from the
United States in order to resettle a
flood of incoming Jewish reiugees
and settlers. Because of the opposi-
tion of the State Department,
American Jews had to appeal lo
Congress.
LL. Kenen was the spokesman
for the American Israel Public A1-
fairs Committee (AIPAC is its
acronym), and the founder of the
Near East Repurt.
_Now retired, Kenen has wrilten
his own story, a superb personal
memoir and historical chronicle. He
15 veteran journalist, having served
on the Toronto Star and the
Cleveland News. He was a founder of
Tag j American Newspaper Guild in
Kenen gave up journalism in 1943
When he joined the American
Zionist Emergency Council in New
York, and later the American
Jewish Conference, the Jewish
Agency for Pulestine, and the Israeli
delegation.
His book is unique in its account
of important events in a 40-year
Israel was a trustworthy, reliable
Dr. Carl Hermann Voss, the
40-year struggle #""""
ISRAEL'S DEFENSE LINE: Her
Friends and Foes In Washington by
LLL. Kenen. Buffalo, Prometheus
Books. 345 pp. Hardcover $18.95,
softcover $9.95.
David Hyatt
struggle. Seeking to overcome the
opposition of oil men, veleran
Arubists, and mercenary arms
merchanis, Israel's friends had to
turn to Congress, which reflected
the views of the American people.
so many of whom favoured the es-
tablishment of Israel. Congress
became Israel's defence fine,
KENEN'S NARRATIVE begins in
1943, with the preliminary cam-
paign in the American Jewish
Conference to demonstrate thal a
majority of American Jews
favoured a free and democratic
Jewish commonwealth, That was
followed by the struggle betwecn
Jews and Arabs at the UN Charter
Conference in San Francisco in
1945; the Peace Conference in Paris
in 1946; the UNSCOP (United Na-
tions Special Committee on
Palestine) visit to Palestine in 1947;.
the spectacular victory at the UN in
November, 1947, culminating in
President Truman's formal recogni-
tion of Israel in May, 1948. Thus,
Kenen’s service at the UN and his
journalistic experience made him
the logical choice to spearhead the
campaign for U.S. aid in
Washington.
Since then Israel has endured w
State of siege on both the
Propaganda and military fronts.
This book records the constant
struggle to maintain the support of
the U.S. government and the
American people,
Kenen's task was to inform
Americans that Israel and the
United States were fellow
democracies, sharing common
ideals and aspirations, and that
ecumenicel scholur-in-residence ul
the National Conference of Chris-
tians und Jews, was inviled by
Kenen to write the foreword τὸ his
book. This was appropriate,
because their paths first converged
in 1943, when Voss, like Kenen,
joined the campnign on behalf of
Israel at. ils inception. Voss is
enthusiastic about Kenen's book,
und echoes the views of such men is
Henry A. Kissinger, Jacob K. Juvils,
Jonathan B. Bingham, Father
Robert F. Drinan, and Daniel .P.
Moynihan.
AS A Roman Catholic layman, |
find myself in complete agreement
with Dr. Voss, 4 Protestant minister,
when he says: "My one regret about
Kenen's work is that he did nol have
the kind of support from Christians,
both political and financial, which
he could well have used and certnin-
ly deserved."
Kenen sets down the record ol his
work with modesty, yet with a sense
of uchievement. Here is a dedicated
and persistent advocate of justice
for his people. He is quietly etlec-
live, well informed, and impervious
to attack and criticism. He en-
cuuntered sctbucks and defeats us
well as victories, and he records
them with objectivity.
On the whole the bouk is a dispas-
sionate account, and teads to cvol
triumphs and maderate resentment
and reerimination. Keren provides a
eritical treatment of the issues as
well of his associates. He oflen dil-
fered with colleagues and Israel
leaders, and expressed his disugree-
ments forthrightly.
Why must this story be luld?
Above all else, one lesson is clear:
the defence of: Israel's in-
dependence, stability and security is
a never-ending battle. tis a con-
tinuous, struggle in which Jews and
non-Jews must unite. Emerging
from the Holocaust, Israel was and
is one of the hopeful, creative and
positive developments in a world
gone mad. That is why this book is
so significant. 6
iDr. David Hyatt is President of the
U.S. National Conference af Chris-
Hans and Jews, and of the Iner-
national Council of Christians and
Jews.)
THE PRESENT study does not
Provide a blueprint for future
Cooperation between Israel and
Egypt. Rather, i attempts an out-
line of the positive and negative"
forces likely to affect the movement
toward peace initiated by Sadat in
1977. (The authors’ maintain thal,
however important Sadat’s initiative
may have been, there are underly-
ing forces in Egypt — demographic,
economic and bureaucratic —
which are finally more decisive, arid
which favour a political settlement ~
of the Arab-Israeli conflict).
_ The authors focus on the reac-
tions of the politically relevarit«
Limits of cooperation
COOPERATION BETWEEN
ISRAEL AND EGYPT: Positions and
Trends by Shimshon Zelinker and
Zaki Shalom. Tel Aviv University,
Centre for Strategic Studies. Paper
No. 9. 56 pp. No price stated.
Ὡ-ο.............-...ϑ..-.....-.σ.ὕ......»ὕὕ
stratu-in Egyptian society — in par-
ticular, the bureaucracy, commer+
cial circles and the military — to
these- forces. They, suggest thal the
Egyptian middle class, and impor-
tant elements in the officer corps
and in the bureaucracy, favour are-
direction of national resources from
war-related. or ‘externul aims 10
programmes of domestic develop-
ment. Continued normalization and-
couperation thérefore depend on a
proper understanding of the percep-
tions and aims of these strata.
Yel there is a deep asymmetry in
Israeli and Egyptian concepts of
peace, For the Israelis, it is an end
in itself: for the Egyptians it’s au in-
strument to relieve their country ul
its other, and more pressing, ills.
The study emphasizes also that
cooperation, even if: extensive, can
end, and does not always reap
political benefits. They regard ‘as
wishful thinking the: notion that
cooperation will necessarily tie
Egypt's hands. In addition, the no-
tion of economic cooperation is
examined and found to have many
attendant dangers. It is true that
economic considerations helped to
bring Epypt to the negotiating tuble,
but there's the danger of the ensu-
THE JERUSALEM POST MAGAZINE -
, Suindards,
ing disappointment from aver-great
expectations, financial mismunage-
ment, and the inability ta meet de-
nrands. y
The study acknowledges thal it ts
not easy to identify all the elements
making for. normalization, and
recommend contrulled progranimes,
which will best avoid the pitfalls of
private profiteering, poor technical
and financial mis-
manugement. They favour limited
technical cooperation, under
governmental control, und political
and military cooperation in
frameworks which will involve
the U.S. TS.
PAGE SEVENTEEN
The business world often applics ἡ
double stundard to this type ot
potential customer. On the one
hand, many adverlisements — often
loo many — are designed to catch
the eye and ear of ie younger cou-
sumer, either to get him τὰ buy or
pressure parents inte ding so. Ou
the other hand, some merchants dis-
play impatience with young
customers, keep them waiting while
they serve adulls who vame later. or
even refuse them entry τὰν their
shops,
There «re interesting indications
that the younger consumer is being
taken seriously. One at them is it
few book oon cunsumerism, lor
render fren eight lo 18, Another is
the growing trend of banks to per-
the first to offer cheque-books to
lo-year-olds, and Bank Leumi
recently followed suit. Discount in-
troduced the new style after the
army abundoned its old paymaster
system, and had its soldiers open
bank accounts where their pay was
deposited.
Discount’s sules department
manager, Issachtr Kaufman,
decided it would be a guod idea to
attract future soldiers when they
were [6 and 17, and to offer them
checking accounts even though
they were still minors.
To open a checking account at the
Discount Bank (and now at Bank
Leumi also), all that is required is
for a boy or girl to be 16 years of
age, and in possession of un identity
card, Parental consent isn't re-
SAYS BAS RE TN TE SP MRS Aan TES SIT ML BAY τας
tal consent for such transactions.
He adds the law on families und
guardianships contains a clause to
the effect thal transactions “not in
the customary line of activity of a
youth” are not legally binding
without an adult signature.
ONE CONSUMER activist who is
not too happy about checking ac-
counts for minors is Nuzhat Katzav,
director of the Histadrut's Central
Consumer Authorily, She believes
that most fsracli teenagers haven't
had enough financial experience to
use their new [reedom properly,
Katzav wis a leading advocate of
consumer education in the schools
during the mid-'70s when she was a
Knesset member. In thut period the
Education Committee adopted a
decision in principle that consumer
education should be mandatory in
the public schools, The Pedagogical
~ quired; nor is parental knowledge of .
ἃ the account. Limits have been set,
x
'5 however, to. these accounts, The
mil [é-year-ulds to open checking
{or current) uccounts, And there 1s
the beginning of consumer educa-
lion in the schools; it's most
developed in the high schauls of the
Amal and Na'amat networks, but is
heing tried out also ia junior high
school’ in the state system.
A VERY readuble 78-puge Hebrew
paperback, Kawa Felama (How
Much and Why), has been written
by Ada Levanon, who is the deputy
director of the Isruel Consumer
Council, bul who is here writing ina
private capacity. It is published by
Avesham Naveh of Ramat Gan and
has-a recommended price of [560.
Levanon is the mother of three
teenage daughters, “uny of whom 1
could trust τὸ go out and buy a
refrigerator.” Not every teenager,
however, has a mother who works in
consumer counselling, an occupu-
tion which obviously rubs off ut
home. She decided on the book
ποῦ noting the enthusiustic reac-
tion to her aceasionul lectures at
schools throughuut the country.
“Naturally,” she remarked, “the
first thing I did was to give the buok
to my own daughters to read, Tami,
age 13, and Ruthie, 11, devoured it
from cover to cover. Judy, who's
cight, is still awaiting her tum, Tami's
astute comment wus that al) the ad-
vice is good but sometimes hurd τὸ
follow in practice, for instance com-
paring prices before buying
something in the latest mode,
Ruthie, who likes anything to do
with numbers, was nevertheless
stared by my suggeslion that the
consumer compare unil prices of
different brands before he makes
his supermarket purchase. She
thought it would take all day Lo shop
like that?”
Her book does teach children
how to calculate the unit price (per
100 grams, for instance), The in-
struction is embedded in ἃ story
about a group of youngsters buying
« food for a camping trip with their
« "youth movement, She alzo teaches,.
“ἢ “through other lively stories, how to
- read‘ labels. on food products,
decipher code-deting on tins and
. laundering symbols on clothing.
Adults, tao, could learn alot from
the book; it is. written in simple,
ἡ everyday ‘Hebrew, understandable
J by anyone who can read basic un.
vowelled print.
SEVERAL CHAPTERS deni with
ἐν ‘egnaunter problems peculiur to
minora. One.of the moat fascinating
iS on! the ‘expensive aquarium
‘purchased on impulse by a 14-year-
old with the: wages from -his first
summet . job. in his’ pocket. His .
. parénts persuaded him to returo it;
το the shopkeeper was prepared lo ex-
change it for other goods, but nal to
- peturn.the moncy. With the help of
. the Israel Consumer Council, the
* father went to Small Claims Coun, .
He won his case, on‘ the grounds
. that it is not customéry for ἃ hoy of -
PAGE EIGHTEEN
MARKETING WITH MARTHA
14 to make such a large purchase
without the intervention or agree-
ment of his parents.
At the other extreme is the story
of the children refused entry to a
Tel Aviv supermarket simply
because of their age. One of them
wrote to the Consumer Council,
which replied there is no, legal
ground for refusing children entry
to a supermarket, and thercupon in-
tervened to obtain its apology.
Elsewhere in the book, she
remarks that children have the right
to enter shops, receive courtcous
service, and buy the goads on dis-
play just as though they were adults.
How are we to reconcile this with
the case of the aquarium, in which a
court declared a sale invalid
because (he sum spent was more
than is usual without parental
guidance? When | put this question
to Ada Levanon, she said il is a mat-
ter for the ‘considered judgment”
of the shopkeeper — in other
words, he must use his common
sense to decide if the purchase is a
reasonable one for a young person
to make on his own. ”
AT LEAST when it comes to buy-
ing on the instalment plan, the law is
clear, The signature of u minor, of
anyone under 18, is not binding; it
must be accompanied by the
signature of a parent or legal guar-
dian. This means that young persons
who commit themselves to buying
an expensive set of bvoks, for in-
stance, do not commil their parents
to keeping the contract, They may
return the merchandise and cancel
the agreement. In fact, under the
new Consumer Law, any consumer
- may change his mind and cancel an
instalment-plan purchase from a
pedlar (someone not working at a
Fixed business address) within one
week of signing. . ὺΣ
ADA LEVANON'S book gives a few
Ups useful for readers of any age: A
multi-ride bus ticket no longer ac-
cepted an buses becuuse il is long
past the latest price rise can be.
returned by mail ta Dan or Egged.
which will send a credit slip toward
the purchase of δ new ticket, When,
the price first rises, old tickots are
still valid for another fortnight, and
it is then possible to ndd cash lo
make up
limited time-span.
A shopkeeper cannot make the’
purchase of one item on display |
_ Contingent on the purchase of other:
items. This. Is, clear from Ada
Leévanon's story about the girl who ;
. wont to buy an English textbook:in a.
certain shop and Was informed it-
the sum for another -
THE JERUSALEM
was sold only to young people who
bought all their books there. The
same holds of a grocer; he is obliged
to sell a single loaf of bread or bag
of milk, whether or not the
customer buys anything else.
A true and encouraging story that
Levanon tells is about a pupils’
committee which led a successful
boycott of the neighbourhood
kiosk-owner, who had raised his
prices three times in a month. He
agreed finally to stabilize his prices,
and even to display them
Prominently as required by law.
The sections on how to select
gym shoes and schoolbags will be
useful to parents and young people.
1 was happy to see a chapter
devoted to the danger of epledine
soft-drink bottles, and how lo avoii
it. | agree with the advice that adulls
should be the bottle-openers.
ONE MINOR reservation about the
book, It carries the rubric:
“Publication of this book was made
possible through the generosity of
.Bank Leumi L'Yisrael."" The
publisher informs me that the bank-
grant ensured an attractive format
for a book with an unpredictable
future, and allowed its sale ut a
Teusonable price.
The bank received in return only
this brief acknowledgement on the
litle-page, and a number of free
copies, which it distributes τὸ
libraries, {ἰ is apparently increasing-
ly common for commercial institu-
tions, such as banks, to subsidize
children’s books and magazines. !n
the case of αὶ consumer guide, which
must be of unimpeachable objec-
tivity, 1 would have preferred the
book to be published without such a
subsidy.
There is also an acknowledge-
ment to Bank Leumi in the chapter
on inflation and savings, This is
because the bank provided the
figures on compound interest rates.
Levanon says she oblained these
figures from Bank Leumi quite by -
are De ined’ iky “parents refused to pay?
ohance before she realized the
publisher would ask it for a subsidy,
In general, Levanon does not
name shops or manufacturers, and
invents.brand names for her exam-
ples, She avoids discussing specific’
prices, since these change too rapid-
ly. She also entirely avoids the issuc
of Isracli-made versus imported
᾿ goods, and speaks only of choosing
through qunlity and price. ΝΟΣ σὸς -
she mention the latest financial ap-
portunity for tecnagers; cheque-book
shopping, about shich she is not
very enthusiastic. . Pong
THE ISRAEL Discount Bank was
POST MAGAZINE |
= © practice, develuped by Discount
and later adopted by Leumi, is 10 is-
sue one cheque-book of 10 cheques
at atime, Each cheque is valid for a
sum up to 1550 only. If a tecnager
purchases something that costs
more — and even a pair of jeans is
more than that — he must write
several cheques until they amount .
to {he appropriate sum. These
limitations mean, in effect, that the
bank's risk is only for 181,500.
These young people's cheques
have a distinctive appearance.
Discount's are orange in colour;
Leumi’s feature silhouettes of
young people. Merchants have been
informed through publicity cam-
puigns that the two banks will cover
these cheques up to 1S150 cach,
whatever the state of the individual
account, This makes ‘them into a
sort of banker's cheque, | was told.
The young people carry a special
bank identity cord bearing a photo.
Discount Bank has even reached an
agreement with some 1,700 busines-
ses throughout the country to grant
discounts of five to 20 per cent to
minors paying with these cheques.
Each bank also permits 16- and
\7-year-olds with such accounts to
draw cash, up to [5150 a day, from
the automatic Caspomat machines,
which are shared by Discount and
Leumi. This is an added risk, but
fairly easy to control because of the
computerization of these machines;
they can be programmed to refuse
funds if cover is inadequate. ΄
No, the banks are not yet issuing
credit cards to teenagers, Issachar
Kaufman reassured me, but, he
said, “we'll probably get to that
eventually.” He said these checking
accounts have proved very success-
ful, and they haven't been misused
much. ~ :
WHAT HAPPENS when minors
run up an overdraft? First of all, the
minor himself is warned, as with an
adult. If-he fails to make good on his
debt to the bank, his parents are in-
formed. To date, this is as far as
things have gone, and purents have
made good in the few cases where
their children abused the banking
privileges.
And what would happen if
aufman,
himself a lawyer, says that parents
or guardians could be taken to court
and forced to pay up, since they are,
in the final analysis, responsible for
the financial actions of minors. A
defence lawyer for the parents
could argue that it was the bank
‘ which enticed the minor to open an
; account without his parents’ con-
sent or -knowledge, and the bank
should therefore bear the loss." -
ει" Discount’s.sales department head
observes that, while 16-to-18-year-.
«Ὁ olds are permitted to deal in foreign
‘ currency, and stocks’ and bonds.
the bank does téquite formal paren:
ὃ facilities.
Council of the Education Ministry
was then supposed to prepare
material in connection with such
education. When Katzav enquired
of the minister, Zevulun Hammer,
why the decision hadn't been
implemented, he replied that con-
sumerism was important, but other
subjects had priority,
Last week, the Education
Ministry's spokesman told me that a’
course in consumer education has
been introduced on atrial basis ina
‘number of junior high schools. !n
addition, from time to time elemen-
tary-school principals are sent cir-
culars which suggest topics for dis-
cussion of interest to the consumer.
Nonetheless, dissatisfied with
such tardiness, Katzav and her’
Histadrut Consumer Authority
decided that “charity begins at
home,” as she put it, and managed
to introduce a compulsory con-
sumer course in all high schools of
the Amal and Na’amat vocational
networks, and in some of the Ort.
schools as well, The material is
prepared by the Consumer
Authority, which also instructs the
teachers, The three topics studied in
these -schools are good shopping
habits, consumer legislation, and
the consumer versus the advertiser.
Katzav is convinced that con-
sumer skills can be (aught, and that
consumerism should not be con-
sidered just a sideline to home
economics courses, Houschold
- budgeting and nutritional planning
are only two aspects of con-
sumecrism, she says. There are many
others, among, them safety, quality
of life, servicing and legal protec:
tion, © "
VISITING the Central Consumer
Authority offices at 5 Ben Shaprut
Street in Tel Aviv (behind the
Histadrut headquarters [ἢ
Arlosoroff Street), { found 4 very
useful Jibrary of consumer
pamphlets and journals, in δ'
number of languages, including
English and German. Among
English-language publications the
Authority regularly subscribes [0
are the U.S. Consumer Reports and
Ralph Nader's Multinational
Monitor, the British Which, he
Canadian Protect Yourself, and the
German Test. The cross-reference
system of. these magazines peas
much to be desired but, it may De
‘possible to discover relevant arti-
cles, The library offices are at Fiat?
of the Ben Shaprut ou
They're open between 8 a.m. ant
p.m. daily, and till { p.m. Fridaye.
Consumer advice or researc
help can be dbtained from 9a.m.to - . Εν
12 noon Sundays and Tuesdays: rhe
from 3 to 6 p.m. Tuesdays, Ot
telephone number of -this office
264034, You don't have to be
Histadrut member. td use Le
"FRIDAY, JANUARY 15, 1982
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